39edo: Difference between revisions
Wikispaces>MasonGreen1 **Imported revision 576100823 - Original comment: ** |
Wikispaces>MasonGreen1 **Imported revision 576101237 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-02-28 21: | : This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2016-02-28 21:36:11 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>576101237</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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===**Blues / Jazz / African-American:**=== | ===**Blues / Jazz / African-American:**=== | ||
The harmonic seventh ("barbershop seventh") tetrad is reasonably well approximated in 39edo, and some temperaments (augene in particular) are liberally supplied with them. John Coltrane [[https://en.wikipedia.org/wiki/Coltrane_changes|would have loved augene]]. | The harmonic seventh ("barbershop seventh") tetrad is reasonably well approximated in 39edo, and some temperaments (augene in particular) give scales that are liberally supplied with them. John Coltrane [[https://en.wikipedia.org/wiki/Coltrane_changes|would have loved augene]]. | ||
Tritone substitution, which is a major part of jazz and blues harmony, is more complicated in 39edo because there are two types of tritones. Therefore the tritone substitution of one seventh chord will need to be a different type of seventh chord. However, this also opens new possibilities; if the substituted chord is of a more consonant type than the original, then the tritone substitution may function as a //resolution// rather than a suspension. | Tritone substitution, which is a major part of jazz and blues harmony, is more complicated in 39edo because there are two types of tritones. Therefore the tritone substitution of one seventh chord will need to be a different type of seventh chord. However, this also opens new possibilities; if the substituted chord is of a more consonant type than the original, then the tritone substitution may function as a //resolution// rather than a suspension. | ||
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<!-- ws:start:WikiTextHeadingRule:16:&lt;h3&gt; --><h3 id="toc8"><a name="x39 tone equal temperament-39edo and world music:-Blues / Jazz / African-American:"></a><!-- ws:end:WikiTextHeadingRule:16 --><strong>Blues / Jazz / African-American:</strong></h3> | <!-- ws:start:WikiTextHeadingRule:16:&lt;h3&gt; --><h3 id="toc8"><a name="x39 tone equal temperament-39edo and world music:-Blues / Jazz / African-American:"></a><!-- ws:end:WikiTextHeadingRule:16 --><strong>Blues / Jazz / African-American:</strong></h3> | ||
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The harmonic seventh (&quot;barbershop seventh&quot;) tetrad is reasonably well approximated in 39edo, and some temperaments (augene in particular) are liberally supplied with them. John Coltrane <a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Coltrane_changes" rel="nofollow">would have loved augene</a>.<br /> | The harmonic seventh (&quot;barbershop seventh&quot;) tetrad is reasonably well approximated in 39edo, and some temperaments (augene in particular) give scales that are liberally supplied with them. John Coltrane <a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Coltrane_changes" rel="nofollow">would have loved augene</a>.<br /> | ||
<br /> | <br /> | ||
Tritone substitution, which is a major part of jazz and blues harmony, is more complicated in 39edo because there are two types of tritones. Therefore the tritone substitution of one seventh chord will need to be a different type of seventh chord. However, this also opens new possibilities; if the substituted chord is of a more consonant type than the original, then the tritone substitution may function as a <em>resolution</em> rather than a suspension.<br /> | Tritone substitution, which is a major part of jazz and blues harmony, is more complicated in 39edo because there are two types of tritones. Therefore the tritone substitution of one seventh chord will need to be a different type of seventh chord. However, this also opens new possibilities; if the substituted chord is of a more consonant type than the original, then the tritone substitution may function as a <em>resolution</em> rather than a suspension.<br /> | ||