Das Goldene Tonsystem: Difference between revisions
Wikispaces>xenwolf **Imported revision 146324257 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 146329239 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2010-06-01 17:11:24 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>146329239</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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5, 8 -> [[50edo]] | 5, 8 -> [[50edo]] | ||
== Evaluation == | |||
Graham Breed [[http://x31eq.com/meantone.htm|writes]]: //I think of this as the standard melodic meantone because the all these ratios are the same. It has the mellow sound of 1/4 comma, but does still have a character of its own. Some algorithms make this almost exactly the optimum 5-limit tuning. It's fairly good as a 7-limit tuning as well. Almost the optimum (according to me) for diminished sevenths. I toyed with this as a guitar tuning, but rejected it because 4:6:9 chords aren't quite good enough. That is, the poor fifth leads to a sludgy major ninth.// | |||
== Listening == | == Listening == | ||
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5, 8 -&gt; <a class="wiki_link" href="/50edo">50edo</a><br /> | 5, 8 -&gt; <a class="wiki_link" href="/50edo">50edo</a><br /> | ||
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<!-- ws:start:WikiTextHeadingRule:3:&lt;h2&gt; --><h2 id="toc1"><a name="x-Listening"></a><!-- ws:end:WikiTextHeadingRule: | <!-- ws:start:WikiTextHeadingRule:3:&lt;h2&gt; --><h2 id="toc1"><a name="x-Evaluation"></a><!-- ws:end:WikiTextHeadingRule:3 --> Evaluation </h2> | ||
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Graham Breed <a class="wiki_link_ext" href="http://x31eq.com/meantone.htm" rel="nofollow">writes</a>: <em>I think of this as the standard melodic meantone because the all these ratios are the same. It has the mellow sound of 1/4 comma, but does still have a character of its own. Some algorithms make this almost exactly the optimum 5-limit tuning. It's fairly good as a 7-limit tuning as well. Almost the optimum (according to me) for diminished sevenths. I toyed with this as a guitar tuning, but rejected it because 4:6:9 chords aren't quite good enough. That is, the poor fifth leads to a sludgy major ninth.</em><br /> | |||
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<!-- ws:start:WikiTextHeadingRule:5:&lt;h2&gt; --><h2 id="toc2"><a name="x-Listening"></a><!-- ws:end:WikiTextHeadingRule:5 --> Listening </h2> | |||
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<a class="wiki_link_ext" href="http://www.io.com/~hmiller/midi/canon-golden.mid" rel="nofollow">An acoustic experience</a> - Kornerup himself had no chance to have it - is contained in the <a class="wiki_link" href="/Warped%20canon">Warped canon</a> collection.</body></html></pre></div> | <a class="wiki_link_ext" href="http://www.io.com/~hmiller/midi/canon-golden.mid" rel="nofollow">An acoustic experience</a> - Kornerup himself had no chance to have it - is contained in the <a class="wiki_link" href="/Warped%20canon">Warped canon</a> collection.</body></html></pre></div> | ||