44edo: Difference between revisions

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== Intervals ==
== Intervals ==
{{Todo|complete table|inline=1|text = Continue adding dual ratios for the 7th harmonic which has a lot of relative error; might need some additional ratios; remove excessively complex ratios; finish consistency check (including putting inconsistently-mapped intervals in ''italics'').}}
In 44edo, sharps and flats alter pitch by 6 edosteps. This means intervals can be notated with half sharps and half flats equal to 3 edosteps, in addition to ups and downs. The table below uses only sharps, flats, and ups and downs. When translating music from 22edo to 44edo, single ups and downs simply become double ups and downs (vEb in 22edo would be vvEb in 44edo).  
In 44edo, sharps and flats alter pitch by 6 edosteps. This means intervals can be notated with half sharps and half flats equal to 3 edosteps, in addition to ups and downs. The table below uses only sharps, flats, and ups and downs. When translating music from 22edo to 44edo, single ups and downs simply become double ups and downs (vEb in 22edo would be vvEb in 44edo).  


{| class="wikitable center-1 right-2 center-7 center-8"
{| class="wikitable center-1 right-2 center-5 center-6"
|-
|-
! #
! #
! Cents
! Cents
! Approximate ratios*
! Approximate ratios*
! Ratios of 7 tending<br>sharp (patent val)
! Ratios of 7 tending<br>flat (44d val)
! colspan="3" | [[Ups and downs notation]]
! colspan="3" | [[Ups and downs notation]]
|-
|-
Line 35: Line 31:
| 0.0
| 0.0
| [[1/1]]
| [[1/1]]
|
|
| Perfect 1sn
| Perfect 1sn
| P1
| P1
Line 44: Line 38:
| 27.3
| 27.3
| [[65/64]]
| [[65/64]]
|
| [[64/63]]
| Up 1sn
| Up 1sn
| ^1
| ^1
Line 52: Line 44:
| 2
| 2
| 54.5
| 54.5
| [[32/31]], [[33/32]]
| [[28/27]], [[32/31]], [[33/32]], [[34/33]], [[36/35]]
| 51/49
|
| Minor 2nd
| Minor 2nd
| m2
| m2
Line 61: Line 51:
| 3
| 3
| 81.8
| 81.8
| [[23/22]]
| [[19/18]], [[20/19]], [[23/22]], [[24/23]]
|
| [[22/21]]
| Upminor 2nd
| Upminor 2nd
| ^m2
| ^m2
Line 70: Line 58:
| 4
| 4
| 109.1
| 109.1
| [[16/15]]
| [[15/14]], [[16/15]], [[17/16]], [[18/17]]
| [[15/14]]
| Dupminor 2nd, downmid 2nd
| [[14/13]]
| Dupminor 2nd, Downmid 2nd
| ^^m2, v~2
| ^^m2, v~2
| ^^Eb
| ^^Eb
Line 79: Line 65:
| 5
| 5
| 136.4
| 136.4
| [[13/12]]
| [[13/12]], [[14/13]]
| [[14/13]]
| [[15/14]]
| Mid 2nd
| Mid 2nd
| ~2
| ~2
Line 88: Line 72:
| 6
| 6
| 163.6
| 163.6
| [[11/10]], [[12/11]], [[32/29]]
| [[11/10]], [[12/11]], [[32/29]], ''[[10/9]]''
| 31/28
| Dudmajor 2nd, upmid 2nd
|
| Dudmajor 2nd, Upmid 2nd
| vvM2, ^~2
| vvM2, ^~2
| vvE
| vvE
Line 98: Line 80:
| 190.9
| 190.9
| [[19/17]]
| [[19/17]]
|
|
| Downmajor 2nd
| Downmajor 2nd
| vM2
| vM2
Line 106: Line 86:
| 8
| 8
| 218.2
| 218.2
| [[9/8]]
| [[8/7]], [[9/8]], [[17/15]]
| [[8/7]]
|
| Major 2nd
| Major 2nd
| M2
| M2
Line 115: Line 93:
| 9
| 9
| 245.5
| 245.5
| [[15/13]]
