Diatonic semitone: Difference between revisions
Expansion |
No edit summary |
||
Line 1: | Line 1: | ||
In scale theory, the '''diatonic semitone''', the '''minor second''' or the '''limma''' is the small step of the [[diatonic]] scale. | In scale theory, the '''diatonic semitone''', the '''minor second''' or the '''limma''' is the small step of the [[diatonic]] scale. | ||
In [[just intonation]], an interval may be classified as a diatonic semitone if it is reasonably mapped to [[7edo|1\7]] and [[ | In [[just intonation]], an interval may be classified as a diatonic semitone if it is reasonably mapped to [[7edo|1\7]] and [[24edo|2\24]] (precisely one step of the diatonic scale and one step of the chromatic scale). Do note that 24edo's 2\24 is used as the mapping criteria here rather than [[12edo]]'s 1\12 since 12edo tempers out certain intervals that otherwise qualify as diatonic semitones. | ||
== See also == | == See also == | ||
* [[256/243|256/243, the Pythagorean diatonic semitone]] (3-limit) | * [[256/243|256/243, the Pythagorean diatonic semitone]] (3-limit) | ||
* [[16/15|16/15, the classic diatonic semitone]] (5-limit) | * [[16/15|16/15, the classic diatonic semitone]] (5-limit) | ||
* [[128/121|128/121, the Axirabian diatonic semitone]] (11-limit) | |||
[[Category:Terms]] | [[Category:Terms]] | ||
[[Category:Diatonic]] | [[Category:Diatonic]] |