Qanun: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-08-~~24 05~~:52:11 UTC</tt>.<br>

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-09-13 02:07:37 UTC</tt>.<br>

: The original revision id was <tt>~~248112699~~</tt>.<br>

: The original revision id was <tt>253430184</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

Line 11:

[[http://www.youtube.com/watch?v=lFIQMM8bZQk&NR=1|Here]] is an example how this is done (player is [[Julien Jalaleddine Weiss]]).

Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for [[Arabic, Turkish, Persian#Unequal ~~temperaments for maqamat~~|unequal temperaments for maqams]]. The art of tuning lies in the positioning of the mandals.

Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for [[Arabic, Turkish, Persian#Unequal%20temperaments%20for%20maqamat|unequal temperaments for maqams]]. The art of tuning lies in the positioning of the mandals.

Turkish kanuns are traditionally tuned in (a subset of) [[72edo]] .

Line 17:

[[Ozan Yarman]]'s proposition for a maqam tuning in his [[@http://www.ozanyarman.com/files/doctorate_thesis.pdf|dissertation]](79-tone [[MOSScales|MOS]] subset of [[159edo]]) was also realized on a qanun.

A number of qanun tunings were designed by [[Julien Jalaleddine Weiss]]. See [[tuning systems for qanun]], or [[Stefan Pohlit]]'s dissertation.</pre></div>

A number of qanun tunings were designed by [[Julien Jalaleddine Weiss]]. See [[tuning systems for qanun]], or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>qanun</title></head><body><a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Kanun_%28instrument%29" rel="nofollow">Qanun/Kanun (Wikipedia)</a><br />

Line 24:

<a class="wiki_link_ext" href="http://www.youtube.com/watch?v=lFIQMM8bZQk&amp;NR=1" rel="nofollow">Here</a> is an example how this is done (player is <a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss">Julien Jalaleddine Weiss</a>).<br />

<br />

Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for <a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian#Unequal ~~temperaments for maqamat~~">unequal temperaments for maqams</a>. The art of tuning lies in the positioning of the mandals.<br />

Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for <a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian#Unequal%20temperaments%20for%20maqamat">unequal temperaments for maqams</a>. The art of tuning lies in the positioning of the mandals.<br />

<br />

Turkish kanuns are traditionally tuned in (a subset of) <a class="wiki_link" href="/72edo">72edo</a> .<br />

Line 30:

<a class="wiki_link" href="/Ozan%20Yarman">Ozan Yarman</a>'s proposition for a maqam tuning in his <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow" target="_blank">dissertation</a>(79-tone <a class="wiki_link" href="/MOSScales">MOS</a> subset of <a class="wiki_link" href="/159edo">159edo</a>) was also realized on a qanun.<br />

<br />

A number of qanun tunings were designed by <a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss">Julien Jalaleddine Weiss</a>. See <a class="wiki_link" href="/tuning%20systems%20for%20qanun">tuning systems for qanun</a>, or <a class="~~wiki_link~~" href="/~~Stefan%20Pohlit~~">Stefan Pohlit</a>~~'s dissertation~~.</body></html></pre></div>

