7-limit: Difference between revisions
Wikispaces>genewardsmith **Imported revision 232256570 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 232260540 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-05-26 20: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-05-26 20:43:41 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>232260540</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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For a variety of reasons, common-practice music has been somewhat stuck at the 5-limit for centuries, though 7-limit intervals have a characteristic jazzy sound which is at least partially familiar. Music in the 7-limit thus represents a large step forward, although not as much as 11- or 13-limit, which usually sound much more exotic. | For a variety of reasons, common-practice music has been somewhat stuck at the 5-limit for centuries, though 7-limit intervals have a characteristic jazzy sound which is at least partially familiar. Music in the 7-limit thus represents a large step forward, although not as much as 11- or 13-limit, which usually sound much more exotic. | ||
Relative to their size, the equal divisions [12edo]], [[19edo]], [31edo]], [[99edo]] and [[171edo]] provide good approximations to the 7-limit, with [[15edo]], [[22edo]], [[27edo]], [[41do]], [[46edo]],[[53edo]], [[58edo]], [[68edo]], [[72edo]], [[118edo], [[130edo]], [[140edo]] and [[152edo]] among the others worthy of notice. | |||
see [[Harmonic Limit]] | see [[Harmonic Limit]] | ||
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For a variety of reasons, common-practice music has been somewhat stuck at the 5-limit for centuries, though 7-limit intervals have a characteristic jazzy sound which is at least partially familiar. Music in the 7-limit thus represents a large step forward, although not as much as 11- or 13-limit, which usually sound much more exotic.<br /> | For a variety of reasons, common-practice music has been somewhat stuck at the 5-limit for centuries, though 7-limit intervals have a characteristic jazzy sound which is at least partially familiar. Music in the 7-limit thus represents a large step forward, although not as much as 11- or 13-limit, which usually sound much more exotic.<br /> | ||
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Relative to their size, the equal divisions [12edo]], <a class="wiki_link" href="/19edo">19edo</a>, [31edo]], <a class="wiki_link" href="/99edo">99edo</a> and <a class="wiki_link" href="/171edo">171edo</a> provide good approximations to the 7-limit, with <a class="wiki_link" href="/15edo">15edo</a>, <a class="wiki_link" href="/22edo">22edo</a>, <a class="wiki_link" href="/27edo">27edo</a>, <a class="wiki_link" href="/41do">41do</a>, <a class="wiki_link" href="/46edo">46edo</a>,<a class="wiki_link" href="/53edo">53edo</a>, <a class="wiki_link" href="/58edo">58edo</a>, <a class="wiki_link" href="/68edo">68edo</a>, <a class="wiki_link" href="/72edo">72edo</a>, [[118edo], <a class="wiki_link" href="/130edo">130edo</a>, <a class="wiki_link" href="/140edo">140edo</a> and <a class="wiki_link" href="/152edo">152edo</a> among the others worthy of notice.<br /> | |||
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see <a class="wiki_link" href="/Harmonic%20Limit">Harmonic Limit</a></body></html></pre></div> | see <a class="wiki_link" href="/Harmonic%20Limit">Harmonic Limit</a></body></html></pre></div> | ||