7/5: Difference between revisions

Wikispaces>xenwolf
**Imported revision 549283800 - Original comment: **
Wikispaces>PiotrGrochowski
**Imported revision 591563482 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2015-04-30 09:19:55 UTC</tt>.<br>
: This revision was by author [[User:PiotrGrochowski|PiotrGrochowski]] and made on <tt>2016-09-10 07:29:06 UTC</tt>.<br>
: The original revision id was <tt>549283800</tt>.<br>
: The original revision id was <tt>591563482</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:ji glyph 7 5.png width="147" height="116" caption="JI glyph for 7/5
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:ji glyph 7 5.png width="147" height="116" caption="JI glyph for 7/5"]]
"]]


**7/5**
**7/5**
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7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10_7|10/7]], usually to the 600¢ half-octave.
7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10_7|10/7]], usually to the 600¢ half-octave.


Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]]. See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]] and [[24_17|24/17]].
Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]] (inversion is [[64_45|64/45]]). See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]], [[24_17|24/17]], [[25_18|25/18]] and [[36_25|36/25]].


See: [[Gallery of Just Intervals]]</pre></div>
See: [[Gallery of Just Intervals]]</pre></div>
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7/5 is notable for its low &lt;a class="wiki_link" href="/harmonic%20entropy"&gt;harmonic entropy&lt;/a&gt;, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;, which measures about 617.5¢, and these two septimal tritones differ by the &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; interval &lt;a class="wiki_link" href="/50_49"&gt;50/49&lt;/a&gt;, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;, usually to the 600¢ half-octave.&lt;br /&gt;
7/5 is notable for its low &lt;a class="wiki_link" href="/harmonic%20entropy"&gt;harmonic entropy&lt;/a&gt;, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;, which measures about 617.5¢, and these two septimal tritones differ by the &lt;a class="wiki_link" href="/superparticular"&gt;superparticular&lt;/a&gt; interval &lt;a class="wiki_link" href="/50_49"&gt;50/49&lt;/a&gt;, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and &lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;, usually to the 600¢ half-octave.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Another just tritone is the &lt;a class="wiki_link" href="/3-limit"&gt;3-limit&lt;/a&gt; 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;, or three &amp;quot;whole tones&amp;quot;. Yet another is &lt;a class="wiki_link" href="/45_32"&gt;45/32&lt;/a&gt;, about 590.2¢, which appears in the &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt;. See also &lt;a class="wiki_link" href="/13_9"&gt;13/9&lt;/a&gt;, &lt;a class="wiki_link" href="/18_13"&gt;18/13&lt;/a&gt;, &lt;a class="wiki_link" href="/17_12"&gt;17/12&lt;/a&gt; and &lt;a class="wiki_link" href="/24_17"&gt;24/17&lt;/a&gt;.&lt;br /&gt;
Another just tritone is the &lt;a class="wiki_link" href="/3-limit"&gt;3-limit&lt;/a&gt; 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)&lt;span style="vertical-align: super;"&gt;3&lt;/span&gt;, or three &amp;quot;whole tones&amp;quot;. Yet another is &lt;a class="wiki_link" href="/45_32"&gt;45/32&lt;/a&gt;, about 590.2¢, which appears in the &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; (inversion is &lt;a class="wiki_link" href="/64_45"&gt;64/45&lt;/a&gt;). See also &lt;a class="wiki_link" href="/13_9"&gt;13/9&lt;/a&gt;, &lt;a class="wiki_link" href="/18_13"&gt;18/13&lt;/a&gt;, &lt;a class="wiki_link" href="/17_12"&gt;17/12&lt;/a&gt;, &lt;a class="wiki_link" href="/24_17"&gt;24/17&lt;/a&gt;, &lt;a class="wiki_link" href="/25_18"&gt;25/18&lt;/a&gt; and &lt;a class="wiki_link" href="/36_25"&gt;36/25&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
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