Guides: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Wikispaces>xenjacob
**Imported revision 11531539 - Original comment: **
 
Wikispaces>guest
**Imported revision 11567341 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2007-11-15 22:48:37 UTC</tt>.<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2007-11-16 13:07:33 UTC</tt>.<br>
: The original revision id was <tt>11531539</tt>.<br>
: The original revision id was <tt>11567341</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
Line 31: Line 31:
* Jacob Barton [[ThirtyOneToneSinginCamp]], such nonexistent new musical interfaces as the String Playground
* Jacob Barton [[ThirtyOneToneSinginCamp]], such nonexistent new musical interfaces as the String Playground
* Kyle Gann's Just Intonation Explained, JI
* Kyle Gann's Just Intonation Explained, JI
* Jim Alteri's JI calculator with sound</pre></div>
* Jim Alteri's JI calculator with sound
* Partch, Genesis of a Music
 
</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Pedagogy&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Some questions to consider as input to thinking about microtonal pedagogy. If you would like to answer them, please put it on a separate page and link to it here.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Pedagogy&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Some questions to consider as input to thinking about microtonal pedagogy. If you would like to answer them, please put it on a separate page and link to it here.&lt;br /&gt;
Line 50: Line 53:
&lt;br /&gt;
&lt;br /&gt;
Microtonal method books / teaching tools / resources&lt;br /&gt;
Microtonal method books / teaching tools / resources&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;Neil Haverstick books&lt;/li&gt;&lt;li&gt;Joe Maneri 72-tone book&lt;/li&gt;&lt;li&gt;Brian McLaren Introduction to Microtonality CD, DVDs&lt;/li&gt;&lt;li&gt;W.A. Mathieu: The Harmonic Experience&lt;/li&gt;&lt;li&gt;David Doty: Just Intonation Primer&lt;/li&gt;&lt;li&gt;any &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/contents.htm" rel="nofollow"&gt;Ivor Darreg&lt;/a&gt; in particular?&lt;/li&gt;&lt;li&gt;Jacob Barton &lt;a class="wiki_link" href="/ThirtyOneToneSinginCamp"&gt;ThirtyOneToneSinginCamp&lt;/a&gt;, such nonexistent new musical interfaces as the String Playground&lt;/li&gt;&lt;li&gt;Kyle Gann's Just Intonation Explained, JI&lt;/li&gt;&lt;li&gt;Jim Alteri's JI calculator with sound&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;ul&gt;&lt;li&gt;Neil Haverstick books&lt;/li&gt;&lt;li&gt;Joe Maneri 72-tone book&lt;/li&gt;&lt;li&gt;Brian McLaren Introduction to Microtonality CD, DVDs&lt;/li&gt;&lt;li&gt;W.A. Mathieu: The Harmonic Experience&lt;/li&gt;&lt;li&gt;David Doty: Just Intonation Primer&lt;/li&gt;&lt;li&gt;any &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/contents.htm" rel="nofollow"&gt;Ivor Darreg&lt;/a&gt; in particular?&lt;/li&gt;&lt;li&gt;Jacob Barton &lt;a class="wiki_link" href="/ThirtyOneToneSinginCamp"&gt;ThirtyOneToneSinginCamp&lt;/a&gt;, such nonexistent new musical interfaces as the String Playground&lt;/li&gt;&lt;li&gt;Kyle Gann's Just Intonation Explained, JI&lt;/li&gt;&lt;li&gt;Jim Alteri's JI calculator with sound&lt;/li&gt;&lt;li&gt;Partch, Genesis of a Music&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 13:07, 16 November 2007

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author guest and made on 2007-11-16 13:07:33 UTC.
The original revision id was 11567341.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

Some questions to consider as input to thinking about microtonal pedagogy. If you would like to answer them, please put it on a separate page and link to it here.

What considerations does the particular question of a //microtonal// pedagogy warrant?

What does one consider when endeavoring to write pieces of microtonal music that also teach the microtones that they use?

When is learning a microtonal system of pitches //harder// than learning the 12-equal system? When is it //easier//?

When does experience in 12 //help// in learning non-12? When does it //hinder//?

When does experience in non-12 //help// in learning 12? When does //it// hinder?

To what degree can the need for a microtonal pedagogy address a general problem of missing language in speaking microtonality?

A related question: in whose interest is it to sequester off learning/education/pedagogy into a separate page, as if learning only happens in schools/when you want it to?

Microtonal method books / teaching tools / resources
* Neil Haverstick books
* Joe Maneri 72-tone book
* Brian McLaren Introduction to Microtonality CD, DVDs
* W.A. Mathieu: The Harmonic Experience
* David Doty: Just Intonation Primer
* any [[http://sonic-arts.org/darreg/contents.htm|Ivor Darreg]] in particular?
* Jacob Barton [[ThirtyOneToneSinginCamp]], such nonexistent new musical interfaces as the String Playground
* Kyle Gann's Just Intonation Explained, JI
* Jim Alteri's JI calculator with sound
* Partch, Genesis of a Music

Original HTML content:

<html><head><title>Pedagogy</title></head><body>Some questions to consider as input to thinking about microtonal pedagogy. If you would like to answer them, please put it on a separate page and link to it here.<br />
<br />
What considerations does the particular question of a <em>microtonal</em> pedagogy warrant?<br />
<br />
What does one consider when endeavoring to write pieces of microtonal music that also teach the microtones that they use?<br />
<br />
When is learning a microtonal system of pitches <em>harder</em> than learning the 12-equal system? When is it <em>easier</em>?<br />
<br />
When does experience in 12 <em>help</em> in learning non-12? When does it <em>hinder</em>?<br />
<br />
When does experience in non-12 <em>help</em> in learning 12? When does <em>it</em> hinder?<br />
<br />
To what degree can the need for a microtonal pedagogy address a general problem of missing language in speaking microtonality?<br />
<br />
A related question: in whose interest is it to sequester off learning/education/pedagogy into a separate page, as if learning only happens in schools/when you want it to?<br />
<br />
Microtonal method books / teaching tools / resources<br />
<ul><li>Neil Haverstick books</li><li>Joe Maneri 72-tone book</li><li>Brian McLaren Introduction to Microtonality CD, DVDs</li><li>W.A. Mathieu: The Harmonic Experience</li><li>David Doty: Just Intonation Primer</li><li>any <a class="wiki_link_ext" href="http://sonic-arts.org/darreg/contents.htm" rel="nofollow">Ivor Darreg</a> in particular?</li><li>Jacob Barton <a class="wiki_link" href="/ThirtyOneToneSinginCamp">ThirtyOneToneSinginCamp</a>, such nonexistent new musical interfaces as the String Playground</li><li>Kyle Gann's Just Intonation Explained, JI</li><li>Jim Alteri's JI calculator with sound</li><li>Partch, Genesis of a Music</li></ul></body></html>