Temperament: Difference between revisions
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{{Wikipedia|Musical temperament}} | |||
A '''temperament''' is a [[tuning system]] that slightly compromises the pure [[interval]]s of [[just intonation]] (or, more generally, of any [[target tuning]]) to meet other requirements. | |||
In regular temperament theory, the term ''temperament'' usually refers to a [[regular temperament]]. | |||
== History == | |||
In Western music history, the first temperaments to be described by theorists were [[meantone]] temperaments, in the beginning of the 16th century. These were developed in an attempt to solve some of the issues of the [[Pythagorean tuning]], the most commonly used tuning system until then. In particular, the pure fifths ([[3/2]]) are slightly compromised in order to obtain either pure major thirds ([[5/4]]), in [[quarter-comma meantone]], or slightly compromised major thirds in other meantone temperaments. The linear structure of meantone temperaments has laid the foundations for the development of [[regular temperament theory]]. | |||
[[Category: | Because meantone temperaments have their own issues, a new kind of temperaments appeared in the 17th century: [[well temperament]]s. These have an irregular structure that allow for more flexibility in the way each note is tuned, and thus how each interval is compromised. As a result, most scales sound different when they are transposed to a different key. | ||
== See also == | |||
* [[Historical temperaments]] | |||
[[Category:Theory]] |