According to [[Ozan Yarman]], the perde segah of Turkish maqam music should range from **56/45**, which is flatter than [[5_4|5/4]] by the [[septimal kleisma]] of [[225_224|225/224]], to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. [[Marvel]] tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into [[Dyadic chord|essentially tempered dyadic chords]]. The 56/45 third is [[6_5|6/5]] away from the marvelous fifth, [[112_75|112/75]], and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.</pre></div>
According to [[Ozan_Yarman|Ozan Yarman]], the perde segah of Turkish maqam music should range from '''56/45''', which is flatter than [[5/4|5/4]] by the [[septimal_kleisma|septimal kleisma]] of [[225/224|225/224]], to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. [[Marvel|Marvel]] tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into [[Dyadic_chord|essentially tempered dyadic chords]]. The 56/45 third is [[6/5|6/5]] away from the marvelous fifth, [[112/75|112/75]], and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.
According to <a class="wiki_link" href="/Ozan%20Yarman">Ozan Yarman</a>, the perde segah of Turkish maqam music should range from <strong>56/45</strong>, which is flatter than <a class="wiki_link" href="/5_4">5/4</a> by the <a class="wiki_link" href="/septimal%20kleisma">septimal kleisma</a> of <a class="wiki_link" href="/225_224">225/224</a>, to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. <a class="wiki_link" href="/Marvel">Marvel</a> tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into <a class="wiki_link" href="/Dyadic%20chord">essentially tempered dyadic chords</a>. The 56/45 third is <a class="wiki_link" href="/6_5">6/5</a> away from the marvelous fifth, <a class="wiki_link" href="/112_75">112/75</a>, and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.</body></html></pre></div>
According to Ozan Yarman, the perde segah of Turkish maqam music should range from 56/45, which is flatter than 5/4 by the septimal kleisma of 225/224, to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. Marvel tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into essentially tempered dyadic chords. The 56/45 third is 6/5 away from the marvelous fifth, 112/75, and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.