21edo: Difference between revisions
Wikispaces>guest **Imported revision 121705805 - Original comment: ** |
Wikispaces>guest **Imported revision 150596285 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:guest|guest]] and made on <tt>2010- | : This revision was by author [[User:guest|guest]] and made on <tt>2010-06-26 01:50:41 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>150596285</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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Twenty-one has a period of 1/3 of the octave as opposed to 1/4 found in diminished families like 12-tet and 16-tet. Some sources claim that cultures in North and South Africa ( Zambezi / Angola / Chopi, etc), as well as ancient traditional Chinese music used 7-edo (or slight alterations within the pitch sets). | Twenty-one has a period of 1/3 of the octave as opposed to 1/4 found in diminished families like 12-tet and 16-tet. Some sources claim that cultures in North and South Africa ( Zambezi / Angola / Chopi, etc), as well as ancient traditional Chinese music used 7-edo (or slight alterations within the pitch sets). | ||
0. 1/1 C | 0. 1/1 C | ||
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Twenty-one has a period of 1/3 of the octave as opposed to 1/4 found in diminished families like 12-tet and 16-tet. Some sources claim that cultures in North and South Africa ( Zambezi / Angola / Chopi, etc), as well as ancient traditional Chinese music used 7-edo (or slight alterations within the pitch sets).<br /> | Twenty-one has a period of 1/3 of the octave as opposed to 1/4 found in diminished families like 12-tet and 16-tet. Some sources claim that cultures in North and South Africa ( Zambezi / Angola / Chopi, etc), as well as ancient traditional Chinese music used 7-edo (or slight alterations within the pitch sets).<br /> | ||
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0. 1/1 C<br /> | 0. 1/1 C<br /> | ||