91edo: Difference between revisions

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== Selected intervals ==
== Intervals ==
Eliora, who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.
Eliora, who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.


Line 59: Line 59:
! Associated Ratio
! Associated Ratio
|-
|-
|0
|0  
|unison, perfect prime, perfect prota
|unison <br>perfect prime <br>perfect prota
|C, Az
|C <br>Az (А)
|[[1/1]]
|[[1/1]]
|-
|-
|1
|1  
|major prime, major prota
|major prime <br>major prota
|C#
|C# <br>Az#
|
|
|-
|2
|augmented prota
|Az##
|
|-
|3
|biaugmented prota
|Az###
|
|-
|4
|bidiminished deiteria
|Buki♭♭♭
|
|-
|5
|diminished deiteria
|Buki♭♭
|
|-
|6
|minor deiteria
|Buki♭
|  
|-
|-
|7
|7  
|neutral deiteria
|neutral deiteria
|Buki
|Buki (Б)
|
|
|-
|8
|major deiteria
|Buki#
|
|-
|9
|augmented deiteria
|Buki##
|
|-
|10
|biaugmented deiteria
|Buki###
|
|-
|11
|bidiminished tritia
|Vedi♭♭♭
|[[13/12]], [[12/11]]
|-
|12
|diminished tritia
|Vedi♭♭
|  
|-
|-
|13
|13  
|neutral secunde
|neutral secunde <br>minor tritia
|D
|D <br>Vedi♭
|
|[[11/10]]
|-
|-
|14
|14  
|neural tritia
|neural tritia
|Vedi
|Vedi (В)
|
|[[10/9]]
|-
|15
|major tritia
|Vedi#
|[[9/8]]
|-
|16
|augmented tritia
|Vedi##
|
|-
|17
|biaugmented tritia
|Vedi###
|
|-
|18
|bidiminished tesseria
|Glagol♭♭♭
|[[8/7]]
|-
|19
|diminished tesseria
|Glagol♭♭
|  
|-
|-
|20
|20  
|minor tesseria
|minor tesseria
|Glagol♭
|Glagol♭
|[[7/6]]
|[[7/6]]
|-
|-
|21
|21  
|neutral tesseria
|neutral tesseria
|Glagol
|Glagol (Г)
|
|
|-
|22
|major tesseria
|Glagol#
|[[13/11]]
|-
|23
|augmented tesseria
|Glagol##
|
|-
|24
|biaugmented tesseria
|Glagol###
|[[6/5]]
|-
|25
|bidiminished pemptia
|Dobro♭♭♭
|  
|-
|-
|26
|26  
|neutral tertie
|neutral tertie <br>diminished pemptia
|E
|E <br>Dobro♭♭
|[[11/9]]
|[[11/9]]
|-
|-
|27
|27  
|major tertie, minor pemptia
|major tertie <br>minor pemptia
|E#
|E# <br>Dobro♭
|[[16/13]], 27/22
|[[16/13]], 27/22
|-
|-
|28
|28  
|neutral pemptia
|neutral pemptia
|Dobro
|Dobro (Д)
|
|
|-
|29
|major pemptia
|Dobro#
|[[5/4]]
|-
|30
|augmented pemptia
|Dobro##
|
|-
|31
|biaugmented pemptia
|Dobro###
|
|-
|32
|bidiminished hektia
|Yest♭♭♭
|[[14/11]]
|-
|33
|diminished hektia
|Yest♭♭
|[[9/7]]
|-
|34
|minor hektia
|Yest♭
|  
|-
|-
|35
|35  
|neutral hektia
|neutral hektia
|Yest
|Yest (Е)
|
|
|-
|36
|major hektia
|Yest#
|
|-
|37
|augmented hektia
|Yest##
|
|-
|38
|biaugmented hektia
|Yest###
|[[4/3]]
|-
|39
|neutral quarte <br>bidiminished hebdomia
|F <br>Zhivete♭♭♭
|
|-
|40
|diminished hebdomia
|Zhivete♭♭
|  
|-
|-
|39
|41
|neutral quarte
|minor hebdomia
|F
|Zhivete♭
|
|  
|-
|-
|42
|42  
|neutral hebdomia
|neutral hebdomia
|Zhivete
|Zhivete (Ж)
|
|[[11/8]]
|-
|43
|major hebdomia
|Zhivete#
|  
|-
|-
|44
|44  
|augmented hebdomia
|augmented hebdomia
|Zhivete##
|Zhivete##
|[[7/5]]
|[[7/5]]
|-
|-
|45
|45  
|biaugmented hebdomia
|biaugmented hebdomia
|Zhivete###
|Zhivete###
|[[10/7]]
|
|-
|46
|bidiminished ogdonia
|Dzelo♭♭♭
|
|-
|47
|diminished ogdonia
|Dzelo♭♭
|[[10/7]]  
|-
|48
|minor ogdonia
|Dzelo♭
|
|-
|-
|49
|49
|neutral ogdonia
|neutral ogdonia
|Dzelo
|Dzelo (Ѕ)
|
|
|-
|-
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|-
|-
|54
|54
|augmented quinte, diminished ennatia
|augmented quinte <br>diminished ennatia
|G##, Zemle♭♭
|G## <br>Zemle♭♭
|[[3/2]] II, [[256/169]]
|[[256/169]]
|-
|-
|55
|55
Line 161: Line 331:
|56
|56
|neutral ennatia
|neutral ennatia
|Zemle
|Zemle (З)
|
|
|-
|-
|63
|63
|neutral decatia
|neutral decatia
|Izhe
|Izhe (И)
|
|
|-
|-
|64
|64
|major decatia, minor sexte
|major decatia <br>minor sexte
|Izhe#, A♭
|Izhe# <br>A♭
|
|
|-
|-
Line 181: Line 351:
|70
|70
|neutral hendecatia
|neutral hendecatia
|Jerve
|Jerve (Ђ)
|
|
|-
|-
|77
|77
|neutral dodecatia
|neutral dodecatia
|Kako
|Kako (К)
|
|
|-
|-
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|84
|84
|neutral decatotritia
|neutral decatotritia
|Ludi
|Ludi (Л)
|
|
|-
|-
|91
|91
|perfect octave, perfect decatotetartia
|perfect octave <br>perfect decatotetartia
|C, Az
|C <br>Az (А)
|[[2/1]] exact
|[[2/1]] exact
|}
|}
Line 211: Line 381:
* Septimin[9]: 11 9 11 9 11 9 11 9 11
* Septimin[9]: 11 9 11 9 11 9 11 9 11
* ArabicSeptimin[9]: 5 15 11 9 11 9 5 15 11
* ArabicSeptimin[9]: 5 15 11 9 11 9 5 15 11
*[[Semaphore5]]: 19 19 19 19 15
* [[Semaphore5]]: 19 19 19 19 15
* [[Semaphore9]]
* [[Semaphore9]]
* [[Semaphore14]]
* [[Semaphore14]]

