Armodue harmony: Difference between revisions

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**Imported revision 161606111 - Original comment: **
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**Imported revision 161608705 - Original comment: **
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This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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==Modal systems based on hexachords==  
==Modal systems based on hexachords==  
The tetrachords and pentachords treated so far are focused on the characteristic interval of 7eka, the Armodue equivalent of the diatessaron in the greek modal system (the perfect fourth, five tempered semitones wide).
In Armodue, however, there is another very significant interval that deserves to function as pivotal interval: that of 13 eka - whose width is very close to the natural minor seventh (the frequency ratio between the seventh and the fourth harmonic of the overtone series).
Assuming the interval of 13 eka as delimiting interval (that includes the notes 1-8 of the standard tenth 1 to 1), the following partitions with hexachords stand out as important (many other divisions are possible, of course):
Hexachordal interval partition: 1 + 3 + 3 + 3 + 3 eka
1, 3, 3, 3, 3
3, 1, 3, 3, 3
3, 3, 1, 3, 3
3, 3, 3, 1, 3
3, 3, 3, 3, 1
For example, taking the formula 3, 1, 3, 3, 3 we get a scale formed by the notes: 1, # 2, 3, 5, 6 #, 8 to which we can add the note 9 as leading tone.
==Other modal systems and various considerations on the scales in Armodue==


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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Armodue armonia&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:42:&amp;lt;img id=&amp;quot;wikitext@@toc@@normal&amp;quot; class=&amp;quot;WikiMedia WikiMediaToc&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/normal?w=225&amp;amp;h=100&amp;quot;/&amp;gt; --&gt;&lt;div id="toc"&gt;&lt;h1 class="nopad"&gt;Table of Contents&lt;/h1&gt;&lt;!-- ws:end:WikiTextTocRule:42 --&gt;&lt;!-- ws:start:WikiTextTocRule:43: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Armodue: basic elements of harmony"&gt;Armodue: basic elements of harmony&lt;/a&gt;&lt;/div&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Armodue armonia&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:44:&amp;lt;img id=&amp;quot;wikitext@@toc@@normal&amp;quot; class=&amp;quot;WikiMedia WikiMediaToc&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/normal?w=225&amp;amp;h=100&amp;quot;/&amp;gt; --&gt;&lt;div id="toc"&gt;&lt;h1 class="nopad"&gt;Table of Contents&lt;/h1&gt;&lt;!-- ws:end:WikiTextTocRule:44 --&gt;&lt;!-- ws:start:WikiTextTocRule:45: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Armodue: basic elements of harmony"&gt;Armodue: basic elements of harmony&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:48 --&gt;&lt;!-- ws:start:WikiTextTocRule:49: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#The interval table"&gt;The interval table&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:47 --&gt;&lt;!-- ws:start:WikiTextTocRule:48: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#The interval table-Qualitative categories of intervals"&gt;Qualitative categories of intervals&lt;/a&gt;&lt;/div&gt;
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This is a translation of an article by Luca Attanasio. Original page in italian: &lt;a class="wiki_link_ext" href="http://www.armodue.com/armonia.htm" rel="nofollow"&gt;http://www.armodue.com/armonia.htm&lt;/a&gt;&lt;br /&gt;
This is a translation of an article by Luca Attanasio. Original page in italian: &lt;a class="wiki_link_ext" href="http://www.armodue.com/armonia.htm" rel="nofollow"&gt;http://www.armodue.com/armonia.htm&lt;/a&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:36:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc18"&gt;&lt;a name="Creating scales with Armodue: modal systems-Modal systems based on hexachords"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:36 --&gt;Modal systems based on hexachords&lt;/h2&gt;
&lt;br /&gt;
The tetrachords and pentachords treated so far are focused on the characteristic interval of 7eka, the Armodue equivalent of the diatessaron in the greek modal system (the perfect fourth, five tempered semitones wide).&lt;br /&gt;
&lt;br /&gt;
In Armodue, however, there is another very significant interval that deserves to function as pivotal interval: that of 13 eka - whose width is very close to the natural minor seventh (the frequency ratio between the seventh and the fourth harmonic of the overtone series).&lt;br /&gt;
&lt;br /&gt;
Assuming the interval of 13 eka as delimiting interval (that includes the notes 1-8 of the standard tenth 1 to 1), the following partitions with hexachords stand out as important (many other divisions are possible, of course):&lt;br /&gt;
&lt;br /&gt;
Hexachordal interval partition: 1 + 3 + 3 + 3 + 3 eka&lt;br /&gt;
1, 3, 3, 3, 3&lt;br /&gt;
3, 1, 3, 3, 3&lt;br /&gt;
3, 3, 1, 3, 3&lt;br /&gt;
3, 3, 3, 1, 3&lt;br /&gt;
3, 3, 3, 3, 1&lt;br /&gt;
&lt;br /&gt;
For example, taking the formula 3, 1, 3, 3, 3 we get a scale formed by the notes: 1, # 2, 3, 5, 6 #, 8 to which we can add the note 9 as leading tone.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:38:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc19"&gt;&lt;a name="Creating scales with Armodue: modal systems-Other modal systems and various considerations on the scales in Armodue"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:38 --&gt;Other modal systems and various considerations on the scales in Armodue&lt;/h2&gt;
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