Diaschismic family: Difference between revisions

Wikispaces>clumma
**Imported revision 253029122 - Original comment: **
Wikispaces>keenanpepper
**Imported revision 264898354 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:clumma|clumma]] and made on <tt>2011-09-12 02:41:43 UTC</tt>.<br>
: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2011-10-14 16:27:46 UTC</tt>.<br>
: The original revision id was <tt>253029122</tt>.<br>
: The original revision id was <tt>264898354</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc|flat]]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc|flat]]


The 5-limit parent comma for the **diaschismic family** is 2048/2025, the [[diaschisma]]. Its monzo is |11 -4 -2&gt;, and flipping that yields &lt;&lt;2 -4 -11|| for the wedgie for 5-limit diaschismic, or **srutal**, temperament. This tells us the period is half an octave, the GCD of 2 and -4, and that the generator is a fifth. Three periods gives 1800 cents, and decreasing this by two fifths gives the major third. [[34edo]] is a good tuning choice, with [[46edo]], [[56edo]], [[58edo]] or [[80edo]] being other possibilities. Both [[12edo]] and [[22edo]] support it, and retuning them to a MOS of diaschismic gives two scale possibilities.
The 5-limit parent comma for the **diaschismic family** is 2048/2025, the [[diaschisma]]. Its monzo is |11 -4 -2&gt;, and flipping that yields &lt;&lt;2 -4 -11|| for the wedgie for 5-limit diaschismic, or **srutal**, temperament. This tells us the period is half an octave, the GCD of 2 and -4, and that the generator is a fifth. Three periods gives 1800 cents, and decreasing this by two fifths gives the major third. [[34edo]] is a good tuning choice, with [[46edo]], [[56edo]], [[58edo]] or [[80edo]] being other possibilities. Both [[12edo]] and [[22edo]] support it, and retuning them to a MOS of diaschismic gives two scale possibilities.
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=Pajara=  
=Pajara=  
Main article: [[Pajara]]
Pajara, with wedgie &lt;&lt;2 -4 -4 -11 -12 2|| is closely associated with 22et (not to mention [[Paul Erlich]]) but other tunings are possible. The 1/2 octave period serves as both a [[10_7|10/7]] and a [[7_5|7/5]]. Aside from 22et, 34 with the val &lt;34 54 79 96| and 56 with the val &lt;56 89 130 158| are are interesting alternatives, with more accpetable fifths, and a tetrad which is more clearly a dominant seventh. As such, they are closer to the tuning of 12et and of common practice Western music in general, while retaining the distictiveness of a sharp fifth.
Pajara, with wedgie &lt;&lt;2 -4 -4 -11 -12 2|| is closely associated with 22et (not to mention [[Paul Erlich]]) but other tunings are possible. The 1/2 octave period serves as both a [[10_7|10/7]] and a [[7_5|7/5]]. Aside from 22et, 34 with the val &lt;34 54 79 96| and 56 with the val &lt;56 89 130 158| are are interesting alternatives, with more accpetable fifths, and a tetrad which is more clearly a dominant seventh. As such, they are closer to the tuning of 12et and of common practice Western music in general, while retaining the distictiveness of a sharp fifth.


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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Diaschismic family&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:48:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:48 --&gt;&lt;!-- ws:start:WikiTextTocRule:49: --&gt;&lt;!-- ws:end:WikiTextTocRule:49 --&gt;&lt;!-- ws:start:WikiTextTocRule:50: --&gt; | &lt;a href="#Pajara"&gt;Pajara&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:50 --&gt;&lt;!-- ws:start:WikiTextTocRule:51: --&gt;&lt;!-- ws:end:WikiTextTocRule:51 --&gt;&lt;!-- ws:start:WikiTextTocRule:52: --&gt; | &lt;a href="#Diaschismic"&gt;Diaschismic&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:52 --&gt;&lt;!-- ws:start:WikiTextTocRule:53: --&gt;&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt;&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt;&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;!-- ws:start:WikiTextTocRule:56: --&gt; | &lt;a href="#Keen"&gt;Keen&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:56 --&gt;&lt;!-- ws:start:WikiTextTocRule:57: --&gt;&lt;!-- ws:end:WikiTextTocRule:57 --&gt;&lt;!