What is microtonal music: Difference between revisions

Wikispaces>genewardsmith
**Imported revision 259452452 - Original comment: Reverted to Jun 6, 2011 1:32 am**
Wikispaces>mitchkid13
**Imported revision 292722298 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-28 23:26:57 UTC</tt>.<br>
: This revision was by author [[User:mitchkid13|mitchkid13]] and made on <tt>2012-01-16 23:01:38 UTC</tt>.<br>
: The original revision id was <tt>259452452</tt>.<br>
: The original revision id was <tt>292722298</tt>.<br>
: The revision comment was: <tt>Reverted to Jun 6, 2011 1:32 am</tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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While microtonal music may not be easy to define, most people know it when they hear it.
While microtonal music may not be easy to define, most people know it when they hear it.


Conventional Western music uses 12 logarithmically equal semitones in the octave (the octave is a frequency ratio of 2:1 in Western music, or 1200 cents. A "cent" is defined as 1/100 of a semitone.)
Conventional Western music uses 12 logarithmically equal semitones in the [[http://youtu.be/ztV8ONIMgmo|octave]] (the octave is a frequency ratio of 2:1 in Western music, or 1200 cents. A "cent" is defined as 1/100 of a semitone.)


The difficulty in defining exactly what microtonal music **//is//** arises from the long history of Western music. Definitions of music have changed enormously over the past 2500 years of Western history, and as a result the very definition of what is and is not standard practice in Western has transformed beyond all recognition.
The difficulty in defining exactly what microtonal music **//is//** arises from the long history of Western music. Definitions of music have changed enormously over the past 2500 years of Western history, and as a result the very definition of what is and is not standard practice in Western has transformed beyond all recognition.
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[mclaren 10/25/2006]
[mclaren 10/25/2006]


Yet another term is **"ekmelic"** - this one is used by the [[http://www.ekmelic-music.org/|International Ekmelic Music Society]] in Austria. The term comes from the Greek music theory: "ek Melos" is translated "out of range" - that is what pitches that were not included in the ancient Greek sound system were called. In the same meaning, the term can be used today for music that contains sounds that are outside of our traditional, 12-tone equal tempered system.</pre></div>
Yet another term is **"ekmelic"** - this one is used by the [[http://www.ekmelic-music.org/|International Ekmelic Music Society]] in Austria. The term comes from the Greek music theory: "ek Melos" is translated "out of range" - that is what pitches that were not included in the ancient Greek sound system were called. In the same meaning, the term can be used today for music that contains sounds that are outside of our traditional, [[http://youtu.be/ztV8ONIMgmo|12-tone equal tempered system.]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;what is microtonal music&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc0"&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt; &lt;/h3&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;what is microtonal music&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc0"&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt; &lt;/h3&gt;
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While microtonal music may not be easy to define, most people know it when they hear it.&lt;br /&gt;
While microtonal music may not be easy to define, most people know it when they hear it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Conventional Western music uses 12 logarithmically equal semitones in the octave (the octave is a frequency ratio of 2:1 in Western music, or 1200 cents. A &amp;quot;cent&amp;quot; is defined as 1/100 of a semitone.)&lt;br /&gt;
Conventional Western music uses 12 logarithmically equal semitones in the &lt;a class="wiki_link_ext" href="http://youtu.be/ztV8ONIMgmo" rel="nofollow"&gt;octave&lt;/a&gt; (the octave is a frequency ratio of 2:1 in Western music, or 1200 cents. A &amp;quot;cent&amp;quot; is defined as 1/100 of a semitone.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The difficulty in defining exactly what microtonal music &lt;strong&gt;&lt;em&gt;is&lt;/em&gt;&lt;/strong&gt; arises from the long history of Western music. Definitions of music have changed enormously over the past 2500 years of Western history, and as a result the very definition of what is and is not standard practice in Western has transformed beyond all recognition.&lt;br /&gt;
The difficulty in defining exactly what microtonal music &lt;strong&gt;&lt;em&gt;is&lt;/em&gt;&lt;/strong&gt; arises from the long history of Western music. Definitions of music have changed enormously over the past 2500 years of Western history, and as a result the very definition of what is and is not standard practice in Western has transformed beyond all recognition.&lt;br /&gt;
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[mclaren 10/25/2006]&lt;br /&gt;
[mclaren 10/25/2006]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Yet another term is &lt;strong&gt;&amp;quot;ekmelic&amp;quot;&lt;/strong&gt; - this one is used by the &lt;a class="wiki_link_ext" href="http://www.ekmelic-music.org/" rel="nofollow"&gt;International Ekmelic Music Society&lt;/a&gt; in Austria. The term comes from the Greek music theory: &amp;quot;ek Melos&amp;quot; is translated &amp;quot;out of range&amp;quot; - that is what pitches that were not included in the ancient Greek sound system were called. In the same meaning, the term can be used today for music that contains sounds that are outside of our traditional, 12-tone equal tempered system.&lt;/body&gt;&lt;/html&gt;</pre></div>
Yet another term is &lt;strong&gt;&amp;quot;ekmelic&amp;quot;&lt;/strong&gt; - this one is used by the &lt;a class="wiki_link_ext" href="http://www.ekmelic-music.org/" rel="nofollow"&gt;International Ekmelic Music Society&lt;/a&gt; in Austria. The term comes from the Greek music theory: &amp;quot;ek Melos&amp;quot; is translated &amp;quot;out of range&amp;quot; - that is what pitches that were not included in the ancient Greek sound system were called. In the same meaning, the term can be used today for music that contains sounds that are outside of our traditional, &lt;a class="wiki_link_ext" href="http://youtu.be/ztV8ONIMgmo" rel="nofollow"&gt;12-tone equal tempered system.&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>