Ryan Pratt: Difference between revisions
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* Chord progressions work by re-contextualizing natural harmonics as partials of lower fundamentals, a new implied fundamental is a new chord | * Chord progressions work by re-contextualizing natural harmonics as partials of lower fundamentals, a new implied fundamental is a new chord | ||
Some of his compositions include ''Sadhana'' (2015) written using [[48edo]] ‘eighth-tone’ notation, and ''K. tracing'' (2015) which uses an [[empirical tuning]] derived from the [[partial]]s of a real violin. | Some of his compositions include ''Sadhana'' (2015) written using [[48edo]] ‘eighth-tone’ notation, and ''K. tracing'' (2015) which uses an [[empirical tuning]] derived from the [[partial]]s of a real violin. A full discography including more recent works can be found on his Soundcloud linked below. | ||
== Discography == | == Discography == | ||
Revision as of 13:54, 16 September 2026
Ryan Pratt is a microtonal composer, music theorist, music educator and web tool developer.
He advocates for a ‘top-down’ model of harmony. In this model:
- Intervals are understood through what fundamental they imply, rather than as fixed pitch points
- Chord progressions work by re-contextualizing natural harmonics as partials of lower fundamentals, a new implied fundamental is a new chord
Some of his compositions include Sadhana (2015) written using 48edo ‘eighth-tone’ notation, and K. tracing (2015) which uses an empirical tuning derived from the partials of a real violin. A full discography including more recent works can be found on his Soundcloud linked below.