Basic introduction to xenharmonic music: Difference between revisions
Wikispaces>keenanpepper **Imported revision 337235896 - Original comment: ** |
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: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-05-19 02: | : This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-05-19 02:26:30 UTC</tt>.<br> | ||
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# EDOs support an infinite amount of rank-2 temperaments! | # EDOs support an infinite amount of rank-2 temperaments! | ||
# Talk about Gene's work with microtemperaments! | # Talk about Gene's work with microtemperaments! | ||
# Ethnomusicological tunings! Mavila! Maqamic! | # Ethnomusicological tunings! Mavila! Maqamic! Srutal! | ||
# Tuning accuracy for crunchy stuff! | # Tuning accuracy for crunchy stuff! | ||
# Careful use of timbre + lower accuracy for colorful stuff! | # Careful use of timbre + lower accuracy for colorful stuff! | ||
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<ol><li>Talk about frequencies, ratios, cents, Hz, the harmonic series (just briefly mentioning logarithms and saying what the practical implications are - this is not for mathematicians!) (only one item but this part will actually have to be pretty long)</li><li>Approximate relationships between 12edo and JI - the fact that each interval represents *many* JI ratios (important because a lot of sources give exactly one JI ratio per 12edo interval which is very misleading)</li><li>Odd limit, prime limit?</li><li>JI lattices (VERY BRIEFLY) (optional: epic animation of the circle of fifths opening into a chain and then the chain itself opening into the 5-limit lattice!)</li><li>Commas as small differences between pitches you might expect to be the same (no mention of tempering them out yet)</li></ol><br /> | <ol><li>Talk about frequencies, ratios, cents, Hz, the harmonic series (just briefly mentioning logarithms and saying what the practical implications are - this is not for mathematicians!) (only one item but this part will actually have to be pretty long)</li><li>Approximate relationships between 12edo and JI - the fact that each interval represents *many* JI ratios (important because a lot of sources give exactly one JI ratio per 12edo interval which is very misleading)</li><li>Odd limit, prime limit?</li><li>JI lattices (VERY BRIEFLY) (optional: epic animation of the circle of fifths opening into a chain and then the chain itself opening into the 5-limit lattice!)</li><li>Commas as small differences between pitches you might expect to be the same (no mention of tempering them out yet)</li></ol><br /> | ||
<strong>Unit 3</strong> - temperaments<br /> | <strong>Unit 3</strong> - temperaments<br /> | ||
<ol><li>Commas are enharmonic equivalences on steroids</li><li>The syntonic comma makes the world go round (probably a bad idea to write &lt;12 19 28|-4 4 -1&gt;=0 here, haha...)</li><li>Finally introduce new rank-2 temperaments, like blackwood and porcupine (epic musical examples needed here!)</li><li>BRIEFLY introduce the concept of those rank-2 temperaments closing into other equal temperaments (e.g. as an approach to answer questions like &quot;how do I use 15-EDO?&quot;)</li><li>List some awesome temperaments and related scales using them (equip these scales with #/b accidentals plz)</li><li>Awesome musical examples!</li><li>Temperaments are broad objects involving intonation. WTF do I do with them?</li><li>Puns! Comma pumps!</li><li>Talk about MOS series as a generalization of pentatonic/diatonic/chromatic scales!</li><li>Talk about MODMOS's!</li><li>Higher-limit JI!</li><li>EDOs support an infinite amount of rank-2 temperaments!</li><li>Talk about Gene's work with microtemperaments!</li><li>Ethnomusicological tunings! Mavila! Maqamic! | <ol><li>Commas are enharmonic equivalences on steroids</li><li>The syntonic comma makes the world go round (probably a bad idea to write &lt;12 19 28|-4 4 -1&gt;=0 here, haha...)</li><li>Finally introduce new rank-2 temperaments, like blackwood and porcupine (epic musical examples needed here!)</li><li>BRIEFLY introduce the concept of those rank-2 temperaments closing into other equal temperaments (e.g. as an approach to answer questions like &quot;how do I use 15-EDO?&quot;)</li><li>List some awesome temperaments and related scales using them (equip these scales with #/b accidentals plz)</li><li>Awesome musical examples!</li><li>Temperaments are broad objects involving intonation. WTF do I do with them?</li><li>Puns! Comma pumps!</li><li>Talk about MOS series as a generalization of pentatonic/diatonic/chromatic scales!</li><li>Talk about MODMOS's!</li><li>Higher-limit JI!</li><li>EDOs support an infinite amount of rank-2 temperaments!</li><li>Talk about Gene's work with microtemperaments!</li><li>Ethnomusicological tunings! Mavila! Maqamic! Srutal!</li><li>Tuning accuracy for crunchy stuff!</li><li>Careful use of timbre + lower accuracy for colorful stuff!</li><li>(INVENT MORE COOL STUFF IN REAL LIFE AND WRITE IT HERE)</li></ol><br /> | ||
Feel free to change</body></html></pre></div> | Feel free to change</body></html></pre></div> | ||