Homothetic just intonation: Difference between revisions

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Homothetic just intonation is a kind of extended [[just intonation]] conceived by Sui-hin Mak. The term 'homothetic' refers to the [[wikipedia:Homothetic_center#Computing_homothetic_centers|homothetic formula]]. It aims at producing the pitches in between notes of an existing JI pitch collection.
Homothetic just intonation is a kind of extended [[just intonation]] conceived by Sui-hin Mak. The term 'homothetic' refers to the [[wikipedia:Homothetic_center#Computing_homothetic_centers|homothetic formula]]. It aims at producing the pitches in between notes of an existing prime limit JI pitch collection.


31-tone homothetic just scale generated by 11-limit JI:
Octave-equivalent 31-tone homothetic just scale generated by 11-limit JI:
{| class="wikitable sortable"
{| class="wikitable sortable"
|-
|-
Line 14: Line 14:
|546/517
|546/517
|94.484004
|94.484004
|
|large homothetic semitone
|-
|-
|241/220
|241/220
Line 26: Line 26:
|2213/1980
|2213/1980
|192.603625
|192.603625
|
|quasi-meantone
|-
|-
|1981/1748
|1981/1748
Line 34: Line 34:
|97/84
|97/84
|249.114503
|249.114503
|semifourth
|homothetic semifourth
|-
|-
|569/480
|569/480
|294.473096
|294.473096
|
|small homothetic supraminor third,
 
quasi-Pythagorean minor third
|-
|-
|1201/990
|1201/990
|334.482865
|334.482865
|
|large homothetic supraminor third
|-
|-
|977/792
|977/792
Line 58: Line 60:
|573/437
|573/437
|469.082231
|469.082231
|
|homothetic sub-fourth
|-
|-
|511/376
|511/376
|531.108755
|531.108755
|
|homothetic acute fourth
|-
|-
|1107/800
|1107/800
|562.299980
|562.299980
|
|homothetic augmented fourth
|-
|-
|99/70
|99/70
|600.088324
|600.088324
|
|quasi-tempered tritone
|-
|-
|159/110
|159/110
|637.827890
|637.827890
|
|homothetic diminished fifth
|-
|-
|761/517
|761/517
|669.278608
|669.278608
|
|homothetic quasi-catafifth
|-
|-
|6001/3933
|6001/3933
|731.487292
|731.487292
|
|homothetic super-fifth
|-
|-
|1973/1260
|1973/1260
Line 102: Line 104:
|[[27/16]]
|[[27/16]]
|905.865003
|905.865003
|
|Pythagorean major sixth
|-
|-
|97/56
|97/56
|951.069504
|951.069504
|semitwelve
|homothetic semitwelve
|-
|-
|3085/1748
|3085/1748
Line 114: Line 116:
|4429/2475
|4429/2475
|1007.462966
|1007.462966
|
|quasi-meantone minor seventh
|-
|-
|2191/1210
|2191/1210
|1027.898924
|1027.898924
|
|homothetic minor seventh
|-
|-
|241/132
|241/132
|1042.194260
|1042.194260
|
|homothetic neutral seventh
|-
|-
|535/282
|535/282
|1108.612475
|1108.612475
|
|homothetic major seventh
|-
|-
|[[2/1]]
|[[2/1]]

Revision as of 13:15, 14 July 2019

Homothetic just intonation is a kind of extended just intonation conceived by Sui-hin Mak. The term 'homothetic' refers to the homothetic formula. It aims at producing the pitches in between notes of an existing prime limit JI pitch collection.

Octave-equivalent 31-tone homothetic just scale generated by 11-limit JI:

frequency ratio cents value names
1/1 0 unison
546/517 94.484004 large homothetic semitone
241/220 156.835547
243/220 172.143348
2213/1980 192.603625 quasi-meantone
1981/1748 216.628435
97/84 249.114503 homothetic semifourth
569/480 294.473096 small homothetic supraminor third,

quasi-Pythagorean minor third

1201/990 334.482865 large homothetic supraminor third
977/792 363.429758
1223/968 404.814542
281/220 423.679928
573/437 469.082231 homothetic sub-fourth
511/376 531.108755 homothetic acute fourth
1107/800 562.299980 homothetic augmented fourth
99/70 600.088324 quasi-tempered tritone
159/110 637.827890 homothetic diminished fifth
761/517 669.278608 homothetic quasi-catafifth
6001/3933 731.487292 homothetic super-fifth
1973/1260 776.360667
1219/770 795.321330
981/605 836.781593
399/242 865.658039
27/16 905.865003 Pythagorean major sixth
97/56 951.069504 homothetic semitwelve
3085/1748 983.478365
4429/2475 1007.462966 quasi-meantone minor seventh
2191/1210 1027.898924 homothetic minor seventh
241/132 1042.194260 homothetic neutral seventh
535/282 1108.612475 homothetic major seventh
2/1 1200 octave

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