Composing with tablets: Difference between revisions
Wikispaces>genewardsmith **Imported revision 258689560 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 258716236 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-27 | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-27 13:16:20 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>258716236</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Perhaps the first thing to note about the use of [[tablets]] as an aid to composition is that while the tablet for a given note is always non-unique, it can become unique if we require all of the notes sounding in a particular chord to share the same chord identifier, and this is the most basic of ways to make use of tablets. In other words, if c is a chord identifier in a tablet, a chord can often be notated as the set of notes {note(n1, c), note(n2, c), ..., note(nk, c)}, all with the same chord identifier c. If a piece of music uses chords sharing the same note identifier exclusively, we can completely separate the numbers n, the note skeleton, from the sequence of chord identifers, and change each around at will completely independently. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Perhaps the first thing to note about the use of [[tablets]] as an aid to composition is that while the tablet for a given note is always non-unique, it can become unique if we require all of the notes sounding in a particular chord to share the same chord identifier, and this is the most basic of ways to make use of tablets. In other words, if c is a chord identifier in a tablet, a chord can often be notated as the set of notes {note(n1, c), note(n2, c), ..., note(nk, c)}, all with the same chord identifier c. If a piece of music uses chords sharing the same note identifier exclusively, we can completely separate the numbers n, the note skeleton, from the sequence of chord identifers, and change each around at will completely independently. | ||
Let us consider a simple [[4edo]] | Let us consider a simple [[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/fouredo.mp3|4edo piece]] as a starting point: | ||
[0 3 6 9] | [0 3 6 9] | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Composing with tablets</title></head><body>Perhaps the first thing to note about the use of <a class="wiki_link" href="/tablets">tablets</a> as an aid to composition is that while the tablet for a given note is always non-unique, it can become unique if we require all of the notes sounding in a particular chord to share the same chord identifier, and this is the most basic of ways to make use of tablets. In other words, if c is a chord identifier in a tablet, a chord can often be notated as the set of notes {note(n1, c), note(n2, c), ..., note(nk, c)}, all with the same chord identifier c. If a piece of music uses chords sharing the same note identifier exclusively, we can completely separate the numbers n, the note skeleton, from the sequence of chord identifers, and change each around at will completely independently.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Composing with tablets</title></head><body>Perhaps the first thing to note about the use of <a class="wiki_link" href="/tablets">tablets</a> as an aid to composition is that while the tablet for a given note is always non-unique, it can become unique if we require all of the notes sounding in a particular chord to share the same chord identifier, and this is the most basic of ways to make use of tablets. In other words, if c is a chord identifier in a tablet, a chord can often be notated as the set of notes {note(n1, c), note(n2, c), ..., note(nk, c)}, all with the same chord identifier c. If a piece of music uses chords sharing the same note identifier exclusively, we can completely separate the numbers n, the note skeleton, from the sequence of chord identifers, and change each around at will completely independently.<br /> | ||
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Let us consider a simple <a class=" | Let us consider a simple <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/fouredo.mp3" rel="nofollow">4edo piece</a> as a starting point:<br /> | ||
<br /> | <br /> | ||
[0 3 6 9]<br /> | [0 3 6 9]<br /> | ||