Retuning 12edo to Orwell9: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
The 9-note MOS Orwell[9] may be considered to be a chord, the [[orwell_tetrad|orwell nonad]], so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-10-14 19:51:37 UTC</tt>.<br>
: The original revision id was <tt>264937190</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The 9-note MOS Orwell[9] may be considered to be a chord, the [[orwell tetrad|orwell nonad]], so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:


! orwell9-12.scl
! orwell9-12.scl
Twelve notes of Orwell[9], POTE tuning
Twelve notes of Orwell[9], POTE tuning
12
12
!
!
157.13063
157.13063
157.13063
157.13063
271.42613
271.42613
428.55676
428.55676
542.85225
542.85225
542.85225
542.85225
699.98289
699.98289
814.27838
814.27838
971.40901
971.40901
971.40901
971.40901
1085.70451
1085.70451
1200.00000
1200.00000


Some examples of this process are as follows:
Some examples of this process are as follows:


[[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/k404-orwell9.mp3|Scarlatti K 404]]
[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/k404-orwell9.mp3 Scarlatti K 404]
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/reger135b-fantasie-orwell9.mp3|Reger Fantasie Op 135b]]
 
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/swing-orwell9.mp3|John Williams Swing, Swing, Swing]]
[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/reger135b-fantasie-orwell9.mp3 Reger Fantasie Op 135b]
</pre></div>
 
<h4>Original HTML content:</h4>
[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/swing-orwell9.mp3 John Williams Swing, Swing, Swing]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Retuning 12edo to Orwell9&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The 9-note MOS Orwell[9] may be considered to be a chord, the &lt;a class="wiki_link" href="/orwell%20tetrad"&gt;orwell nonad&lt;/a&gt;, so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:&lt;br /&gt;
&lt;br /&gt;
! orwell9-12.scl&lt;br /&gt;
Twelve notes of Orwell[9], POTE tuning&lt;br /&gt;
12&lt;br /&gt;
!&lt;br /&gt;
157.13063&lt;br /&gt;
157.13063&lt;br /&gt;
271.42613&lt;br /&gt;
428.55676&lt;br /&gt;
542.85225&lt;br /&gt;
542.85225&lt;br /&gt;
699.98289&lt;br /&gt;
814.27838&lt;br /&gt;
971.40901&lt;br /&gt;
971.40901&lt;br /&gt;
1085.70451&lt;br /&gt;
1200.00000&lt;br /&gt;
&lt;br /&gt;
Some examples of this process are as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/k404-orwell9.mp3" rel="nofollow"&gt;Scarlatti K 404&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/reger135b-fantasie-orwell9.mp3" rel="nofollow"&gt;Reger Fantasie Op 135b&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/swing-orwell9.mp3" rel="nofollow"&gt;John Williams Swing, Swing, Swing&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 00:00, 17 July 2018

The 9-note MOS Orwell[9] may be considered to be a chord, the orwell nonad, so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:

! orwell9-12.scl

Twelve notes of Orwell[9], POTE tuning

12

!

157.13063

157.13063

271.42613

428.55676

542.85225

542.85225

699.98289

814.27838

971.40901

971.40901

1085.70451

1200.00000

Some examples of this process are as follows:

Scarlatti K 404

Reger Fantasie Op 135b

John Williams Swing, Swing, Swing

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