Middle-Eastern music: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 03:56:03 UTC</tt>.<br>

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 04:34:00 UTC</tt>.<br>

: The original revision id was <tt>~~432296778~~</tt>.<br>

: The original revision id was <tt>432302158</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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=Maqamat in equal temperaments=

There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper by Ozan Yarman]]. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned ~~podacst~~, this task is certainly nontrivial, if not finally impossible.

There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper by Ozan Yarman]]. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned podcast, this task is certainly nontrivial, if not finally impossible.

Depending on the accurateness that is wanted, we can distinguish different levels.

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All these and more are available in the [[http://www.huygens-fokker.org/scala/downloads.html|scala file archive]].

~~A lot~~ of ~~research in this field has been done~~ by [[Julien Jalaleddine Weiss]]. See [[tuning systems for qanun|tuning systems for the qanun]] , or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].

If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by [[Julien Jalaleddine Weiss]], going beyond 100 different pitches per octave. See [[tuning systems for qanun|tuning systems for the qanun]] , or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].

[[Tsaharuk]] is a 77 notes per octave linear or planar temperament proposed by [[Jacques Dudon]] based on Julien Jalaleddine Weiss qanun tunings.

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<br />

<h1 id="toc0"><a name="Maqamat in equal temperaments"></a>Maqamat in equal temperaments</h1>

There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper by Ozan Yarman</a>. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned ~~podacst~~, this task is certainly nontrivial, if not finally impossible.<br />

There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper by Ozan Yarman</a>. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned podcast, this task is certainly nontrivial, if not finally impossible.<br />

<br />

Depending on the accurateness that is wanted, we can distinguish different levels.<br />

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All these and more are available in the <a class="wiki_link_ext" href="http://www.huygens-fokker.org/scala/downloads.html" rel="nofollow">scala file archive</a>.<br />

<br />

~~A lot~~ of ~~research in this field has been done~~ by <a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss">Julien Jalaleddine Weiss</a>. See <a class="wiki_link" href="/tuning%20systems%20for%20qanun">tuning systems for the qanun</a> , or <a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow">Stefan Pohlit's dissertation</a>.<br />

If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by <a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss">Julien Jalaleddine Weiss</a>, going beyond 100 different pitches per octave. See <a class="wiki_link" href="/tuning%20systems%20for%20qanun">tuning systems for the qanun</a> , or <a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow">Stefan Pohlit's dissertation</a>.<br />

<br />

<a class="wiki_link" href="/Tsaharuk">Tsaharuk</a> is a 77 notes per octave linear or planar temperament proposed by <a class="wiki_link" href="/Jacques%20Dudon">Jacques Dudon</a> based on Julien Jalaleddine Weiss qanun tunings.<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 03:56:03 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-05-17 04:34:00 UTC</tt>.<br>
-: The original revision id was <tt>432296778</tt>.<br>
+: The original revision id was <tt>432302158</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 16: / Line 16: @@
 =Maqamat in equal temperaments=
-There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper by Ozan Yarman]]. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned podacst, this task is certainly nontrivial, if not finally impossible.
+There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper by Ozan Yarman]]. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned podcast, this task is certainly nontrivial, if not finally impossible.
 Depending on the accurateness that is wanted, we can distinguish different levels.
@@ Line 53: / Line 53: @@
 All these and more are available in the [[http://www.huygens-fokker.org/scala/downloads.html|scala file archive]].
-A lot of research in this field has been done by [[Julien Jalaleddine Weiss]]. See [[tuning systems for qanun|tuning systems for the qanun]] , or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].
+If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by [[Julien Jalaleddine Weiss]], going beyond 100 different pitches per octave. See [[tuning systems for qanun|tuning systems for the qanun]] , or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].
 [[Tsaharuk]] is a 77 notes per octave linear or planar temperament proposed by [[Jacques Dudon]] based on Julien Jalaleddine Weiss qanun tunings.
@@ Line 92: / Line 92: @@
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Maqamat in equal temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Maqamat in equal temperaments&lt;/h1&gt;
-  There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow"&gt;paper by Ozan Yarman&lt;/a&gt;. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned podacst, this task is certainly nontrivial, if not finally impossible.&lt;br /&gt;
+  There have been various endeavors, also in recent history, to establish a common tuning standard. A few of these are described in a &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow"&gt;paper by Ozan Yarman&lt;/a&gt;. However, none of these have been really successful (at least not as successful as 12edo in Western music). Given the subtleties sketched in the above mentioned podcast, this task is certainly nontrivial, if not finally impossible.&lt;br /&gt;
 &lt;br /&gt;
 Depending on the accurateness that is wanted, we can distinguish different levels.&lt;br /&gt;
@@ Line 127: / Line 127: @@
 All these and more are available in the &lt;a class="wiki_link_ext" href="http://www.huygens-fokker.org/scala/downloads.html" rel="nofollow"&gt;scala file archive&lt;/a&gt;.&lt;br /&gt;
 &lt;br /&gt;
-A lot of research in this field has been done by &lt;a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss"&gt;Julien Jalaleddine Weiss&lt;/a&gt;. See &lt;a class="wiki_link" href="/tuning%20systems%20for%20qanun"&gt;tuning systems for the qanun&lt;/a&gt; , or &lt;a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow"&gt;Stefan Pohlit's dissertation&lt;/a&gt;.&lt;br /&gt;
+If high pitch accuracy and possibilities to modulate are emphasized and the number of pitches matters less, we get systems as developed by &lt;a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss"&gt;Julien Jalaleddine Weiss&lt;/a&gt;, going beyond 100 different pitches per octave. See &lt;a class="wiki_link" href="/tuning%20systems%20for%20qanun"&gt;tuning systems for the qanun&lt;/a&gt; , or &lt;a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow"&gt;Stefan Pohlit's dissertation&lt;/a&gt;.&lt;br /&gt;
 &lt;br /&gt;
 &lt;a class="wiki_link" href="/Tsaharuk"&gt;Tsaharuk&lt;/a&gt; is a 77 notes per octave linear or planar temperament proposed by &lt;a class="wiki_link" href="/Jacques%20Dudon"&gt;Jacques Dudon&lt;/a&gt; based on Julien Jalaleddine Weiss qanun tunings.&lt;br /&gt;