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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | [[Joe_Monzo|Joe Monzo]] considers [[consonance|consonance]] and [[dissonance|dissonance]] to be opposite poles of a continuum of sensation, which he calls "[http://www.tonalsoft.com/enc/s/sonance.aspx sonance]". However he was not the first who used the term '''sonance''': also [https://de.wikipedia.org/wiki/Wilhelm_Keller_%28Komponist%29 Wilhelm Keller] distinguishes between ''sonanzmodal'' and ''distanzmodal'' aspects when analysing sounds, see his ''Handbuch der Tonsatzlehre'' from 1957. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-03-06 08:00:23 UTC</tt>.<br>
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| : The original revision id was <tt>576688333</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[Joe Monzo]] considers [[consonance]] and [[dissonance]] to be opposite poles of a continuum of sensation, which he calls "[[http://www.tonalsoft.com/enc/s/sonance.aspx|sonance]]". However he was not the first who used the term **sonance**: also [[https://de.wikipedia.org/wiki/Wilhelm_Keller_%28Komponist%29|Wilhelm Keller]] distinguishes between //sonanzmodal// and //distanzmodal// aspects when analysing sounds, see his //Handbuch der Tonsatzlehre// from 1957.
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| The term **sonance** goes back to Giovanni Battista Benedetti [1] | | The term '''sonance''' goes back to Giovanni Battista Benedetti [1] |
| //Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973).// [2]
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| * [2] http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf
| | ''Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973).'' [2] |
| * [1] http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32</pre></div>
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| <h4>Original HTML content:</h4>
| | <ul><li>[2] [http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf]</li><li>[1] [http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32 http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32]</li></ul> [[Category:consonance]] |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>sonance</title></head><body><a class="wiki_link" href="/Joe%20Monzo">Joe Monzo</a> considers <a class="wiki_link" href="/consonance">consonance</a> and <a class="wiki_link" href="/dissonance">dissonance</a> to be opposite poles of a continuum of sensation, which he calls &quot;<a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/s/sonance.aspx" rel="nofollow">sonance</a>&quot;. However he was not the first who used the term <strong>sonance</strong>: also <a class="wiki_link_ext" href="https://de.wikipedia.org/wiki/Wilhelm_Keller_%28Komponist%29" rel="nofollow">Wilhelm Keller</a> distinguishes between <em>sonanzmodal</em> and <em>distanzmodal</em> aspects when analysing sounds, see his <em>Handbuch der Tonsatzlehre</em> from 1957.<br />
| | [[Category:dissonance]] |
| <br />
| | [[Category:sonance]] |
| The term <strong>sonance</strong> goes back to Giovanni Battista Benedetti [1]<br />
| | [[Category:terminology]] |
| <em>Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973).</em> [2]<br />
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| <ul><li>[2] <!-- ws:start:WikiTextUrlRule:16:http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf --><a class="wiki_link_ext" href="http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf" rel="nofollow">http://icmpc-escom2012.web.auth.gr/sites/default/files/papers/710_Proc.pdf</a><!-- ws:end:WikiTextUrlRule:16 --></li><li>[1] <!-- ws:start:WikiTextUrlRule:17:http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32 --><a class="wiki_link_ext" href="http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32" rel="nofollow">http://xtf.lib.virginia.edu/xtf/view?docId=DicHist/uvaBook/tei/DicHist3.xml;chunk.id=dv3-32</a><!-- ws:end:WikiTextUrlRule:17 --></li></ul></body></html></pre></div>
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Joe Monzo considers consonance and dissonance to be opposite poles of a continuum of sensation, which he calls "sonance". However he was not the first who used the term sonance: also Wilhelm Keller distinguishes between sonanzmodal and distanzmodal aspects when analysing sounds, see his Handbuch der Tonsatzlehre from 1957.
The term sonance goes back to Giovanni Battista Benedetti [1]
Going back to Giovanni Battista Benedetti, an Italian Renaissance mathematician and physicist, sonance can be best described as relative consonance and/or dissonance of a musical interval – a continuum of pitches encompassing consonance on one end, and dissonance on the other (Palisca, 1973). [2]