8/7: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~xenwolf~~|~~xenwolf~~]] and made on <tt>2014-06-~~14 05~~:39:04 UTC</tt>.<br>

: This revision was by author [[User:iamcamtaylor|iamcamtaylor]] and made on <tt>2014-07-16 18:45:17 UTC</tt>.<br>

: The original revision id was <tt>~~513928358~~</tt>.<br>

: The original revision id was <tt>516408212</tt>.<br>

: The revision comment was: <tt>~~corrected cent value~~</tt><br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

Line 11:

[[media type="file" key="jid_8_7_pluck_adu_dr220.mp3" width="240" height="20"]] [[file:xenharmonic/jid_8_7_pluck_adu_dr220.mp3|sound sample]]

In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major ~~third~~ of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.

In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major second of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.

See the Wikipedia article for [[http://en.wikipedia.org/wiki/Septimal_whole_tone|Septimal whole tone]].

Line 21:

<embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_8_7_pluck_adu_dr220.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed> <a href="http://xenharmonic.wikispaces.com/file/view/jid_8_7_pluck_adu_dr220.mp3/513184238/jid_8_7_pluck_adu_dr220.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/jid_8_7_pluck_adu_dr220.mp3/513184238/jid_8_7_pluck_adu_dr220.mp3');">sound sample</a><br />

<br />

In <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 8/7 is the &quot;septimal supermajor second&quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of <a class="wiki_link" href="/12edo">12edo</a>, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a <a class="wiki_link" href="/superparticular">superparticular</a> ratio. In <a class="wiki_link" href="/7-limit">7-limit</a> JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (<a class="wiki_link" href="/7_4">7/4</a>) and octave. It differs from the Pythagorean major ~~third~~ of <a class="wiki_link" href="/9_8">9/8</a> by <a class="wiki_link" href="/64_63">64/63</a>, a microtone of about 27.3¢.<br />

In <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 8/7 is the &quot;septimal supermajor second&quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of <a class="wiki_link" href="/12edo">12edo</a>, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a <a class="wiki_link" href="/superparticular">superparticular</a> ratio. In <a class="wiki_link" href="/7-limit">7-limit</a> JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (<a class="wiki_link" href="/7_4">7/4</a>) and octave. It differs from the Pythagorean major second of <a class="wiki_link" href="/9_8">9/8</a> by <a class="wiki_link" href="/64_63">64/63</a>, a microtone of about 27.3¢.<br />

<br />

See the Wikipedia article for <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_whole_tone" rel="nofollow">Septimal whole tone</a>.<br />

See also: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2014-06-14 05:39:04 UTC</tt>.<br>
+: This revision was by author [[User:iamcamtaylor|iamcamtaylor]] and made on <tt>2014-07-16 18:45:17 UTC</tt>.<br>
-: The original revision id was <tt>513928358</tt>.<br>
+: The original revision id was <tt>516408212</tt>.<br>
-: The revision comment was: <tt>corrected cent value</tt><br>
+: The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
@@ Line 11: / Line 11: @@
 [[media type="file" key="jid_8_7_pluck_adu_dr220.mp3" width="240" height="20"]] [[file:xenharmonic/jid_8_7_pluck_adu_dr220.mp3|sound sample]]
-In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major third of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.
+In [[Just Intonation]], 8/7 is the "septimal supermajor second" of approximately 231.2¢. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7_4|7/4]]) and octave. It differs from the Pythagorean major second of [[9_8|9/8]] by [[64_63|64/63]], a microtone of about 27.3¢.
 See the Wikipedia article for [[http://en.wikipedia.org/wiki/Septimal_whole_tone|Septimal whole tone]].
@@ Line 21: / Line 21: @@
 &lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_8_7_pluck_adu_dr220.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;jid_8_7_pluck_adu_dr220.mp3&amp;amp;quot; width=&amp;amp;quot;240&amp;amp;quot; height=&amp;amp;quot;20&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_8_7_pluck_adu_dr220.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt; &lt;a href="http://xenharmonic.wikispaces.com/file/view/jid_8_7_pluck_adu_dr220.mp3/513184238/jid_8_7_pluck_adu_dr220.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/jid_8_7_pluck_adu_dr220.mp3/513184238/jid_8_7_pluck_adu_dr220.mp3');"&gt;sound sample&lt;/a&gt;&lt;br /&gt;
 &lt;br /&gt;
-In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 8/7 is the &amp;quot;septimal supermajor second&amp;quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; ratio. In &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (&lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt;) and octave. It differs from the Pythagorean major third of &lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt; by &lt;a class="wiki_link" href="/64_63"&gt;64/63&lt;/a&gt;, a microtone of about 27.3¢.&lt;br /&gt;
+In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 8/7 is the &amp;quot;septimal supermajor second&amp;quot; of approximately 231.2¢. Although it falls between the familiar major second and minor third of &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; ratio. In &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt; JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (&lt;a class="wiki_link" href="/7_4"&gt;7/4&lt;/a&gt;) and octave. It differs from the Pythagorean major second of &lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt; by &lt;a class="wiki_link" href="/64_63"&gt;64/63&lt;/a&gt;, a microtone of about 27.3¢.&lt;br /&gt;
 &lt;br /&gt;
 See the Wikipedia article for &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_whole_tone" rel="nofollow"&gt;Septimal whole tone&lt;/a&gt;.&lt;br /&gt;
 See also: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>