128/75: Difference between revisions
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{{Infobox Interval | {{Infobox Interval | ||
| Name = classic diminished seventh | | Name = classic(al) diminished seventh | ||
| Color name = gg7, gugu 7th | | Color name = gg7, gugu 7th | ||
}} | }} | ||
'''128/75''' is the classic ( | '''128/75''' is the '''classic(al) diminished seventh'''. While many would perhaps not think much of this interval, it does indeed serve as a diminished seventh in the 5-limit chord 1/1-32/25-36/25-128/75, which can serve as an unexpected method of tonicizing the note located at [[25/16]] below the root. That said, in the same way that 75/64 can also be considered a diminished third, 128/75 can also be considered an augmented sixth. | ||
== See also == | == See also == | ||
* [[75/64]] – its [[octave complement]] | * [[75/64]] – its [[octave complement]] | ||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
Revision as of 21:44, 26 January 2023
| Interval information |
reduced subharmonic
128/75 is the classic(al) diminished seventh. While many would perhaps not think much of this interval, it does indeed serve as a diminished seventh in the 5-limit chord 1/1-32/25-36/25-128/75, which can serve as an unexpected method of tonicizing the note located at 25/16 below the root. That said, in the same way that 75/64 can also be considered a diminished third, 128/75 can also be considered an augmented sixth.