51edo: Difference between revisions
→Music: Add another one of Bryan Deister's ''51edo improv'' videos, and distinguish them |
→Intervals: + approximate ratios |
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| Line 24: | Line 24: | ||
! # | ! # | ||
! [[Cent]]s | ! [[Cent]]s | ||
! Approximate ratios* | |||
! colspan="3" | [[Ups and downs notation]] | ! colspan="3" | [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0.0 | | 0.0 | ||
| 1/1 | |||
| Perfect 1sn | | Perfect 1sn | ||
| P1 | | P1 | ||
| Line 34: | Line 36: | ||
| 1 | | 1 | ||
| 23.5 | | 23.5 | ||
| ''49/48'', 64/63 | |||
| Up 1sn | | Up 1sn | ||
| ^1 | | ^1 | ||
| Line 40: | Line 43: | ||
| 2 | | 2 | ||
| 47.1 | | 47.1 | ||
| ''28/27'' | |||
| Downminor 2nd | | Downminor 2nd | ||
| vm2 | | vm2 | ||
| Line 46: | Line 50: | ||
| 3 | | 3 | ||
| 70.6 | | 70.6 | ||
| 27/26 | |||
| Minor 2nd | | Minor 2nd | ||
| m2 | | m2 | ||
| Line 52: | Line 57: | ||
| 4 | | 4 | ||
| 94.1 | | 94.1 | ||
| | |||
| Upminor 2nd | | Upminor 2nd | ||
| ^m2 | | ^m2 | ||
| Line 58: | Line 64: | ||
| 5 | | 5 | ||
| 117.6 | | 117.6 | ||
| 14/13 | |||
| Downmid 2nd | | Downmid 2nd | ||
| v~2 | | v~2 | ||
| Line 64: | Line 71: | ||
| 6 | | 6 | ||
| 141.2 | | 141.2 | ||
| 13/12 | |||
| Mid 2nd | | Mid 2nd | ||
| ~2 | | ~2 | ||
| Line 70: | Line 78: | ||
| 7 | | 7 | ||
| 164.7 | | 164.7 | ||
| | |||
| Upmid 2nd | | Upmid 2nd | ||
| ^~2 | | ^~2 | ||
| Line 76: | Line 85: | ||
| 8 | | 8 | ||
| 188.2 | | 188.2 | ||
| | |||
| Downmajor 2nd | | Downmajor 2nd | ||
| vM2 | | vM2 | ||
| Line 82: | Line 92: | ||
| 9 | | 9 | ||
| 211.8 | | 211.8 | ||
| 9/8 | |||
| Major 2nd | | Major 2nd | ||
| M2 | | M2 | ||
| Line 88: | Line 99: | ||
| 10 | | 10 | ||
| 235.3 | | 235.3 | ||
| 8/7 | |||
| Upmajor 2nd | | Upmajor 2nd | ||
| ^M2 | | ^M2 | ||
| Line 94: | Line 106: | ||
| 11 | | 11 | ||
| 258.8 | | 258.8 | ||
| 7/6 | |||
| Downminor 3rd | | Downminor 3rd | ||
| vm3 | | vm3 | ||
| Line 100: | Line 113: | ||
| 12 | | 12 | ||
| 282.4 | | 282.4 | ||
| ''32/27'' | |||
| Minor 3rd | | Minor 3rd | ||
| m3 | | m3 | ||
| Line 106: | Line 120: | ||
| 13 | | 13 | ||
| 305.9 | | 305.9 | ||
| | |||
| Upminor 3rd | | Upminor 3rd | ||
| ^m3 | | ^m3 | ||
| Line 112: | Line 127: | ||
| 14 | | 14 | ||
| 329.4 | | 329.4 | ||
| 63/52 | |||
| Downmid 3rd | | Downmid 3rd | ||
| v~3 | | v~3 | ||
| Line 118: | Line 134: | ||
| 15 | | 15 | ||
| 352.9 | | 352.9 | ||
| 16/13, 39/32 | |||
| Mid 3rd | | Mid 3rd | ||
| ~3 | | ~3 | ||
| Line 124: | Line 141: | ||
| 16 | | 16 | ||
| 376.5 | | 376.5 | ||
| 26/21 | |||
| Upmid 3rd | | Upmid 3rd | ||
| ^~3 | | ^~3 | ||
| Line 130: | Line 148: | ||
| 17 | | 17 | ||
| 400.0 | | 400.0 | ||
| | |||
| Downmajor 3rd | | Downmajor 3rd | ||
| vM3 | | vM3 | ||
| Line 136: | Line 155: | ||
| 18 | | 18 | ||
| 423.5 | | 423.5 | ||
| ''81/64'' | |||
| Major 3rd | | Major 3rd | ||
