Tútim Dennsuul Wafiil: Difference between revisions
Wikispaces>Osmiorisbendi **Imported revision 422072280 - Original comment: ** |
Wikispaces>Osmiorisbendi **Imported revision 422072994 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-04-11 04: | : This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-04-11 04:27:58 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>422072994</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Tútim Dennsuul Wafiil** | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Tútim Dennsuul Wafiil** | ||
Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]], but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music ! | Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music ! | ||
[[image:Icositriphonic_Bass.JPG width="719" height="235"]] | [[image:Icositriphonic_Bass.JPG width="719" height="235"]] | ||
| Line 19: | Line 19: | ||
No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew <span class="hps">it</span>, <span class="hps">and it was not until 2007 where I had the opportunity to fully explore this issue</span>, at first <span class="hps">known only as microtonalism</span>, when by <span class="hps">one of those casualties I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page (special thanks and namaste), Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale Forever Rocks !ml, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I </span>thank <span class="hps">all of you with their musical feelings and contributions.</span> Adonai! | No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew <span class="hps">it</span>, <span class="hps">and it was not until 2007 where I had the opportunity to fully explore this issue</span>, at first <span class="hps">known only as microtonalism</span>, when by <span class="hps">one of those casualties I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page (special thanks and namaste), Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale Forever Rocks !ml, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I </span>thank <span class="hps">all of you with their musical feelings and contributions.</span> Adonai! | ||
Special thanks to [[whynotmicrotonality|Igliashon Jones]] for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it. | Special thanks to [[whynotmicrotonality|Igliashon Jones]] for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it. | ||
__**TDW Terminology:**__ | __**TDW Terminology:**__ | ||
| Line 30: | Line 30: | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Tútim Dennsuul Wafiil</title></head><body><strong>Tútim Dennsuul Wafiil</strong><br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Tútim Dennsuul Wafiil</title></head><body><strong>Tútim Dennsuul Wafiil</strong><br /> | ||
Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the <a class="wiki_link" href="/Armodue">Armodue system</a>, like a angular stone for his music, extending the use of that system over <a class="wiki_link" href="/23edo">23-EDD</a> (3;1 relation), <a class="wiki_link" href="/39edo">39-EDD</a> (5;2 relation) and <a class="wiki_link" href="/62edo">62-EDD</a>, but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still <a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank">here</a>). &quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&quot;. &quot;Solo haz y no hables demás&quot;. Collosal apports of each one in the name of the Music !<br /> | Is a Xentonalist bassist and guitarist born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the <a class="wiki_link" href="/Armodue">Armodue system</a>, like a angular stone for his music, extending the use of that system over <a class="wiki_link" href="/23edo">23-EDD</a> (3;1 relation), <a class="wiki_link" href="/39edo">39-EDD</a> (5;2 relation) and <a class="wiki_link" href="/62edo">62-EDD</a> (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still <a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank">here</a>). &quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&quot;. &quot;Solo haz y no hables demás&quot;. Collosal apports of each one in the name of the Music !<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextLocalImageRule:2:&lt;img src=&quot;/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG&quot; alt=&quot;&quot; title=&quot;&quot; style=&quot;height: 235px; width: 719px;&quot; /&gt; --><img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 235px; width: 719px;" /><!-- ws:end:WikiTextLocalImageRule:2 --><br /> | <!-- ws:start:WikiTextLocalImageRule:2:&lt;img src=&quot;/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG&quot; alt=&quot;&quot; title=&quot;&quot; style=&quot;height: 235px; width: 719px;&quot; /&gt; --><img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 235px; width: 719px;" /><!-- ws:end:WikiTextLocalImageRule:2 --><br /> | ||
| Line 42: | Line 42: | ||
No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew <span class="hps">it</span>, <span class="hps">and it was not until 2007 where I had the opportunity to fully explore this issue</span>, at first <span class="hps">known only as microtonalism</span>, when by <span class="hps">one of those casualties I discover the Armodue web. &quot;This is amazing..&quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page (special thanks and namaste), Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale Forever Rocks !ml, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I </span>thank <span class="hps">all of you with their musical feelings and contributions.</span> Adonai!<br /> | No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew <span class="hps">it</span>, <span class="hps">and it was not until 2007 where I had the opportunity to fully explore this issue</span>, at first <span class="hps">known only as microtonalism</span>, when by <span class="hps">one of those casualties I discover the Armodue web. &quot;This is amazing..&quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page (special thanks and namaste), Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale Forever Rocks !ml, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I </span>thank <span class="hps">all of you with their musical feelings and contributions.</span> Adonai!<br /> | ||
<br /> | <br /> | ||
Special thanks to <a class="wiki_link" href="/whynotmicrotonality">Igliashon Jones</a> for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it. <br /> | Special thanks to <a class="wiki_link" href="/whynotmicrotonality">Igliashon Jones</a> for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.<br /> | ||
<br /> | <br /> | ||
<u><strong>TDW Terminology:</strong></u><br /> | <u><strong>TDW Terminology:</strong></u><br /> | ||