10edo: Difference between revisions
→Intervals: remove the attempt to "correct" degrees since it lacks context |
→Intervals: improve interval names to better comply to diatonic scheme |
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| Line 80: | Line 80: | ||
| 16/15, 15/14, 14/13 | | 16/15, 15/14, 14/13 | ||
| 10/9, 13/12, 81/80 | | 10/9, 13/12, 81/80 | ||
| | | neutral second | ||
| mid 2nd | | mid 2nd | ||
| ~2 | | ~2 | ||
| Line 89: | Line 89: | ||
| 8/7, 15/13, 144/125 | | 8/7, 15/13, 144/125 | ||
| 9/8, 7/6 | | 9/8, 7/6 | ||
| second | | hemifourth, major second, minor third | ||
| maj 2nd, min 3rd | | maj 2nd, min 3rd | ||
| M2, m3 | | M2, m3 | ||
| Line 98: | Line 98: | ||
| [[16/13]] | | [[16/13]] | ||
| 5/4 | | 5/4 | ||
| | | neutral third | ||
| mid 3rd | | mid 3rd | ||
| ~3 | | ~3 | ||
| ^F, vG | | ^F, vG | ||
|- | |- | ||
| Line 108: | Line 107: | ||
| 64/49, 169/128 | | 64/49, 169/128 | ||
| 4/3, 9/7, 13/10 | | 4/3, 9/7, 13/10 | ||
| | | perfect fourth | ||
| maj 3rd, perf 4th | | maj 3rd, perf 4th | ||
| M3, P4 | | M3, P4 | ||
| Line 117: | Line 116: | ||
| 91/64, 128/91, 169/120, 240/169 | | 91/64, 128/91, 169/120, 240/169 | ||
| 7/5, 10/7, 13/9, 18/13 | | 7/5, 10/7, 13/9, 18/13 | ||
| | | hemioctave | ||
| up 4th, down 5th | | up 4th, down 5th | ||
| ^4, v5 | | ^4, v5 | ||
| Line 126: | Line 125: | ||
| 49/32, 256/169 | | 49/32, 256/169 | ||
| 3/2, 14/9, 20/13 | | 3/2, 14/9, 20/13 | ||
| | | perfect fifth | ||
| perf 5th, min 6th | | perf 5th, min 6th | ||
| P5, m6 | | P5, m6 | ||
| Line 144: | Line 143: | ||
| 7/4, 26/15, 125/72 | | 7/4, 26/15, 125/72 | ||
| 16/9, 12/7 | | 16/9, 12/7 | ||
| sixth | | hemitwelfth, major sixth, minor seventh | ||
| maj 6th, min 7th | | maj 6th, min 7th | ||
| M6, m7 | | M6, m7 | ||
| Line 153: | Line 152: | ||
| 15/8, 28/15, 13/7 | | 15/8, 28/15, 13/7 | ||
| 9/5, 24/13, 160/81 | | 9/5, 24/13, 160/81 | ||
| | | neutral seventh | ||
| mid 7th | | mid 7th | ||
| ~7 | | ~7 | ||
| Line 170: | Line 169: | ||
<references /> | <references /> | ||
This is | This is the diatonic notation, generated by 5ths (6\10, representing 3/2). Alternative notations include pentatonic fifth-generated and heptatonic 3rd-generated. | ||
'''<u>Pentatonic 5th-generated</u>: D * E * G * A * C * D''' (generator = 3/2 = 6\10 = perfect 5thoid) | '''<u>Pentatonic 5th-generated</u>: D * E * G * A * C * D''' (generator = 3/2 = 6\10 = perfect 5thoid) | ||