18/17: Difference between revisions
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In [[17-limit]] [[just intonation]], '''18/17''' is the '''small septendecimal semitone''' of about 99¢. It is very close to [[12edo]]'s "half step" of 100¢, and fairly close to the "large septendecimal semitone" of [[17/16]] (~105¢). | In [[17-limit]] [[just intonation]], '''18/17''' is the '''small septendecimal semitone''' of about 99¢. It is very close to [[12edo]]'s "half step" of 100¢, and fairly close to the "large septendecimal semitone" of [[17/16]] (~105¢). | ||
There exists a disagreement in different | == Terminology and notation == | ||
There exists a disagreement in different conceptualization systems on whether 18/17 should be a [[diatonic semitone]] or a [[chromatic semitone]]. In the [[Functional Just System]], it is a chromatic semitone, separated by [[4131/4096]] from [[2187/2048]], the Pythagorean chromatic semitone. In [[Helmholtz-Ellis notation]], it is a diatonic semitone, separated by [[2187/2176]] from [[256/243]], the Pythagorean diatonic semitone. The term "small septendecimal semitone" omits the diatonic/chromatic part and only describes its melodic property i.e. the size. | |||
In practice, the interval category may, arguably, vary by context. One solution for the JI user who uses expanded [[circle-of-fifths notation]] is to prepare a [[Pythagorean comma]] accidental so that the interval can be notated in either category. | |||
== See also == | == See also == | ||
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* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
* [[List of superparticular intervals]] | * [[List of superparticular intervals]] | ||
* [[18/ | * [[18/17 equal-step tuning]] – equal multiplication of this interval | ||
[[Category:Second]] | [[Category:Second]] | ||
[[Category:Chroma]] | [[Category:Chroma]] | ||
[[Category:Semitone]] | [[Category:Semitone]] |