13edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-05-~~03 11~~:32~~:24~~ UTC</tt>.

: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-05-04 15:50:32 UTC</tt>.

: The original revision id was <tt>~~506200534~~</tt>.

: The original revision id was <tt>506381250</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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Normally, 13 edo can be notated by adding an accidental between E and F. For some reading the same staff with the same letters but in different places can be mind boggling and lead to confusion. That's why some have recommended different options.

13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the ~~naturals. In order~~ to ~~not become confused~~,

13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the notes except that similarly to meantone, the 4th mode of Father[8] is the default "Basic" mode of 13 edo and is notated with new letters. A new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of the 4th mode of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ. The idea behind using the 4th mode rather than the 1st is that this mode contains a warmer sounding shape because it has a flat sixth in instead of a natural one.

a new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ.

This new approach simply modifies the way 13 edo is systematized and notated but is based on the exact same 8 tone scale that cryptic ruse uses.

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Normally, 13 edo can be notated by adding an accidental between E and F. For some reading the same staff with the same letters but in different places can be mind boggling and lead to confusion. That's why some have recommended different options.

13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the ~~naturals. In order~~ to ~~not become confused~~,<~~/span~~>

13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the notes except that similarly to meantone, the 4th mode of Father[8] is the default &quot;Basic&quot; mode of 13 edo and is notated with new letters. A new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of the 4th mode of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ. The idea behind using the 4th mode rather than the 1st is that this mode contains a warmer sounding shape because it has a flat sixth in instead of a natural one.

a new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ.

This new approach simply modifies the way 13 edo is systematized and notated but is based on the exact same 8 tone scale that cryptic ruse uses.

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-05-03 11:32:24 UTC</tt>.<br>
+: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-05-04 15:50:32 UTC</tt>.<br>
-: The original revision id was <tt>506200534</tt>.<br>
+: The original revision id was <tt>506381250</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 87: / Line 87: @@
 &lt;span style="font-size: 13px; line-height: 1.5;"&gt;Normally, 13 edo can be notated by adding an accidental between E and F. For some reading the same staff with the same letters but in different places can be mind boggling and lead to confusion. That's why some have recommended different options. &lt;/span&gt;
-&lt;span style="font-size: 13px; line-height: 1.5;"&gt;13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the naturals. In order to not become confused,&lt;/span&gt;
+&lt;span style="font-size: 13px; line-height: 1.5;"&gt;13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the notes except that similarly to meantone, the 4th mode of Father[8] is the default "Basic" mode of 13 edo and is notated with new letters. A&lt;/span&gt; new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of the 4th mode of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ. The idea behind using the 4th mode rather than the 1st is that this mode contains a warmer sounding shape because it has a flat sixth in instead of a natural one.
-a new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ.
 This new approach simply modifies the way 13 edo is systematized and notated but is based on the exact same 8 tone scale that cryptic ruse uses.
@@ Line 508: / Line 507: @@
   &lt;span style="font-size: 13px; line-height: 1.5;"&gt;Normally, 13 edo can be notated by adding an accidental between E and F. For some reading the same staff with the same letters but in different places can be mind boggling and lead to confusion. That's why some have recommended different options. &lt;/span&gt;&lt;br /&gt;
 &lt;br /&gt;
-&lt;span style="font-size: 13px; line-height: 1.5;"&gt;13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the naturals. In order to not become confused,&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-size: 13px; line-height: 1.5;"&gt;13 edo may be better suited to be notated by using the 8 notes of the MOS father[8] as the notes except that similarly to meantone, the 4th mode of Father[8] is the default &amp;quot;Basic&amp;quot; mode of 13 edo and is notated with new letters. A&lt;/span&gt; new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of the 4th mode of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ. The idea behind using the 4th mode rather than the 1st is that this mode contains a warmer sounding shape because it has a flat sixth in instead of a natural one.&lt;br /&gt;
-a new set of letters may benefit by giving 13 edo a fresh perspective. William Lynch proposes using the letters JKLMNOPQ as the notes of Father[8] with J being an 11/8 from a normal C, in order to give it a more personal identify rather than hearing it as C. The remaining letters of 13 edo are notated with sharps and flats like 12 edo. The whole alphabet is written J-J#-K-K#-L-M-M#-N-N#-O-P-P#-Q-J . There are no accidentals between LM, OP, and QJ.&lt;br /&gt;
 &lt;br /&gt;
 This new approach simply modifies the way 13 edo is systematized and notated but is based on the exact same 8 tone scale that cryptic ruse uses.&lt;br /&gt;