Andrew Milne: Difference between revisions

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Some of his peer-reviewed articles where microtonality or pitch layouts are a significant component are listed below (articles on other topics such as cross-cultural music cognition, rhythmic structures and their perception, and music for well-being and education, can be accessed from [https://scholar.google.com/citations?user=s-4z35cAAAAJ&hl=en GoogleScholar] and [https://www.researchgate.net/profile/Andrew-Milne-2 ResearchGate]):

* Milne, A. J. (2026). [https://~~transactions~~.~~ismir.net/articles~~/10.5334/tismir.392 The Music Perception Toolbox: Analytical methods for pitch and rhythm similarity, consonance, complexity, and structure]. ''Transactions of the International Society for Music Information Retrieval'', 9(1):526–543.

* Milne, A. J. (2026). [https://doi.org/10.5334/tismir.392 The Music Perception Toolbox: Analytical methods for pitch and rhythm similarity, consonance, complexity, and structure]. ''Transactions of the International Society for Music Information Retrieval'', 9(1):526–543.

* Hearne, L. M., Dean, R. T., and Milne, A. J. (2026). Acoustical and cultural explanations for contextual tonal stability. ''Music Perception'', 43(5):448–470.

* Milne, A. J. (2024). [https://emusicology.org/index.php/EMR/issue/view/359 Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic models of scales and some extensions]. ''Empirical Musicology Review'', 19(2):144–153.

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 Some of his peer-reviewed articles where microtonality or pitch layouts are a significant component are listed below (articles on other topics such as cross-cultural music cognition, rhythmic structures and their perception, and music for well-being and education, can be accessed from [https://scholar.google.com/citations?user=s-4z35cAAAAJ&hl=en GoogleScholar] and [https://www.researchgate.net/profile/Andrew-Milne-2 ResearchGate]):
-* Milne, A. J. (2026). [https://transactions.ismir.net/articles/10.5334/tismir.392 The Music Perception Toolbox: Analytical methods for pitch and rhythm similarity, consonance, complexity, and structure]. ''Transactions of the International Society for Music Information Retrieval'', 9(1):526–543.
+* Milne, A. J. (2026). [https://doi.org/10.5334/tismir.392 The Music Perception Toolbox: Analytical methods for pitch and rhythm similarity, consonance, complexity, and structure]. ''Transactions of the International Society for Music Information Retrieval'', 9(1):526–543.
 * Hearne, L. M., Dean, R. T., and Milne, A. J. (2026). Acoustical and cultural explanations for contextual tonal stability. ''Music Perception'', 43(5):448–470.
 * Milne, A. J. (2024). [https://emusicology.org/index.php/EMR/issue/view/359 Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic models of scales and some extensions]. ''Empirical Musicology Review'', 19(2):144–153.