In [[7-limit]] [[Just Intonation]], 10/7 is a high tritone measuring about 617.5¢. It has a similar sound to its inversion, [[7_5|7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5_4|5/4]]) appears above the harmonic seventh ([[7_4|7/4]]), such as 4:6:7:10. (This particular chord is well-approximated in [[88cET]], which has a good approximation of 10/7 -- but no 7/5.)
In [[7-limit|7-limit]] [[Just_intonation|Just Intonation]], 10/7 is a high tritone measuring about 617.5¢. It has a similar sound to its inversion, [[7/5|7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4|5/4]]) appears above the harmonic seventh ([[7/4|7/4]]), such as 4:6:7:10. (This particular chord is well-approximated in [[88cET|88cET]], which has a good approximation of 10/7 -- but no 7/5.)
See: [[Gallery of Just Intervals]]</pre></div>
See: [[Gallery_of_Just_Intervals|Gallery of Just Intervals]] [[Category:7-limit]]
In <a class="wiki_link" href="/7-limit">7-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 10/7 is a high tritone measuring about 617.5¢. It has a similar sound to its inversion, <a class="wiki_link" href="/7_5">7/5</a>, but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third (<a class="wiki_link" href="/5_4">5/4</a>) appears above the harmonic seventh (<a class="wiki_link" href="/7_4">7/4</a>), such as 4:6:7:10. (This particular chord is well-approximated in <a class="wiki_link" href="/88cET">88cET</a>, which has a good approximation of 10/7 -- but no 7/5.)<br />
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See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div>
In 7-limitJust Intonation, 10/7 is a high tritone measuring about 617.5¢. It has a similar sound to its inversion, 7/5, but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third (5/4) appears above the harmonic seventh (7/4), such as 4:6:7:10. (This particular chord is well-approximated in 88cET, which has a good approximation of 10/7 -- but no 7/5.)