Extra-Diatonic Intervals: Difference between revisions

Line 18:

|50¢ to 83¢

|25/24, 21/20, 22/21, 33/32

|-

|Supraminor 2nd

|A noticeably sharper version of a minor 2nd. Heavily overlaps with the minor 2nd and neutral 2nd category and may be subsumed by them in some contexts. Can include 16/15 in contexts where we might expect smaller minor 2nds.

|117¢ to 133¢

|14/13, 15/14, 16/15, 27/25

|-

|Neutral 2nd

|An ambiguous interval that is between a minor 2nd and a major 2nd, which may sometimes be mistaken for a sharp minor 2nd or a flat major 2nd.

|133¢ to 167¢

|11/10, 12/11, 13/12, 14/13

|11/10, 12/11, 13/12

|-

|Submajor 2nd

|A noticeably flatter version of a major 2nd. Heavily overlaps with the major 2nd and neutral 2nd categories and may be subsumed by them in some contexts. Can include the classic 10/9 major 2nd in contexts where we might expect a larger major 2nd.

|167¢ to 183¢

|10/9, 11/10

|-

|Supermajor 2nd

Line 113:

Line 123:

|950¢ to 983¢

|7/4, 26/15

|-

|Supraminor 7th

|A noticeably sharper version of a minor 7th. Heavily overlaps with the minor 7th and neutral 7th categories and may be subsumed by either of them in some contexts. Can include the classic 5-limit minor 7th for some listeners accustomed to 12edo's flat minor 7ths.

|1017¢ to 1033¢

|9/5, 20/11

|-

|Neutral 7th

|An ambiguous interval that is between a minor 7th and a major 7th, which may sometimes be mistaken for a sharp minor 7th or a flat major 7th.

|1033¢ to 1067¢

|11/6, 13/7, 20/11, 24/13

|11/6, 24/13

|-

|Submajor 7th

|A noticeably flatter version of a major 7th. Heavily overlaps with the major 7th and neutral 7th categories and may be subsumed by them in some contexts. Can include the classic 5-limit major 7th for some listeners accustomed to 12edo's sharp major 7ths.

|1067¢ to 1083¢

|13/7, 15/8, 28/15

|-

|Supermajor 7th

@@ Line 18: / Line 18: @@
 |50¢ to 83¢
 |25/24, 21/20, 22/21, 33/32
+|-
+|Supraminor 2nd
+|A noticeably sharper version of a minor 2nd.  Heavily overlaps with the minor 2nd and neutral 2nd category and may be subsumed by them in some contexts. Can include 16/15 in contexts where we might expect smaller minor 2nds.
+|117¢ to 133¢
+|14/13, 15/14, 16/15, 27/25
 |-
 |Neutral 2nd
 |An ambiguous interval that is between a minor 2nd and a major 2nd, which may sometimes be mistaken for a sharp minor 2nd or a flat major 2nd.
 |133¢ to 167¢
-|11/10, 12/11, 13/12, 14/13
+|11/10, 12/11, 13/12
+|-
+|Submajor 2nd
+|A noticeably flatter version of a major 2nd.  Heavily overlaps with the major 2nd and neutral 2nd categories and may be subsumed by them in some contexts.  Can include the classic 10/9 major 2nd in contexts where we might expect a larger major 2nd.
+|167¢ to 183¢
+|10/9, 11/10
 |-
 |Supermajor 2nd
@@ Line 113: / Line 123: @@
 |950¢ to 983¢
 |7/4, 26/15
+|-
+|Supraminor 7th
+|A noticeably sharper version of a minor 7th.  Heavily overlaps with the minor 7th and neutral 7th categories and may be subsumed by either of them in some contexts. Can include the classic 5-limit minor 7th for some listeners accustomed to 12edo's flat minor 7ths.
+|1017¢ to 1033¢
+|9/5, 20/11
 |-
 |Neutral 7th
 |An ambiguous interval that is between a minor 7th and a major 7th, which may sometimes be mistaken for a sharp minor 7th or a flat major 7th.
 |1033¢ to 1067¢
-|11/6, 13/7, 20/11, 24/13
+|11/6, 24/13
+|-
+|Submajor 7th
+|A noticeably flatter version of a major 7th.  Heavily overlaps with the major 7th and neutral 7th categories and may be subsumed by them in some contexts.  Can include the classic 5-limit major 7th for some listeners accustomed to 12edo's sharp major 7ths.
+|1067¢ to 1083¢
+|13/7, 15/8, 28/15
 |-
 |Supermajor 7th