| [[15/13]], [[22/19]]
|
| Upmajor 2nd, downminor 3rd
| [[7/6]], [[8/7]]
| Upmajor 2nd, Downminor 3rd
| ^M2, vm3
| ^M2, vm3
| ^E, vF
| ^E, vF
Line 124: Line 100:
| 10
| 10
| 272.7
| 272.7
| [[32/27]]
| [[7/6]], [[20/17]]
| [[7/6]]
|
| Minor 3rd
| Minor 3rd
| m3
| m3
Line 134: Line 108:
| 300.0
| 300.0
| [[13/11]], [[19/16]]
| [[13/11]], [[19/16]]
|
|
| Upminor 3rd
| Upminor 3rd
| ^m3
| ^m3
Line 142: Line 114:
| 12
| 12
| 327.3
| 327.3
| [[6/5]], [[11/9]], [[29/24]]
| [[6/5]], [[17/14]], ''[[11/9]]''
|
| Dupminor 3rd, downmid 3rd
|
| Dupminor 3rd, Downmid 3rd
| ^^m3, v~3
| ^^m3, v~3
| ^^F
| ^^F
Line 151: Line 121:
| 13
| 13
| 354.5
| 354.5
| [[16/13]]
| [[16/13]], [[26/21]], [[39/32]]
| [[26/21]]
|
| Mid 3rd
| Mid 3rd
| ~3
| ~3
Line 161: Line 129:
| 381.8
| 381.8
| [[5/4]]
| [[5/4]]
|
| Dudmajor 3rd, upmid 3rd
| [[26/21]]
| Dudmajor 3rd, Upmid 3rd
| vvM3, ^~3
| vvM3, ^~3
| vvF#
| vvF#
Line 169: Line 135:
| 15
| 15
| 409.1
| 409.1
| [[19/15]]
| [[19/15]], [[24/19]]
|
| [[14/11]]
| Downmajor 3rd
| Downmajor 3rd
| vM3
| vM3
Line 178: Line 142:
| 16
| 16
| 436.4
| 436.4
| [[81/64]], [[128/99]]
| [[9/7]], ''[[14/11]]''
| [[9/7]], [[14/11]]
|
| Major 3rd
| Major 3rd
| M3
| M3
Line 187: Line 149:
| 17
| 17
| 463.6
| 463.6
| [[13/10]]
| [[13/10]], [[17/13]]
|
| Upmajor 3rd, down 4th
| [[9/7]]
| Upmajor 3rd, Down 4th
| ^M3, v4
| ^M3, v4
| ^F#, vG
| ^F#, vG
Line 197: Line 157:
| 490.9
| 490.9
| [[4/3]]
| [[4/3]]
|
|
| Perfect 4th
| Perfect 4th
| P4
| P4
Line 205: Line 163:
| 19
| 19
| 518.2
| 518.2
| 171/128
| [[19/14]]
| 189/143
| 256/189
| Up 4th
| Up 4th
| ^4
| ^4
Line 214: Line 170:
| 20
| 20
| 545.5
| 545.5
| [[11/8]], [[15/11]]
| [[11/8]], [[15/11]], [[26/19]]
| [[29/21]]
| Dup 4th, downmid 4th, dim 5th
|
| Dup 4th, Downmid 4th, Dim 5th
| ^^4, v~4, d5
| ^^4, v~4, d5
| Ab, ^^G
| Ab, ^^G
Line 223: Line 177:
| 21
| 21
| 572.7
| 572.7
| 46/33
| [[18/13]], [[32/23]]
|
| [[7/5]], [[29/21]]
| Mid 4th, Updim 5th
| Mid 4th, Updim 5th
| ~4, ^d5
| ~4, ^d5
Line 232: Line 184:
| 22
| 22
| 600.0
| 600.0
| 44/31, 31/22
| [[17/12]], [[24/17]], ''[[7/5]]'', ''[[10/7]]''
| [[7/5]], [[10/7]]
| Upmid 4th, downmid 5th
|
| Upmid 4th, Downmid 5th
| ^~4, v~5
| ^~4, v~5
| vvG#, ^^Ab
| vvG#, ^^Ab
Line 241: Line 191:
| 23
| 23
| 627.3
| 627.3
| 33/23
| [[13/9]], [[23/16]]
|
| Downaug 4th, mid 5th
| [[10/7]], [[42/29]]
| Downaug 4th, Mid 5th
| vA4, ~5
| vA4, ~5
| vvvA, ^^^Ab
| vvvA, ^^^Ab
Line 250: Line 198:
| 24
| 24
| 654.5
| 654.5
| [[16/11]], [[22/15]]
| [[16/11]], [[19/13]], [[22/15]]
| [[42/29]]
| Aug 4th, upmid 5th, dud 5th
|
| Aug 4th, Upmid 5th, Dud 5th
| A4, ^~5, vv5
| A4, ^~5, vv5
| G#, vvA
| G#, vvA
Line 259: Line 205:
| 25
| 25
| 681.8
| 681.8
| 256/171
| [[28/19]]
|
|
| Down 5th
| Down 5th
| v5
| v5
Line 269: Line 213:
| 709.1
| 709.1
| [[3/2]]
| [[3/2]]
|
|
| Perfect 5th
| Perfect 5th
| P5
| P5
Line 277: Line 219:
| 27
| 27
| 736.4
| 736.4
| 195/128
| [[20/13]], [[26/17]]