Revision as of 23:28, 17 June 2022

← 90edo 91edo 92edo →
Prime factorization 7 × 13
Step size 13.1868 ¢ 
Fifth 53\91 (698.901 ¢)
Semitones (A1:m2) 7:8 (92.31 ¢ : 105.5 ¢)
Consistency limit 9
Distinct consistency limit 9

The 91 equal divisions of the octave (91edo), or 91-tone equal temperament (91tet, 91et) when viewed from a regular temperament perspective, divides the octave into 91 parts of 13.187 cents each.

91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13. From an aesthetic standpoint, the factoring of 91 represents a kind of "yin-yang" since historically, the number 7 symbolizes luck and 13 misfortune.

Theory

The 3, 5 and 7 for 91 are on the flat side, making this a mostly flat system. It provides the optimal patent val for 11- and 13-limit septimin temperament, and the 13-limit rank three tripod temperament, as well as the 11-limit rank four temperament tempering out 245/242 and the 13-limit rank five temperament tempering out 105/104, or rank four tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also. It tempers out 15625/15552 in the 5-limit, 225/224 and 4375/4374 in the 7-limit, 245/242, 385/384 in the 11-limit, and 105/104, 144/143, 196/195 in the 13-limit. It is the second highest it a series of four consecutive edos that temper out quartisma ([24 -6 0 1 -5). Using the 91c val, it is audibly indistinguishable from a closed system of 1/7 comma meantone, with a 5th only 0.018 cents sharper.

