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20edo: Difference between revisions

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Xenwolf (talk | contribs)

5 user groups
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VisualWikitext
Yourmusic Productions (talk | contribs)
autopatrolled, emailconfirmed
2,081 edits
Ups and downs notation causes so many messy enharmonics here, adding less ambiguous alternative notation systems.
Xenwolf (talk | contribs)
autopatrolled, Bureaucrats, confirmaccount-notify, Interface administrators, Sysops
8,705 edits
→Intervals: removed inline styling, added some links
Line 16: Line 16:
Like [[15edo]], every note has many names. D is also C# and Eb. The major 3rd is also a perfect 4th and a dim 5th.
Like [[15edo]], every note has many names. D is also C# and Eb. The major 3rd is also a perfect 4th and a dim 5th.


{| class="wikitable" style="text-align:center;"
{| class="wikitable center-all right-2"
|-
|-
! [[Degree]]
! [[Degree]]
Line 27: Line 27:
|-
|-
| 0
| 0
| style="text-align:right;" | 0
| 0
| 1/1
| 1/1
| unison
| unison
Line 37: Line 37:
|-
|-
| 1
| 1
| style="text-align:right;" | 60
| 60
| 29/28
| 29/28
| up unison, upminor 2nd
| up unison, upminor 2nd
Line 47: Line 47:
|-
|-
| 2
| 2
| style="text-align:right;" | 120
| 120
| 14/13, 15/14
| [[15/14]], 14/13
| double-up unison, mid 2nd
| double-up unison, mid 2nd
| ^^1, ~2
| ^^1, ~2
Line 57: Line 57:
|-
|-
| 3
| 3
| style="text-align:right;" | 180
| 180
| 10/9
| 10/9
| downmajor 2nd
| downmajor 2nd
Line 67: Line 67:
|-
|-
| 4
| 4
| style="text-align:right;" | 240
| 240
| 8/7, 15/13
| 8/7, 15/13
| major 2nd, minor 3rd
| major 2nd, minor 3rd
Line 77: Line 77:
|-
|-
| 5
| 5
| style="text-align:right;" | 300
| 300
| 13/11, 19/16
| 13/11, 19/16
| upminor 3rd
| upminor 3rd
Line 87: Line 87:
|-
|-
| 6
| 6
| style="text-align:right;" | 360
| 360
| 16/13, 5/4
| [[16/13]], 5/4
| mid 3rd
| mid 3rd
| ~3
| ~3
Line 97: Line 97:
|-
|-
| 7
| 7
| style="text-align:right;" | 420
| 420
| [[14/11]], [[51/40]]
| [[14/11]], [[51/40]]
| downmajor 3rd
| downmajor 3rd
Line 107: Line 107:
|-
|-
| 8
| 8
| style="text-align:right;" | 480
| 480
| 25/19, 4/3
| 25/19, 4/3
| major 3rd, perfect fourth
| major 3rd, perfect fourth
Line 117: Line 117:
|-
|-
| 9
| 9
| style="text-align:right;" | 540
| 540
| 15/11, 11/8
| [[15/11]], 11/8
| up-fourth
| up-fourth
| ^4
| ^4
Line 127: Line 127:
|-
|-
| 10
| 10
| style="text-align:right;" | 600
| 600
| 7/5
| 7/5
| mid fourth, mid fifth
| mid fourth, mid fifth
Line 137: Line 137:
|-
|-
| 11
| 11
| style="text-align:right;" | 660
| 660
| 22/15, 16/11
| [[22/15]], 16/11
| down-fifth
| down-fifth
| v5
| v5
Line 147: Line 147:
|-
|-
| 12
| 12
| style="text-align:right;" | 720
| 720
| 38/25, 3/2
| 38/25, 3/2
| fifth
| fifth
Line 157: Line 157:
|-
|-
| 13
| 13
| style="text-align:right;" | 780
| 780
| 11/7, 25/16
| 11/7, 25/16
| upfifth, upminor 6th
| upfifth, upminor 6th
Line 167: Line 167:
|-
|-
| 14
| 14
| style="text-align:right;" | 840
| 840
| 13/8, 8/5
| [[13/8]], 8/5
| mid 6th
| mid 6th
| ~6
| ~6
Line 177: Line 177:
|-
|-
| 15
| 15
| style="text-align:right;" | 900
| 900
| 22/13, 32/19
| 22/13, 32/19
| downmajor 6th
| downmajor 6th
Line 187: Line 187:
|-
|-
| 16
| 16
| style="text-align:right;" | 960
| 960
| 7/4, 26/15
| 7/4, 26/15
| major 6th, minor 7th
| major 6th, minor 7th
Line 197: Line 197:
|-
|-
| 17
| 17
| style="text-align:right;" | 1020
| 1020
| 9/5
| 9/5
| upminor 7th
| upminor 7th
Line 207: Line 207:
|-
|-
| 18
| 18
| style="text-align:right;" | 1080
| 1080
| 15/8, 13/7
| [[28/15]], 15/8, 13/7
| mid 7th
| mid 7th
| ~7
| ~7
Line 217: Line 217:
|-
|-
| 19
| 19
| style="text-align:right;" | 1140
| 1140
| 56/29
| 56/29
| downmajor 7th
| downmajor 7th
Line 227: Line 227:
|-
|-
| 20
| 20
| style="text-align:right;" | 1200
| 1200
| 2/1
| 2/1
| octave
| octave
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