17tppp4: Difference between revisions
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REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Send submissions by APRIL 1, 2008. Let us know your intentions before then, if possible. | REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Send submissions by APRIL 1, 2008. Let us know your intentions before then, if possible. | ||
Inquiries and submissions go to [[ | Inquiries and submissions go to [[/cdn-cgi/l/email-protection#bcd9ccc8ddd8d9dfddccd4d3d2d5dffcdbd1ddd5d092dfd3d1 <span class="__cf_email__" data-cfemail="f69386829792939597869e99989f95b6919b979f9ad895999b"><nowiki>[email protected]</nowiki></span>]], or | ||
Seventeen Tone Piano Project | Seventeen Tone Piano Project | ||
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PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C. | PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C. | ||
[[Category:Alternative pages]] | |||
[[Category:17edo]] | |||