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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | =Basics= |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2014-12-29 13:49:34 UTC</tt>.<br>
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| : The original revision id was <tt>535991244</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=Basics=
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| 15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well. | | 15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well. |
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| =MOS Scales= | | =MOS Scales= |
| There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c | | There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c |
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| | | [[Category:15ed4]] |
| = = </pre></div> | | [[Category:macrotonal]] |
| <h4>Original HTML content:</h4>
| | [[Category:nonoctave]] |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>15ED4</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Basics"></a><!-- ws:end:WikiTextHeadingRule:0 -->Basics</h1>
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| 15ED4 is a macrotonal tuning system that divides the double-octave (4/1) into 15 equally spaced pitches each about 160 cents apart. It can be viewed as a subset of 15 EDO that repeats at two octaves rather than one. It has a big xen appeal as it is non octave but at the same time contains the double octave allowing for a sort of best of both worlds approach. 15ED4 doesn't do Just Intonation well for the most part but it does represent 7/4 and 11/8 rather well. <br />
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| <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="MOS Scales"></a><!-- ws:end:WikiTextHeadingRule:2 -->MOS Scales</h1>
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| There are a variety of Mos scales available. William Lynch considers the symmetrical MOS: LsLsLsLs to be the most consonant scale in 15ED4. There is also a LsLLsLLLs scale which is more spacey sounding than the symmetrical MOS. The symmetrical MOS can be harmonized with c<br />
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| <!-- ws:start:WikiTextHeadingRule:6:&lt;h1&gt; --><h1 id="toc3"><!-- ws:end:WikiTextHeadingRule:6 --> </h1>
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