-- ws:start:WikiTextTocRule:58: --&gt; | &lt;a href="#Bidia"&gt;Bidia&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:58 --&gt;&lt;!-- ws:start:WikiTextTocRule:59: --&gt;&lt;!-- ws:end:WikiTextTocRule:59 --&gt;&lt;!-- ws:start:WikiTextTocRule:60: --&gt;&lt;!-- ws:end:WikiTextTocRule:60 --&gt;&lt;!-- ws:start:WikiTextTocRule:61: --&gt; | &lt;a href="#Echidna"&gt;Echidna&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:61 --&gt;&lt;!-- ws:start:WikiTextTocRule:62: --&gt;&lt;!-- ws:end:WikiTextTocRule:62 --&gt;&lt;!-- ws:start:WikiTextTocRule:63: --&gt;&lt;!-- ws:end:WikiTextTocRule:63 --&gt;&lt;!-- ws:start:WikiTextTocRule:64: --&gt;&lt;!-- ws:end:WikiTextTocRule:64 --&gt;&lt;!-- ws:start:WikiTextTocRule:65: --&gt; | &lt;a href="#Echidnic"&gt;Echidnic&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:65 --&gt;&lt;!-- ws:start:WikiTextTocRule:66: --&gt;&lt;!-- ws:end:WikiTextTocRule:66 --&gt;&lt;!-- ws:start:WikiTextTocRule:67: --&gt;&lt;!-- ws:end:WikiTextTocRule:67 --&gt;&lt;!-- ws:start:WikiTextTocRule:68: --&gt; | &lt;a href="#Shrutar"&gt;Shrutar&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:68 --&gt;&lt;!-- ws:start:WikiTextTocRule:69: --&gt;&lt;!-- ws:end:WikiTextTocRule:69 --&gt;&lt;!-- ws:start:WikiTextTocRule:70: --&gt;&lt;!-- ws:end:WikiTextTocRule:70 --&gt;&lt;!-- ws:start:WikiTextTocRule:71: --&gt;&lt;!-- ws:end:WikiTextTocRule:71 --&gt;&lt;!-- ws:start:WikiTextTocRule:72: --&gt;&lt;!-- ws:end:WikiTextTocRule:72 --&gt;&lt;!-- ws:start:WikiTextTocRule:73: --&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Diaschismic family&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:48:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:48 --&gt;&lt;!-- ws:start:WikiTextTocRule:49: --&gt;&lt;!-- ws:end:WikiTextTocRule:49 --&gt;&lt;!-- ws:start:WikiTextTocRule:50: --&gt; | &lt;a href="#Pajara"&gt;Pajara&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:50 --&gt;&lt;!-- ws:start:WikiTextTocRule:51: --&gt;&lt;!-- ws:end:WikiTextTocRule:51 --&gt;&lt;!-- ws:start:WikiTextTocRule:52: --&gt; | &lt;a href="#Diaschismic"&gt;Diaschismic&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:52 --&gt;&lt;!-- ws:start:WikiTextTocRule:53: --&gt;&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt;&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt;&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;!-- ws:start:WikiTextTocRule:56: --&gt; | &lt;a href="#Keen"&gt;Keen&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:56 --&gt;&lt;!-- ws:start:WikiTextTocRule:57: --&gt;&lt;!-- ws:end:WikiTextTocRule:57 --&gt;&lt;!-- ws:start:WikiTextTocRule:58: --&gt; | &lt;a href="#Bidia"&gt;Bidia&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:58 --&gt;&lt;!-- ws:start:WikiTextTocRule:59: --&gt;&lt;!-- ws:end:WikiTextTocRule:59 --&gt;&lt;!-- ws:start:WikiTextTocRule:60: --&gt;&lt;!-- ws:end:WikiTextTocRule:60 --&gt;&lt;!-- ws:start:WikiTextTocRule:61: --&gt; | &lt;a href="#Echidna"&gt;Echidna&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:61 --&gt;&lt;!-- ws:start:WikiTextTocRule:62: --&gt;&lt;!-- ws:end:WikiTextTocRule:62 --&gt;&lt;!-- ws:start:WikiTextTocRule:63: --&gt;&lt;!-- ws:end:WikiTextTocRule:63 --&gt;&lt;!-- ws:start:WikiTextTocRule:64: --&gt;&lt;!-- ws:end:WikiTextTocRule:64 --&gt;&lt;!-- ws:start:WikiTextTocRule:65: --&gt; | &lt;a href="#Echidnic"&gt;Echidnic&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:65 --&gt;&lt;!-- ws:start:WikiTextTocRule:66: --&gt;&lt;!-- ws:end:WikiTextTocRule:66 --&gt;&lt;!-- ws:start:WikiTextTocRule:67: --&gt;&lt;!-- ws:end:WikiTextTocRule:67 --&gt;&lt;!-- ws:start:WikiTextTocRule:68: --&gt; | &lt;a href="#Shrutar"&gt;Shrutar&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:68 --&gt;&lt;!-- ws:start:WikiTextTocRule:69: --&gt;&lt;!-- ws:end:WikiTextTocRule:69 --&gt;&lt;!-- ws:start:WikiTextTocRule:70: --&gt;&lt;!-- ws:end:WikiTextTocRule:70 --&gt;&lt;!-- ws:start:WikiTextTocRule:71: --&gt;&lt;!-- ws:end:WikiTextTocRule:71 --&gt;&lt;!-- ws:start:WikiTextTocRule:72: --&gt;&lt;!-- ws:end:WikiTextTocRule:72 --&gt;&lt;!-- ws:start:WikiTextTocRule:73: --&gt;
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&lt;br /&gt;
