Conic Bellophone in 96edo: Difference between revisions
Wikispaces>tonysalinas **Imported revision 8155809 - Original comment: ** |
Wikispaces>tonysalinas **Imported revision 8155839 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-18 19: | : This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-18 19:25:26 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>8155839</tt>.<br> | ||
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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Conic Bellophone | Conic Bellophone | ||
First official presentation in March 2007 at the UK Microfest. | First official presentation in March 2007 at the UK Microfest. | ||
This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic bells (2mm steel spun | This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic | ||
on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned from 5 to 240 notes per octave. The maximum | bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned | ||
range they can cover keeping pleasant timbrical properties is 2 octaves and a fifth incorporating extensions of the stands | from 5 to 240 notes per octave. The maximum range they can cover keeping pleasant timbrical properties is 2 | ||
and with a 45 degree angle towards the player (producing a kind of cage). | octaves and a fifth incorporating extensions of the stands and with a 45 degree angle towards the player | ||
(producing a kind of cage). | |||
[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg link="http://www.facebook.com/photo.php?pid=227559&id=696302104"]] | [[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg link="http://www.facebook.com/photo.php?pid=227559&id=696302104"]] | ||
This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson. | This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson. | ||
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Conic Bellophone<br /> | Conic Bellophone<br /> | ||
First official presentation in March 2007 at the UK Microfest.<br /> | First official presentation in March 2007 at the UK Microfest.<br /> | ||
This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic | This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic<br /> | ||
on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned from 5 to 240 notes per octave. The maximum | bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned<br /> | ||
range they can cover keeping pleasant timbrical properties is 2 octaves and a fifth incorporating extensions of the stands<br /> | from 5 to 240 notes per octave. The maximum range they can cover keeping pleasant timbrical properties is 2<br /> | ||
octaves and a fifth incorporating extensions of the stands and with a 45 degree angle towards the player<br /> | |||
(producing a kind of cage).<br /> | |||
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This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson.<br /> | This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson.<br /> | ||