|
| Up 5th, downminor 6th
| [[14/9]]
| Up 5th, Downminor 6th
| ^5, vm6
| ^5, vm6
| ^A, vBb
| ^A, vBb
Line 286: Line 226:
| 28
| 28
| 763.6
| 763.6
| [[99/64]], [[128/81]]
| [[14/9]], ''[[11/7]]''
| [[11/7]], [[14/9]]
|
| Minor 6th
| Minor 6th
| m6
| m6
Line 295: Line 233:
| 29
| 29
| 790.9
| 790.9
| 69/44
| [[19/12]], [[30/19]]
|
| [[11/7]]
| Upminor 6th
| Upminor 6th
| ^m6
| ^m6
Line 305: Line 241:
| 818.2
| 818.2
| [[8/5]]
| [[8/5]]
|
| Dupminor 6th, downmid 6th
| [[21/13]]
| Dupminor 6th, Downmid 6th
| ^^m6, v~6
| ^^m6, v~6
| ^^Bb
| ^^Bb
Line 313: Line 247:
| 31
| 31
| 845.5
| 845.5
| [[13/8]]
| [[13/8]], [[21/13]]
| [[21/13]]
|
| Mid 6th
| Mid 6th
| ~6
| ~6
Line 322: Line 254:
| 32
| 32
| 872.7
| 872.7
| [[5/3]], [[18/11]], [[48/29]]
| [[5/3]], [[28/17]], ''[[18/11]]''
|
| Dudmajor 6th, upmid 6th
|
| Dudmajor 6th, Upmid 6th
| vvM6, ^~6
| vvM6, ^~6
| vvB
| vvB
Line 332: Line 262:
| 900.0
| 900.0
| [[22/13]], [[32/19]]
| [[22/13]], [[32/19]]
|
|
| Downmajor 6th
| Downmajor 6th
| vM6
| vM6
Line 340: Line 268:
| 34
| 34
| 927.3
| 927.3
| [[27/16]]
| [[12/7]], [[17/10]]
|
|
| Major 6th
| Major 6th
| M6
| M6
Line 349: Line 275:
| 35
| 35
| 954.5
| 954.5
| [[26/15]]
| [[19/11]], [[26/15]]
|
| Upmajor 6th, downminor 7th
| [[7/4]], [[12/7]]
| Upmajor 6th, Downminor 7th
| ^M6, vm7
| ^M6, vm7
| ^B, vC
| ^B, vC
Line 358: Line 282:
| 36
| 36
| 981.8
| 981.8
| [[16/9]]
| [[7/4]], [[16/9]], [[30/17]]
|
|
| Minor 7th
| Minor 7th
| m7
| m7
Line 367: Line 289:
| 37
| 37
| 1009.1
| 1009.1
| [[9/5]]
| [[34/19]]
|
|
| Upminor 7th
| Upminor 7th
| ^m7
| ^m7
Line 376: Line 296:
| 38
| 38
| 1036.4
| 1036.4
| [[11/6]], [[20/11]], [[29/16]]
| [[11/6]], [[20/11]], [[29/16]], ''[[9/5]]''
|
| Dupminor 7th, downmid 7th
|
| Dupminor 7th, Downmid 7th
| ^^m7, v~7
| ^^m7, v~7
| ^^C
| ^^C
Line 385: Line 303:
| 39
| 39
| 1063.6
| 1063.6
| [[24/13]]
| [[13/7]], [[24/13]]
| [[13/7]]
| [[28/15]]
| Mid 7th
| Mid 7th
| ~7
| ~7
Line 394: Line 310:
| 40
| 40
| 1090.9
| 1090.9
| [[15/8]]
| [[15/8]], [[17/9]], [[28/15]], [[32/17]]
| [[28/15]]
| Dudmajor 7th, upmid 7th
| [[13/7]]
| Dudmajor 7th, Upmid 7th
| vvM7, ^~7
| vvM7, ^~7
| vvC#
| vvC#
Line 403: Line 317:
| 41
| 41
| 1118.2
| 1118.2
| 44/23
| [[19/10]], [[36/19]], [[44/23]], [[23/12]]
|
| [[21/11]]
| Downmajor 7th
| Downmajor 7th
| vM7
| vM7
Line 412: Line 324:
| 42
| 42
| 1145.5
| 1145.5
| [[31/16]]
| [[27/14]], [[31/16]], [[33/17]], [[35/18]], [[64/33]]
|
|
| Major 7th
| Major 7th
| M7
| M7
Line 421: Line 331:
| 43
| 43
| 1172.7
| 1172.7
| 128/65
| [[128/65]]
|
| Upmajor 7th, down 8ve
| [[63/32]]
| Upmajor 7th, Down 8ve
| ^M7, v8
| ^M7, v8
| ^C#, vD
| ^C#, vD
Line 431: Line 339:
| 1200.0
| 1200.0
| [[2/1]]
| [[2/1]]
|
|
| Perfect 8ve
| Perfect 8ve
| P8
| P8
| D
| D
|}
|}
<nowiki/>* As a 2.3.5.11.13.17.19.23.29.31-subgroup temperament
<nowiki/>* As a 19-limit temperament, with additional ratios of 23, 29, and 31


