29edo: Difference between revisions

Move temperament measures to RTT properties section
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| -31
| -31
|-
|-
! colspan="2" | [[nearest edomapping]]
! colspan="2" | [[Nearest edomapping]]
| 29
| 29
| 17
| 17
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| 20
| 20
|-
|-
! colspan="2" | [[fifthspan]]
! colspan="2" | [[Fifthspan]]
| 0
| 0
| +1
| +1
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== Intervals ==
== Intervals ==
{{See also| 29edo solfege }}
{| class="wikitable center-all right-2 left-3"
{| class="wikitable center-all right-2 left-3"
|-
|-
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|  
|  
|}
|}
''See also: [[29edo solfege]]''


Combining ups and downs notation with [[color notation]], qualities can be loosely associated with colors:
Combining ups and downs notation with [[color notation]], qualities can be loosely associated with colors:
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== Just approximation ==
== JI approximation ==
=== Selected just intervals by error ===
=== 15-odd-limit interval mappings ===
==== 15-odd-limit interval mappings ====
The following table shows how [[15-odd-limit intervals]] are represented in 29edo. Prime harmonics are in '''bold'''.  
The following table shows how [[15-odd-limit intervals]] are represented in 29edo. Prime harmonics are in '''bold'''.  


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=== Temperament measures ===
== Regular temperament properties ==
The following table shows [[TE temperament measures]] (RMS normalized by the rank) of 29et.
{| class="wikitable center-4 center-5 center-6"
{| class="wikitable center-all"
! rowspan="2" | Subgroup
! colspan="2" |
! rowspan="2" | [[Comma list]]
! 3-limit
! rowspan="2" | [[Mapping]]
! 5-limit
! rowspan="2" | Optimal<br>8ve stretch (¢)
! 7-limit
! colspan="2" | Tuning error
! 11-limit
|-
! 13-limit
! [[TE error|Absolute]] (¢)
! [[TE simple badness|Relative]] (%)
|-
|-
! colspan="2" |Octave stretch (¢)
| 2.3
| {{monzo| 46 -29 }}
| [{{val| 29 46 }}]
| -0.47
| -0.47
| 0.47
| 1.14
|-
| 2.3.5
| 250/243, 16875/16384
| [{{val| 29 46 67 }}]
| +1.68
| +1.68
| 3.07
| 7.41
|-
| 2.3.5.7
| 49/48, 225/224, 250/243
| [{{val| 29 46 67 81 }}]
| +2.78
| +2.78
| 3.28
| 7.91
|-
| 2.3.5.7.11
| 49/48, 55/54, 100/99, 225/224
| [{{val| 29 46 67 81 100 }}]
| +3.00
| +3.00
| 2.97
| 7.15
|-
| 2.3.5.7.11.13
| 49/48, 55/54, 100/99, 105/104, 225/224
| [{{val| 29 46 67 81 100 107 }}]
| +3.09
| +3.09
|-
! rowspan="2" |Error
! [[TE error|absolute]] (¢)
| 0.47
| 3.07
| 3.28
| 2.97
| 2.71
| 2.71
|-
! [[TE simple badness|relative]] (%)
| 1.14
| 7.41
| 7.91
| 7.15
| 6.54
| 6.54
|}
|}


== Commas ==
=== Commas ===
29edo [[tempers out]] the following [[comma]]s. This assumes the [[patent val]] {{val| 29 46 67 81 100 107 }}. Cent values are rounded to 5 digits.  
29edo [[tempers out]] the following [[comma]]s. This assumes the [[patent val]] {{val| 29 46 67 81 100 107 }}. Cent values are rounded to 5 digits.  


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<references/>
<references/>


== Linear temperaments ==
=== Linear temperaments ===
* [[List of 29et rank two temperaments by badness]]
* [[List of 29et rank two temperaments by badness]]
Important MOSes include:  
Important MOSes include:  
* [[leapfrog]] diatonic [[5L 2s]] 5552552 (17\29, 1\1)
* [[leapfrog]] diatonic [[5L 2s]] 5552552 (17\29, 1\1)
* [[leapfrog]] chromatic [[5L 7s]] 3232323223232322 (17\29, 1\1)
* [[leapfrog]] chromatic [[5L 7s]] 3232323223232322 (17\29, 1\1)
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=== Nicetone ===
=== Nicetone ===
29edo is not a meantone system, but it could nonetheless be used as a basis for common-practice music if one considers the superfourth as a consonant, alternative type of fourth, and the 11:13:16 as an alternative type of consonant "doubly minor" triad. We can then use a diatonic scale such as 5435453 (which resembles Didymus' 5-limit JI diatonic scale, but with the syntonic comma being exaggerated in size). This scale has a very similar harmonic structure to a meantone diatonic scale, except that one of its minor triads is doubly-minor.
29edo is not a meantone system, but it could nonetheless be used as a basis for common-practice music if one considers the superfourth as a consonant, alternative type of fourth, and the 11:13:16 as an alternative type of consonant "doubly minor" triad. We can then use a diatonic scale such as 5435453 (which resembles Didymus' 5-limit JI diatonic scale, but with the syntonic comma being exaggerated in size). This scale has a very similar harmonic structure to a meantone diatonic scale, except that one of its minor triads is doubly-minor.