Boogiewoogiescale: Difference between revisions
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=Boogie Woogie Scale= | |||
In | In [http://launch.groups.yahoo.com/group/tuning/message/65608 this posting] of the Yahoo tuning list, Paul G. Hjelmstad wrote: | ||
Take the standard 12-bar boogie-woogie. Let's use F major: | Take the standard 12-bar boogie-woogie. Let's use F major: | ||
F A C Eb | F A C Eb | ||
Bb D F Ab | Bb D F Ab | ||
C E G Bb | C E G Bb | ||
Line 19: | Line 14: | ||
12 15 18 21 | 12 15 18 21 | ||
4 5 6 7 | 4 5 6 7 | ||
36 45 54 63 | 36 45 54 63 | ||
Fit into one octave (F, G, Ab,A,Bb,C,D,Eb,E) | Fit into one octave (F, G, Ab,A,Bb,C,D,Eb,E) | ||
24, 27,28,30,32,36,40,42,45 and 63 (extra Bb) | 24, 27,28,30,32,36,40,42,45 and 63 (extra Bb) | ||
Taking all the ratios, we find that they are all superparticular (n/n- | Taking all the ratios, we find that they are all superparticular (n/n- | ||
1) | 1) | ||
9/8, 28/27, 15/14, 16/15, 9/8, 10/9, 21/20, 15/14, 16/15 (and the | 9/8, 28/27, 15/14, 16/15, 9/8, 10/9, 21/20, 15/14, 16/15 (and the | ||
schisma for Bb/Bb 64/63) | schisma for Bb/Bb 64/63) | ||
You also get 8/7, 7/6, 6/5, 4/3, 3/2, 1/1, with multiple scale | You also get 8/7, 7/6, 6/5, 4/3, 3/2, 1/1, with multiple scale | ||
steps.. | steps.. | ||
The first seven triangular numbers are used; 1/1, 3/2, 6/5, 10/9, | The first seven triangular numbers are used; 1/1, 3/2, 6/5, 10/9, | ||
15/14, 21/20, 28/27 | 15/14, 21/20, 28/27 | ||
Five of the squares are used: 1/1, 4/3, 9/8, 16/15 and 64/63 | Five of the squares are used: 1/1, 4/3, 9/8, 16/15 and 64/63 | ||
8/7 and 7/6 are the only ratios which are not squared or triangular | 8/7 and 7/6 are the only ratios which are not squared or triangular | ||
superparticular ratios but they are still superparticular! | superparticular ratios but they are still superparticular! | ||
All from the simple boogie woogie! | All from the simple boogie woogie! | ||
---- | |||
Gene Ward Smith described some additional properties (in | ----- | ||
Gene Ward Smith described some additional properties (in [http://launch.groups.yahoo.com/group/tuning/message/65610 this posting]): | |||
Here it is in Scala format: | Here it is in Scala format: | ||
! boogie.scl | ! boogie.scl | ||
Paul Hjelmstad's boogie woogie scale | Paul Hjelmstad's boogie woogie scale | ||
10 | 10 | ||
! | ! | ||
9/8 | 9/8 | ||
5/4 | 5/4 | ||
21/16 | 21/16 | ||
45/32 | 45/32 | ||
3/2 | 3/2 | ||
27/16 | 27/16 | ||
7/4 | 7/4 | ||
15/8 | 15/8 | ||
63/32 | 63/32 | ||
2/1 | 2/1 | ||
Three otonal tetrads, no utonal tetrads, not CS or epimorphic, | Three otonal tetrads, no utonal tetrads, not CS or epimorphic, | ||
superparticular ratios as noted. | superparticular ratios as noted. | ||
I found a number of ten-note seven limit epimorphic scales with four | I found a number of ten-note seven limit epimorphic scales with four | ||
tetrads; here's one Paul Erlich found first: | tetrads; here's one Paul Erlich found first: | ||
! cx1.scl | ! cx1.scl | ||
First 10/4 scale = erlich11 <10 16 23 28| epimorphic | First 10/4 scale = erlich11 <10 16 23 28| epimorphic | ||
10 | 10 | ||
! | ! | ||
15/14 | 15/14 | ||
7/6 | 7/6 | ||
5/4 | 5/4 | ||
4/3 | 4/3 | ||
10/7 | 10/7 | ||
3/2 | 3/2 | ||
5/3 | 5/3 | ||
7/4 | 7/4 | ||
15/8 | 15/8 | ||
2 | 2 | ||
! [0, -1, -1], [0, -1, 0], [0, 0, 0], [0, 0, 1] | ! [0, -1, -1], [0, -1, 0], [0, 0, 0], [0, 0, 1] | ||
Quite a lot of musical possibilities in these relatively small 7-limit | Quite a lot of musical possibilities in these relatively small 7-limit | ||
JI scales, I think. | |||
JI scales, I think. |
Revision as of 00:00, 17 July 2018
Boogie Woogie Scale
In this posting of the Yahoo tuning list, Paul G. Hjelmstad wrote:
Take the standard 12-bar boogie-woogie. Let's use F major:
F A C Eb
Bb D F Ab
C E G Bb
Tune to the seven-limit and keep fifths. You get
12 15 18 21
4 5 6 7
36 45 54 63
Fit into one octave (F, G, Ab,A,Bb,C,D,Eb,E)
24, 27,28,30,32,36,40,42,45 and 63 (extra Bb)
Taking all the ratios, we find that they are all superparticular (n/n-
1)
9/8, 28/27, 15/14, 16/15, 9/8, 10/9, 21/20, 15/14, 16/15 (and the
schisma for Bb/Bb 64/63)
You also get 8/7, 7/6, 6/5, 4/3, 3/2, 1/1, with multiple scale
steps..
The first seven triangular numbers are used; 1/1, 3/2, 6/5, 10/9,
15/14, 21/20, 28/27
Five of the squares are used: 1/1, 4/3, 9/8, 16/15 and 64/63
8/7 and 7/6 are the only ratios which are not squared or triangular
superparticular ratios but they are still superparticular!
All from the simple boogie woogie!
Gene Ward Smith described some additional properties (in this posting):
Here it is in Scala format:
! boogie.scl
Paul Hjelmstad's boogie woogie scale
10
!
9/8
5/4
21/16
45/32
3/2
27/16
7/4
15/8
63/32
2/1
Three otonal tetrads, no utonal tetrads, not CS or epimorphic,
superparticular ratios as noted.
I found a number of ten-note seven limit epimorphic scales with four
tetrads; here's one Paul Erlich found first:
! cx1.scl
First 10/4 scale = erlich11 <10 16 23 28| epimorphic
10
!
15/14
7/6
5/4
4/3
10/7
3/2
5/3
7/4
15/8
2
! [0, -1, -1], [0, -1, 0], [0, 0, 0], [0, 0, 1]
Quite a lot of musical possibilities in these relatively small 7-limit
JI scales, I think.