Odd harmonics

Approximation of odd harmonics in 91edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) -3.05 -3.90 -6.19 -6.11 +2.53 +3.43 +6.24 +0.54 +5.78 +3.94 +4.69
Relative (%) -23.2 -29.5 -46.9 -46.3 +19.2 +26.0 +47.3 +4.1 +43.9 +29.9 +35.6
Steps
(reduced)
144
(53)
211
(29)
255
(73)
288
(15)
315
(42)
337
(64)
356
(83)
372
(8)
387
(23)
400
(36)
412
(48)

Regular temperament properties

Subgroup Comma list Mapping Optimal
8ve stretch (¢)
Tuning error
Absolute (¢) Relative (%)
2.3 [-144 91 [91 144]] +0.963 0.964 7.31
2.3.5 15625/15552, 43046721/41943040 [91 144 211]] +1.202 0.857 6.49
2.3.5.7 225/224, 4375/4374, 50421/50000 [91 144 211 255]] +1.453 0.860 6.51

Intervals

Eliora, who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.

Table of intervals in 91edo
# Eliora's Naming System Eliora's Notation Associated Ratio
0 unison
perfect prime
perfect prota
C
Az (А)
1/1
1 major prime
major prota
C#
Az#
2 augmented prota Az##
3 biaugmented prota Az###
4 bidiminished deiteria Buki♭♭♭
5 diminished deiteria Buki♭♭
6 minor deiteria Buki♭
7 neutral deiteria Buki (Б)
8 major deiteria Buki#
9 augmented deiteria Buki##
10 biaugmented deiteria Buki###
11 bidiminished tritia Vedi♭♭♭ 13/12, 12/11
12 diminished tritia Vedi♭♭
13 neutral secunde
minor tritia
D
Vedi♭
11/10
14 neural tritia Vedi (В) 10/9
15 major tritia Vedi# 9/8
16 augmented tritia Vedi##
17 biaugmented tritia Vedi###
18 bidiminished tesseria Glagol♭♭♭ 8/7
19 diminished tesseria Glagol♭♭
20 minor tesseria Glagol♭ 7/6
21 neutral tesseria Glagol (Г)
22 major tesseria Glagol# 13/11
23 augmented tesseria Glagol##
24 biaugmented tesseria Glagol### 6/5
25 bidiminished pemptia Dobro♭♭♭
26 neutral tertie
diminished pemptia
E
Dobro♭♭
11/9
27 major tertie
minor pemptia
E#
Dobro♭
16/13, 27/22
28 neutral pemptia Dobro (Д)
29 major pemptia Dobro# 5/4
30 augmented pemptia Dobro##
31 biaugmented pemptia Dobro###
32 bidiminished hektia Yest♭♭♭ 14/11
33 diminished hektia Yest♭♭ 9/7
34 minor hektia Yest♭
35 neutral hektia Yest (Е)
36 major hektia Yest#
37 augmented hektia Yest##
38 biaugmented hektia Yest### 4/3
39 neutral quarte
bidiminished hebdomia
F
Zhivete♭♭♭
40 diminished hebdomia Zhivete♭♭
41 minor hebdomia Zhivete♭
42 neutral hebdomia Zhivete (Ж) 11/8
43 major hebdomia Zhivete#
44 augmented hebdomia Zhivete## 7/5
45 biaugmented hebdomia Zhivete###
46 bidiminished ogdonia Dzelo♭♭♭
47 diminished ogdonia Dzelo♭♭ 10/7
48 minor ogdonia Dzelo♭
49 neutral ogdonia Dzelo (Ѕ)
52 neutral quinte G 121/81
53 major quinte G# 3/2
54 augmented quinte
diminished ennatia
G##
Zemle♭♭
256/169
55 minor ennatia Zemle♭
56 neutral ennatia Zemle (З)
63 neutral decatia Izhe (И)
64 major decatia
minor sexte
Izhe#
A♭
65 neutral sexte A
70 neutral hendecatia Jerve (Ђ)
77 neutral dodecatia Kako (К)
78 neutral septime B
84 neutral decatotritia Ludi (Л)
91 perfect octave
perfect decatotetartia
C
Az (А)
2/1 exact

Scales

  • NaiveMajor[7]: 13 16 10 13 16 13 10
  • NaiveMinor[7]: 13 10 16 13 10 13 16
  • HungarianNaiveSurorwell[13]: 7 7 8 6 11 5 5 7 10 4 4 13 4
  • Septimin[9]: 11 9 11 9 11 9 11 9 11
  • ArabicSeptimin[9]: 5 15 11 9 11 9 5 15 11
  • Semaphore5: 19 19 19 19 15
  • Semaphore9
  • Semaphore14

Music