17tppp4: Difference between revisions
Wikispaces>xenjacob **Imported revision 15570325 - Original comment: ** |
Wikispaces>xenjacob **Imported revision 16780990 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008- | : This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-02-12 10:36:45 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>16780990</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, three concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <[[SeventeenTonePianoProject>.|http://xenharmonic.wikispaces.com/SeventeenTonePianoProject]]>. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, three concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <[[SeventeenTonePianoProject>.|http://xenharmonic.wikispaces.com/SeventeenTonePianoProject]]>. | ||
Phase Four of the project begins with a CALL FOR MICROTONAL SONGS and culminates in (1) a sing-along/sharing on | Phase Four of the project begins with a CALL FOR MICROTONAL SONGS and culminates in (1) a sing-along/sharing on **Wednesday, April 30, 2008** at the Bonnie Brae house, and (2) a concert on **Thursday, May 1, 2008** at Hirsch Orchestra Rehearsal Hall, Rice University, Houston, TX. | ||
'MICROTONAL': intentionally deviating from the (Western-music) norm of 12 tones per octave, AND not restricted to 17 tones per octave either. | 'MICROTONAL': intentionally deviating from the (Western-music) norm of 12 tones per octave, AND not restricted to 17 tones per octave either. | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, three concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit &lt;<a class="wiki_link" href="/SeventeenTonePianoProject%3E.">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>&gt;.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, three concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit &lt;<a class="wiki_link" href="/SeventeenTonePianoProject%3E.">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>&gt;.<br /> | ||
<br /> | <br /> | ||
Phase Four of the project begins with a CALL FOR MICROTONAL SONGS and culminates in (1) a sing-along/sharing on | Phase Four of the project begins with a CALL FOR MICROTONAL SONGS and culminates in (1) a sing-along/sharing on <strong>Wednesday, April 30, 2008</strong> at the Bonnie Brae house, and (2) a concert on <strong>Thursday, May 1, 2008</strong> at Hirsch Orchestra Rehearsal Hall, Rice University, Houston, TX.<br /> | ||
<br /> | <br /> | ||
'MICROTONAL': intentionally deviating from the (Western-music) norm of 12 tones per octave, AND not restricted to 17 tones per octave either.<br /> | 'MICROTONAL': intentionally deviating from the (Western-music) norm of 12 tones per octave, AND not restricted to 17 tones per octave either.<br /> | ||