User:CompactStar/Ed11/3: Difference between revisions

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	Incidentally, one way to treat 11/3 as an equivalence is the use of the 11:15:33 chord as the fundamental complete sonority in a very similar way to the 4:5:6:(8) chord in meantone. Whereas in meantone it takes four 3/2 to get to [[5/1]], here it takes five tritaves to get to [[15/11]] (tempering out the comma 6655/6561 in the 11/3.3.5 fractional subgroup). This temperament yields 6, 7, 13, and 20 note MOS.		Incidentally, one way to treat 11/3 as an equivalence is the use of the 11:15:33 chord as the fundamental complete sonority in a very similar way to the 4:5:6:(8) chord in meantone. Whereas in meantone it takes four 3/2 to get to [[5/1]], here it takes five tritaves to get to [[15/11]] (tempering out the comma 6655/6561 in the 11/3.3.5 fractional subgroup). This temperament yields 6, 7, 13, and 20 note MOS.

			[[Category:Edonoi]]