17tppp4: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-01-27 04:09:41 UTC</tt>.<br>

: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-01-27 04:16:14 UTC</tt>.<br>

: The original revision id was <tt>~~15529153~~</tt>.<br>

: The original revision id was <tt>15529213</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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LENGTH: maximum five minutes for each submission.

REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated!

REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Deadline? APRIL 1, 2008. Let us know your intentions before then, if possible.

Inquiries and submissions go to [[mailto:[email protected]|[email protected]]], or

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VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.

PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C. </pre></div>

PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, three concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit &lt;<a class="wiki_link" href="/SeventeenTonePianoProject%3E.">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject&gt;.</a><br />

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LENGTH: maximum five minutes for each submission.<br />

<br />

REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated!<br />

REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Deadline? APRIL 1, 2008. Let us know your intentions before then, if possible.<br />

<br />

Inquiries and submissions go to <a class="wiki_link_ext" href="mailto:[email protected]" rel="nofollow">[email protected]</a>, or<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-01-27 04:09:41 UTC</tt>.<br>
+: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-01-27 04:16:14 UTC</tt>.<br>
-: The original revision id was <tt>15529153</tt>.<br>
+: The original revision id was <tt>15529213</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 26: / Line 26: @@
 LENGTH: maximum five minutes for each submission.
-REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated!
+REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Deadline? APRIL 1, 2008. Let us know your intentions before then, if possible.
 Inquiries and submissions go to [[mailto:[email protected]|[email protected]]], or
@@ Line 37: / Line 37: @@
 VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.
-PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C. </pre></div>
+PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.</pre></div>
 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;17tppp4&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, three concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit &amp;lt;&lt;a class="wiki_link" href="/SeventeenTonePianoProject%3E."&gt;http://xenharmonic.wikispaces.com/SeventeenTonePianoProject&amp;gt;.&lt;/a&gt;&lt;br /&gt;
@@ Line 54: / Line 54: @@
 LENGTH: maximum five minutes for each submission.&lt;br /&gt;
 &lt;br /&gt;
-REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated!&lt;br /&gt;
+REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Deadline? APRIL 1, 2008. Let us know your intentions before then, if possible.&lt;br /&gt;
 &lt;br /&gt;
 Inquiries and submissions go to &lt;a class="wiki_link_ext" href="mailto:[email protected]" rel="nofollow"&gt;[email protected]&lt;/a&gt;, or&lt;br /&gt;