A number of qanun tunings were designed by <a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss">Julien Jalaleddine Weiss</a>. See <a class="wiki_link" href="/tuning%20systems%20for%20qanun">tuning systems for qanun</a>, or <a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow">Stefan Pohlit's dissertation</a>.</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-08-24 05:52:11 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-09-13 02:07:37 UTC</tt>.<br>
-: The original revision id was <tt>248112699</tt>.<br>
+: The original revision id was <tt>253430184</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 11: / Line 11: @@
 [[http://www.youtube.com/watch?v=lFIQMM8bZQk&amp;NR=1|Here]] is an example how this is done (player is [[Julien Jalaleddine Weiss]]).
-Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for [[Arabic, Turkish, Persian#Unequal temperaments for maqamat|unequal temperaments for maqams]]. The art of tuning lies in the positioning of the mandals.
+Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for [[Arabic, Turkish, Persian#Unequal%20temperaments%20for%20maqamat|unequal temperaments for maqams]]. The art of tuning lies in the positioning of the mandals.
 Turkish kanuns are traditionally tuned in (a subset of) [[72edo]] .
@@ Line 17: / Line 17: @@
 [[Ozan Yarman]]'s proposition for a maqam tuning in his [[@http://www.ozanyarman.com/files/doctorate_thesis.pdf|dissertation]](79-tone [[MOSScales|MOS]] subset of [[159edo]]) was also realized on a qanun.
-A number of qanun tunings were designed by [[Julien Jalaleddine Weiss]]. See [[tuning systems for qanun]], or [[Stefan Pohlit]]'s dissertation.</pre></div>
+A number of qanun tunings were designed by [[Julien Jalaleddine Weiss]]. See [[tuning systems for qanun]], or [[http://stefanpohlit.com/dissertation.engl..htm|Stefan Pohlit's dissertation]].</pre></div>
 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;qanun&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Kanun_%28instrument%29" rel="nofollow"&gt;Qanun/Kanun (Wikipedia)&lt;/a&gt;&lt;br /&gt;
@@ Line 24: / Line 24: @@
 &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=lFIQMM8bZQk&amp;amp;NR=1" rel="nofollow"&gt;Here&lt;/a&gt; is an example how this is done (player is &lt;a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss"&gt;Julien Jalaleddine Weiss&lt;/a&gt;).&lt;br /&gt;
 &lt;br /&gt;
-Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for &lt;a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian#Unequal temperaments for maqamat"&gt;unequal temperaments for maqams&lt;/a&gt;. The art of tuning lies in the positioning of the mandals.&lt;br /&gt;
+Since the qanun, even with mandals, is essentially a fixed-pitch instrument, a choice of the available pitches has to be made, so the qanun is a case for &lt;a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian#Unequal%20temperaments%20for%20maqamat"&gt;unequal temperaments for maqams&lt;/a&gt;. The art of tuning lies in the positioning of the mandals.&lt;br /&gt;
 &lt;br /&gt;
 Turkish kanuns are traditionally tuned in (a subset of) &lt;a class="wiki_link" href="/72edo"&gt;72edo&lt;/a&gt; .&lt;br /&gt;
@@ Line 30: / Line 30: @@
 &lt;a class="wiki_link" href="/Ozan%20Yarman"&gt;Ozan Yarman&lt;/a&gt;'s proposition for a maqam tuning in his &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow" target="_blank"&gt;dissertation&lt;/a&gt;(79-tone &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; subset of &lt;a class="wiki_link" href="/159edo"&gt;159edo&lt;/a&gt;) was also realized on a qanun.&lt;br /&gt;
 &lt;br /&gt;
-A number of qanun tunings were designed by &lt;a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss"&gt;Julien Jalaleddine Weiss&lt;/a&gt;. See &lt;a class="wiki_link" href="/tuning%20systems%20for%20qanun"&gt;tuning systems for qanun&lt;/a&gt;, or &lt;a class="wiki_link" href="/Stefan%20Pohlit"&gt;Stefan Pohlit&lt;/a&gt;'s dissertation.&lt;/body&gt;&lt;/html&gt;</pre></div>
+A number of qanun tunings were designed by &lt;a class="wiki_link" href="/Julien%20Jalaleddine%20Weiss"&gt;Julien Jalaleddine Weiss&lt;/a&gt;. See &lt;a class="wiki_link" href="/tuning%20systems%20for%20qanun"&gt;tuning systems for qanun&lt;/a&gt;, or &lt;a class="wiki_link_ext" href="http://stefanpohlit.com/dissertation.engl..htm" rel="nofollow"&gt;Stefan Pohlit's dissertation&lt;/a&gt;.&lt;/body&gt;&lt;/html&gt;</pre></div>