3L 10s: Difference between revisions
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Wikispaces>JosephRuhf **Imported revision 342672420 - Original comment: ** |
Wikispaces>JosephRuhf **Imported revision 343009302 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2012-06- | : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2012-06-05 20:58:15 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>343009302</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">This scale, though it belongs to magic and würschmidt temperaments, is functionally identical to a compromise between the meantone/superpyth diatonic and chromatic scales. However, meantone and superpyth chords are slightly more complex and less accurate because 3125/3072, which is nearly 1/41 of the octave, is tempered out instead of 81/80 or 64/63. As a magic scale, it is uneven enough to fall within the region of optimal melodic tunings for magic[13] (L:s = sqrt( | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">This scale, though it belongs to magic and würschmidt temperaments, is functionally identical to a compromise between the meantone/superpyth diatonic and chromatic scales. However, meantone and superpyth chords are slightly more complex and less accurate because 3125/3072, which is nearly 1/41 of the octave, is tempered out instead of 81/80 or 64/63. As a magic scale, it is uneven enough to fall within the region of optimal melodic tunings for magic[13] (L:s = sqrt(6) to 6-sqrt(6)). Because of this property, magic[13] is a good 19 tone mode for people who want to explore new sounds without having to give up using strongly harmonic fifths (3/2 +/- ~cbrt(145/143)) for building consonant chords. | ||
Of course, magic[13] is still slightly improper and würschmidt[13] is almost totally lopsided (L:s = 6:1 to 8:1). Even so, the excellence of magic temperament as a fit for 13 tone per octave melodic scales and its close affinity to strongly harmonic fifth temperaments make up for the roughness of the major third that 13 tone circles favor multiple times over.</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>3L 10s</title></head><body>This scale, though it belongs to magic and würschmidt temperaments, is functionally identical to a compromise between the meantone/superpyth diatonic and chromatic scales. However, meantone and superpyth chords are slightly more complex and less accurate because 3125/3072, which is nearly 1/41 of the octave, is tempered out instead of 81/80 or 64/63. As a magic scale, it is uneven enough to fall within the region of optimal melodic tunings for magic[13] (L:s = sqrt( | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>3L 10s</title></head><body>This scale, though it belongs to magic and würschmidt temperaments, is functionally identical to a compromise between the meantone/superpyth diatonic and chromatic scales. However, meantone and superpyth chords are slightly more complex and less accurate because 3125/3072, which is nearly 1/41 of the octave, is tempered out instead of 81/80 or 64/63. As a magic scale, it is uneven enough to fall within the region of optimal melodic tunings for magic[13] (L:s = sqrt(6) to 6-sqrt(6)). Because of this property, magic[13] is a good 19 tone mode for people who want to explore new sounds without having to give up using strongly harmonic fifths (3/2 +/- ~cbrt(145/143)) for building consonant chords.<br /> | ||
<br /> | |||
Of course, magic[13] is still slightly improper and würschmidt[13] is almost totally lopsided (L:s = 6:1 to 8:1). Even so, the excellence of magic temperament as a fit for 13 tone per octave melodic scales and its close affinity to strongly harmonic fifth temperaments make up for the roughness of the major third that 13 tone circles favor multiple times over.</body></html></pre></div> | |||
Revision as of 20:58, 5 June 2012
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author JosephRuhf and made on 2012-06-05 20:58:15 UTC.
- The original revision id was 343009302.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
This scale, though it belongs to magic and würschmidt temperaments, is functionally identical to a compromise between the meantone/superpyth diatonic and chromatic scales. However, meantone and superpyth chords are slightly more complex and less accurate because 3125/3072, which is nearly 1/41 of the octave, is tempered out instead of 81/80 or 64/63. As a magic scale, it is uneven enough to fall within the region of optimal melodic tunings for magic[13] (L:s = sqrt(6) to 6-sqrt(6)). Because of this property, magic[13] is a good 19 tone mode for people who want to explore new sounds without having to give up using strongly harmonic fifths (3/2 +/- ~cbrt(145/143)) for building consonant chords. Of course, magic[13] is still slightly improper and würschmidt[13] is almost totally lopsided (L:s = 6:1 to 8:1). Even so, the excellence of magic temperament as a fit for 13 tone per octave melodic scales and its close affinity to strongly harmonic fifth temperaments make up for the roughness of the major third that 13 tone circles favor multiple times over.
Original HTML content:
<html><head><title>3L 10s</title></head><body>This scale, though it belongs to magic and würschmidt temperaments, is functionally identical to a compromise between the meantone/superpyth diatonic and chromatic scales. However, meantone and superpyth chords are slightly more complex and less accurate because 3125/3072, which is nearly 1/41 of the octave, is tempered out instead of 81/80 or 64/63. As a magic scale, it is uneven enough to fall within the region of optimal melodic tunings for magic[13] (L:s = sqrt(6) to 6-sqrt(6)). Because of this property, magic[13] is a good 19 tone mode for people who want to explore new sounds without having to give up using strongly harmonic fifths (3/2 +/- ~cbrt(145/143)) for building consonant chords.<br /> <br /> Of course, magic[13] is still slightly improper and würschmidt[13] is almost totally lopsided (L:s = 6:1 to 8:1). Even so, the excellence of magic temperament as a fit for 13 tone per octave melodic scales and its close affinity to strongly harmonic fifth temperaments make up for the roughness of the major third that 13 tone circles favor multiple times over.</body></html>