The 5-limit parent comma for the &lt;strong&gt;diaschismic family&lt;/strong&gt; is 2048/2025, the &lt;a class="wiki_link" href="/diaschisma"&gt;diaschisma&lt;/a&gt;. Its monzo is |11 -4 -2&amp;gt;, and flipping that yields &amp;lt;&amp;lt;2 -4 -11|| for the wedgie for 5-limit diaschismic, or &lt;strong&gt;srutal&lt;/strong&gt;, temperament. This tells us the period is half an octave, the GCD of 2 and -4, and that the generator is a fifth. Three periods gives 1800 cents, and decreasing this by two fifths gives the major third. &lt;a class="wiki_link" href="/34edo"&gt;34edo&lt;/a&gt; is a good tuning choice, with &lt;a class="wiki_link" href="/46edo"&gt;46edo&lt;/a&gt;, &lt;a class="wiki_link" href="/56edo"&gt;56edo&lt;/a&gt;, &lt;a class="wiki_link" href="/58edo"&gt;58edo&lt;/a&gt; or &lt;a class="wiki_link" href="/80edo"&gt;80edo&lt;/a&gt; being other possibilities. Both &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; and &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; support it, and retuning them to a MOS of diaschismic gives two scale possibilities.&lt;br /&gt;
The 5-limit parent comma for the &lt;strong&gt;diaschismic family&lt;/strong&gt; is 2048/2025, the &lt;a class="wiki_link" href="/diaschisma"&gt;diaschisma&lt;/a&gt;. Its monzo is |11 -4 -2&amp;gt;, and flipping that yields &amp;lt;&amp;lt;2 -4 -11|| for the wedgie for 5-limit diaschismic, or &lt;strong&gt;srutal&lt;/strong&gt;, temperament. This tells us the period is half an octave, the GCD of 2 and -4, and that the generator is a fifth. Three periods gives 1800 cents, and decreasing this by two fifths gives the major third. &lt;a class="wiki_link" href="/34edo"&gt;34edo&lt;/a&gt; is a good tuning choice, with &lt;a class="wiki_link" href="/46edo"&gt;46edo&lt;/a&gt;, &lt;a class="wiki_link" href="/56edo"&gt;56edo&lt;/a&gt;, &lt;a class="wiki_link" href="/58edo"&gt;58edo&lt;/a&gt; or &lt;a class="wiki_link" href="/80edo"&gt;80edo&lt;/a&gt; being other possibilities. Both &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; and &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; support it, and retuning them to a MOS of diaschismic gives two scale possibilities.&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Pajara"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Pajara&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Pajara"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Pajara&lt;/h1&gt;
  Pajara, with wedgie &amp;lt;&amp;lt;2 -4 -4 -11 -12 2|| is closely associated with 22et (not to mention &lt;a class="wiki_link" href="/Paul%20Erlich"&gt;Paul Erlich&lt;/a&gt;) but other tunings are possible. The 1/2 octave period serves as both a &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt; and a &lt;a class="wiki_link" href="/7_5"&gt;7/5&lt;/a&gt;. Aside from 22et, 34 with the val &amp;lt;34 54 79 96| and 56 with the val &amp;lt;56 89 130 158| are are interesting alternatives, with more accpetable fifths, and a tetrad which is more clearly a dominant seventh. As such, they are closer to the tuning of 12et and of common practice Western music in general, while retaining the distictiveness of a sharp fifth.&lt;br /&gt;
  Main article: &lt;a class="wiki_link" href="/Pajara"&gt;Pajara&lt;/a&gt;&lt;br /&gt;
Pajara, with wedgie &amp;lt;&amp;lt;2 -4 -4 -11 -12 2|| is closely associated with 22et (not to mention &lt;a class="wiki_link" href="/Paul%20Erlich"&gt;Paul Erlich&lt;/a&gt;) but other tunings are possible. The 1/2 octave period serves as both a &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt; and a &lt;a class="wiki_link" href="/7_5"&gt;7/5&lt;/a&gt;. Aside from 22et, 34 with the val &amp;lt;34 54 79 96| and 56 with the val &amp;lt;56 89 130 158| are are interesting alternatives, with more accpetable fifths, and a tetrad which is more clearly a dominant seventh. As such, they are closer to the tuning of 12et and of common practice Western music in general, while retaining the distictiveness of a sharp fifth.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pajara extends nicely to an 11-limit version, for which the 56 tuning can be used, but a good alternative is to make the major thirds pure by setting the fifth to be 706.843 cents. Now 99/98, 100/99, 176/175 and 896/891 are being tempered out.&lt;br /&gt;
Pajara extends nicely to an 11-limit version, for which the 56 tuning can be used, but a good alternative is to make the major thirds pure by setting the fifth to be 706.843 cents. Now 99/98, 100/99, 176/175 and 896/891 are being tempered out.&lt;br /&gt;