== Notation ==
== Notation ==

Revision as of 11:26, 11 May 2026

← 43edo 44edo 45edo →
Prime factorization 22 × 11
Step size 27.2727 ¢ 
Fifth 26\44 (709.091 ¢) (→ 13\22)
Semitones (A1:m2) 6:2 (163.6 ¢ : 54.55 ¢)
Consistency limit 5
Distinct consistency limit 5

44 equal divisions of the octave (abbreviated 44edo or 44ed2), also called 44-tone equal temperament (44tet) or 44 equal temperament (44et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 44 equal parts of about 27.3 ¢ each. Each step represents a frequency ratio of 21/44, or the 44th root of 2.

Theory

44edo is a double of 22edo, to which it adds the ratios of 13, 19, and 23. While not the most accurate 2.3.5.7.11 tuning, 22edo is certainly a relatively compact one, and it's natural to extend it this way. The most practically useful of these additions is easily the 13th harmonic with its neutral intervals, but the 17th, 19th, and 23rd are not to be dismissed.

It is on the optimal ET sequence for 7-, 11- and 13-limit nautilus temperament, for 11-limit spell temperament, and for 13-limit cantrip temperament. In the 13-limit it supplies the optimal patent val for vigin temperament.

The 2*44 subgroup of 44edo is 2.9.5.21.11.13.17.19.23, on which 44 tempers out the same commas as the patent val for 88edo.

