15ed4: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
=Basics=
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2014-12-29 13:49:34 UTC</tt>.<br>
: The original revision id was <tt>535991244</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=Basics=  
15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well.  
15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well.  


=MOS Scales=  
=MOS Scales=
There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c
There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c


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[[Category:15ed4]]
= = </pre></div>
[[Category:macrotonal]]
<h4>Original HTML content:</h4>
[[Category:nonoctave]]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;15ED4&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Basics"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Basics&lt;/h1&gt;
15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well. &lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="MOS Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;MOS Scales&lt;/h1&gt;
There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt; &lt;/h1&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt; &lt;/h1&gt;
&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 00:00, 17 July 2018

Basics

15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well.

MOS Scales

There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c

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