17ed5: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-10-07 11:02:47 UTC</tt>.

: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-10-07 13:28:27 UTC</tt>.

: The original revision id was <tt>~~262580558~~</tt>.

: The original revision id was <tt>262637388</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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So what does one do with this? Well it took me long enough to stumble on the answer... a year... But the rule is now: Anything worth hearing is worth taking the 17th root of. Because bizarrely enough, the pattern known as "superpyth" in an octave context, is the key to tempering together these cosmic harmonies in the pentave! So I dub it "hyperpyth" but if you want to call it "kosmorsky" that's fine by me too. Musical examples forthcoming.

17ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not well ~~- which~~ is the ~~case in 17ed5~~. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' "[[26edo|Orgone]]"? ~~I bet~~ there is ~~and I'll look for it soon.~~

17ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not as well. In 17ed5, the 21/5 is represented about as well as the 9/5 is, although that's not too good, coincidentally mapped to the augmented sixth. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' "[[26edo|Orgone]]"? Turns out there is, see [[10ed5]]

But wait, an interesting pattern emerges:

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So what does one do with this? Well it took me long enough to stumble on the answer... a year... But the rule is now: Anything worth hearing is worth taking the 17th root of. Because bizarrely enough, the pattern known as &quot;superpyth&quot; in an octave context, is the key to tempering together these cosmic harmonies in the pentave! So I dub it &quot;hyperpyth&quot; but if you want to call it &quot;kosmorsky&quot; that's fine by me too. Musical examples forthcoming.

17ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not well ~~- which~~ is the ~~case in 17ed5~~. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' &quot;<a class="wiki_link" href="/26edo">Orgone</a>&quot;? ~~I bet~~ there is ~~and I'll look for it soon.~~

17ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not as well. In 17ed5, the 21/5 is represented about as well as the 9/5 is, although that's not too good, coincidentally mapped to the augmented sixth. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' &quot;<a class="wiki_link" href="/26edo">Orgone</a>&quot;? Turns out there is, see <a class="wiki_link" href="/10ed5">10ed5</a>

But wait, an interesting pattern emerges:

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-10-07 11:02:47 UTC</tt>.<br>
+: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-10-07 13:28:27 UTC</tt>.<br>
-: The original revision id was <tt>262580558</tt>.<br>
+: The original revision id was <tt>262637388</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 14: / Line 14: @@
 So what does one do with this? Well it took me long enough to stumble on the answer... a year... But the rule is now: Anything worth hearing is worth taking the 17th root of. Because bizarrely enough, the pattern known as "superpyth" in an octave context, is the key to tempering together these cosmic harmonies in the pentave! So I dub it "hyperpyth" but if you want to call it "kosmorsky" that's fine by me too. Musical examples forthcoming.
-ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not well - which is the case in 17ed5. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' "[[26edo|Orgone]]"? I bet there is and I'll look for it soon.
+ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not as well. In 17ed5, the 21/5 is represented about as well as the 9/5 is, although that's not too good, coincidentally mapped to the augmented sixth. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' "[[26edo|Orgone]]"? Turns out there is, see [[10ed5]]
 But wait, an interesting pattern emerges:
@@ Line 53: / Line 53: @@
 So what does one do with this? Well it took me long enough to stumble on the answer... a year... But the rule is now: Anything worth hearing is worth taking the 17th root of. Because bizarrely enough, the pattern known as &amp;quot;superpyth&amp;quot; in an octave context, is the key to tempering together these cosmic harmonies in the pentave! So I dub it &amp;quot;hyperpyth&amp;quot; but if you want to call it &amp;quot;kosmorsky&amp;quot; that's fine by me too. Musical examples forthcoming.&lt;br /&gt;
 &lt;br /&gt;
-ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not well - which is the case in 17ed5. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' &amp;quot;&lt;a class="wiki_link" href="/26edo"&gt;Orgone&lt;/a&gt;&amp;quot;? I bet there is and I'll look for it soon.&lt;br /&gt;
+ed5 offers a good compromise between 13/5 and 17/5, but the 9/5 of 983 cents is a little bit flat. Nevertheless it's the simplest equal hyperpyth, and quite consonant, like rolling clouds of colorful interstellar dust. However, in hyperpyth, 21/5 isn't necessarily represented, at least not as well. In 17ed5, the 21/5 is represented about as well as the 9/5 is, although that's not too good, coincidentally mapped to the augmented sixth. Luckily, 27, 29, and 39 do a fair job of it. I wonder if there is an alternate pentave system involving 11 and 7 to correspond to octaves' &amp;quot;&lt;a class="wiki_link" href="/26edo"&gt;Orgone&lt;/a&gt;&amp;quot;? Turns out there is, see &lt;a class="wiki_link" href="/10ed5"&gt;10ed5&lt;/a&gt;&lt;br /&gt;
 &lt;br /&gt;
 But wait, an interesting pattern emerges:&lt;br /&gt;