Harmonics

Approximation of odd harmonics in 44edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) +7.1 -4.5 +13.0 -13.0 -5.9 +4.9 +2.6 +4.1 +2.5 -7.1 -1.0
Relative (%) +26.2 -16.5 +47.6 -47.7 -21.5 +18.1 +9.7 +15.2 +9.1 -26.2 -3.7
Steps
(reduced) 		70
(26) 		102
(14) 		124
(36) 		139
(7) 		152
(20) 		163
(31) 		172
(40) 		180
(4) 		187
(11) 		193
(17) 		199
(23)
Approximation of odd harmonics in 44edo (continued)
Harmonic 25 27 29 31 33 35 37 39 41 43 45
Error Absolute (¢) -9.0 -5.9 +6.8 +0.4 +1.3 +8.5 -5.9 +12.1 +7.3 +6.7 +9.8
Relative (%) -33.0 -21.5 +24.9 +1.5 +4.7 +31.2 -21.6 +44.2 +26.8 +24.4 +35.8
Steps
(reduced) 		204
(28) 		209
(33) 		214
(38) 		218
(42) 		222
(2) 		226
(6) 		229
(9) 		233
(13) 		236
(16) 		239
(19) 		242
(22)

Subsets and supersets

44edo has subsets 2, 4, 11, 22.

One step of 44edo is very close (only 0.0086 cents sharp) to 64/63 (the septimal comma). Ruthenium temperament realizes this proximity through a regular temperament perspective, and it is supported by a large number of edos which are a multiple of 44 - for example 1012edo, 1848edo, and 2684edo. The aforementioned 88edo, which doubles it, is a meantone tuning that corrects the 7th harmonic to near-just, although at the expense of increasing relative error of the 13th and 19th harmonics; alternatively, if it is treated as directly approximating the 9th harmonic, then it also corrects the 9th harmonic to near-just.

Intervals

In 44edo, sharps and flats alter pitch by 6 edosteps. This means intervals can be notated with half sharps and half flats equal to 3 edosteps, in addition to ups and downs. The table below uses only sharps, flats, and ups and downs. When translating music from 22edo to 44edo, single ups and downs simply become double ups and downs (vEb in 22edo would be vvEb in 44edo).

# Cents Approximate ratios* Ups and downs notation
0 0.0 1/1 Perfect 1sn P1 D
1 27.3 65/64 Up 1sn ^1 ^D
2 54.5 28/27, 32/31, 33/32, 34/33, 36/35 Minor 2nd m2 Eb
3 81.8 19/18, 20/19, 23/22, 24/23 Upminor 2nd ^m2 ^Eb
4 109.1 15/14, 16/15, 17/16, 18/17 Dupminor 2nd, downmid 2nd ^^m2, v~2 ^^Eb
5 136.4 13/12, 14/13 Mid 2nd ~2 vvvE, ^^^Eb
6 163.6 11/10, 12/11, 32/29, 10/9 Dudmajor 2nd, upmid 2nd vvM2, ^~2 vvE
7 190.9 19/17 Downmajor 2nd vM2 vE
8 218.2 8/7, 9/8, 17/15 Major 2nd M2 E
9 245.5 15/13, 22/19 Upmajor 2nd, downminor 3rd ^M2, vm3 ^E, vF
10 272.7 7/6, 20/17 Minor 3rd m3 F
11 300.0 13/11, 19/16 Upminor 3rd ^m3 ^F
12 327.3 6/5, 17/14, 11/9 Dupminor 3rd, downmid 3rd ^^m3, v~3 ^^F
13 354.5 16/13, 26/21, 39/32 Mid 3rd ~3 ^^^F, vvvF#
14 381.8 5/4 Dudmajor 3rd, upmid 3rd vvM3, ^~3 vvF#
15 409.1 19/15, 24/19 Downmajor 3rd vM3 vF#
16 436.4 9/7, 14/11 Major 3rd M3 F#
17 463.6 13/10, 17/13 Upmajor 3rd, down 4th ^M3, v4 ^F#, vG
18 490.9 4/3 Perfect 4th P4 G
19 518.2 19/14 Up 4th ^4 ^G
20 545.5 11/8, 15/11, 26/19 Dup 4th, downmid 4th, dim 5th ^^4, v~4, d5 Ab, ^^G
21 572.7 18/13, 32/23 Mid 4th, Updim 5th ~4, ^d5 ^^^G, vvvG#
22 600.0 17/12, 24/17, 7/5, 10/7 Upmid 4th, downmid 5th ^~4, v~5 vvG#, ^^Ab
23 627.3 13/9, 23/16 Downaug 4th, mid 5th vA4, ~5 vvvA, ^^^Ab
24 654.5 16/11, 19/13, 22/15 Aug 4th, upmid 5th, dud 5th A4, ^~5, vv5 G#, vvA
25 681.8 28/19 Down 5th v5 vA
26 709.1 3/2 Perfect 5th P5 A
27 736.4 20/13, 26/17 Up 5th, downminor 6th ^5, vm6 ^A, vBb
28 763.6 14/9, 11/7 Minor 6th m6 Bb
29 790.9 19/12, 30/19 Upminor 6th ^m6 ^Bb
30 818.2 8/5 Dupminor 6th, downmid 6th ^^m6, v~6 ^^Bb
31 845.5 13/8, 21/13 Mid 6th ~6 ^^^Bb, vvvB
32 872.7 5/3, 28/17, 18/11 Dudmajor 6th, upmid 6th vvM6, ^~6 vvB
33 900.0 22/13, 32/19 Downmajor 6th vM6 vB
34 927.3 12/7, 17/10 Major 6th M6 B
35 954.5 19/11, 26/15 Upmajor 6th, downminor 7th ^M6, vm7 ^B, vC
36 981.8 7/4, 16/9, 30/17 Minor 7th m7 C
37 1009.1 34/19 Upminor 7th ^m7 ^C
38 1036.4 11/6, 20/11, 29/16, 9/5 Dupminor 7th, downmid 7th ^^m7, v~7 ^^C
39 1063.6 13/7, 24/13 Mid 7th ~7 ^^^C, vvvC#
40 1090.9 15/8, 17/9, 28/15, 32/17 Dudmajor 7th, upmid 7th vvM7, ^~7 vvC#
41 1118.2 19/10, 36/19, 44/23, 23/12 Downmajor 7th vM7 vC#
42 1145.5 27/14, 31/16, 33/17, 35/18, 64/33 Major 7th M7 C#
43 1172.7 128/65 Upmajor 7th, down 8ve ^M7, v8 ^C#, vD
44 1200.0 2/1 Perfect 8ve P8 D

* As a 19-limit temperament, with additional ratios of 23, 29, and 31

Notation

Ups and downs notation

44edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
         
             
Flat symbol          
             

Half-sharps and half-flats can be used to avoid triple arrows:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
 
    
    
    
Flat symbol  
    
    
    

Alternative ups and downs have sharps and flats with arrows borrowed from extended Helmholtz–Ellis notation:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Sharp symbol  
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
Flat symbol  
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 

If double arrows are not desirable, arrows can be attached to quarter-tone accidentals:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Sharp symbol
 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
Flat symbol  
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 
 		 

Sagittal notation

This notation uses the same sagittal sequence as edos 23b, 30, and 37, and is a superset of the notations for edos 22 and 11.

Evo flavor

Sagittal notationPeriodic table of EDOs with sagittal notation513/51281/8027/26

Revo flavor

Sagittal notationPeriodic table of EDOs with sagittal notation513/51281/8027/26

Evo-SZ flavor

Sagittal notationPeriodic table of EDOs with sagittal notation513/51281/8027/26

In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's primary comma (the comma it exactly represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it approximately represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo.

Regular temperament properties

Rank-2 temperaments

Table of rank-2 temperaments by generator
Periods
per 8ve 		Generator* Cents* Associated
ratio* 		Temperaments
1 3\44 81.82 22/21 Nautilus (44d)
1 7\44 190.91 9/8 Spell (44def) / cantrip (44de)
1 9\44 245.46 15/13 Immunity (44cff, 2.3.5.13)
1 13\44 354.55 11/9 Beatles / ringo (44e)
1 15\44 409.09 5/4 Hocus (44)
2 3\44 81.82 22/21 Harry (44ceff)
4 4\44 109.09 16/15 Bidia (44d, 7-limit)

* Octave-reduced form, reduced to the first half-octave

Scales

  • Evacuated planet[idiosyncratic term] (approximated from 66afdo): 5 13 8 12 6
  • Approximations of gamelan scales:
    • 5-tone pelog: 4 6 15 4 15
    • 7-tone pelog: 4 6 9 6 4 10 5
    • 5-tone slendro: 9 9 8 9 9

Instrument layouts

Music

Bryan Deister
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