| M3 | | M3 | ||
| Line 142: | Line 162: | ||
| 19 | | 19 | ||
| 447.1 | | 447.1 | ||
| ''9/7'' | |||
| Upmajor 3rd | | Upmajor 3rd | ||
| ^M3 | | ^M3 | ||
| Line 148: | Line 169: | ||
| 20 | | 20 | ||
| 470.6 | | 470.6 | ||
| 21/16 | |||
| Down 4th | | Down 4th | ||
| v4 | | v4 | ||
| Line 154: | Line 176: | ||
| 21 | | 21 | ||
| 494.1 | | 494.1 | ||
| 4/3 | |||
| Perfect 4th | | Perfect 4th | ||
| P4 | | P4 | ||
| Line 160: | Line 183: | ||
| 22 | | 22 | ||
| 517.6 | | 517.6 | ||
| | |||
| Up 4th | | Up 4th | ||
| ^4 | | ^4 | ||
| Line 166: | Line 190: | ||
| 23 | | 23 | ||
| 541.2 | | 541.2 | ||
| | |||
| Downdim 5th | | Downdim 5th | ||
| vd5 | | vd5 | ||
| Line 172: | Line 197: | ||
| 24 | | 24 | ||
| 564.7 | | 564.7 | ||
| 18/13 | |||
| Dim 5th | | Dim 5th | ||
| d5 | | d5 | ||
| Line 178: | Line 204: | ||
| 25 | | 25 | ||
| 588.2 | | 588.2 | ||
| 39/28 | |||
| Updim 5th | | Updim 5th | ||
| ^d5 | | ^d5 | ||
| Line 184: | Line 211: | ||
| 26 | | 26 | ||
| 611.8 | | 611.8 | ||
| 56/39 | |||
| Downaug 4th | | Downaug 4th | ||
| vA4 | | vA4 | ||
| Line 190: | Line 218: | ||
| 27 | | 27 | ||
| 635.3 | | 635.3 | ||
| 13/9 | |||
| Aug 4th | | Aug 4th | ||
| A4 | | A4 | ||
| Line 196: | Line 225: | ||
| 28 | | 28 | ||
| 658.8 | | 658.8 | ||
| | |||
| Upaug 4th | | Upaug 4th | ||
| ^A4 | | ^A4 | ||
| Line 202: | Line 232: | ||
| 29 | | 29 | ||
| 682.4 | | 682.4 | ||
| | |||
| Down 5th | | Down 5th | ||
| v5 | | v5 | ||
| Line 208: | Line 239: | ||
| 30 | | 30 | ||
| 705.9 | | 705.9 | ||
| 3/2 | |||
| Perfect 5th | | Perfect 5th | ||
| P5 | | P5 | ||
| Line 214: | Line 246: | ||
| 31 | | 31 | ||
| 729.4 | | 729.4 | ||
| 32/21 | |||
| Up 5th | | Up 5th | ||
| ^5 | | ^5 | ||
| Line 220: | Line 253: | ||
| 32 | | 32 | ||
| 752.9 | | 752.9 | ||
| ''14/9'' | |||
| Downminor 6th | | Downminor 6th | ||
| vm6 | | vm6 | ||
| Line 226: | Line 260: | ||
| 33 | | 33 | ||
| 776.5 | | 776.5 | ||
| ''128/81'' | |||
| Minor 6th | | Minor 6th | ||
| m6 | | m6 | ||
| Line 232: | Line 267: | ||
| 34 | | 34 | ||
| 800.0 | | 800.0 | ||
| | |||
| Upminor 6th | | Upminor 6th | ||
| ^m6 | | ^m6 | ||
| Line 238: | Line 274: | ||
| 35 | | 35 | ||
| 823.5 | | 823.5 | ||
| 21/13 | |||
| Downmid 6th | | Downmid 6th | ||
| v~6 | | v~6 | ||
| Line 244: | Line 281: | ||
| 36 | | 36 | ||
| 847.1 | | 847.1 | ||
| 13/8, 64/39 | |||
| Mid 6th | | Mid 6th | ||
| ~6 | | ~6 | ||
| Line 250: | Line 288: | ||
| 37 | | 37 | ||
| 870.6 | | 870.6 | ||
| 104/63 | |||
| Upmid 6th | | Upmid 6th | ||
| ^~6 | | ^~6 | ||
| Line 256: | Line 295: | ||
| 38 | | 38 | ||
| 894.1 | | 894.1 | ||
| | |||
| Downmajor 6th | | Downmajor 6th | ||
| vM6 | | vM6 | ||
| Line 262: | Line 302: | ||
| 39 | | 39 | ||
| 917.6 | | 917.6 | ||
| ''27/16'' | |||
| Major 6th | | Major 6th | ||
| M6 | | M6 | ||
| Line 268: | Line 309: | ||
| 40 | | 40 | ||
| 941.2 | | 941.2 | ||
| 12/7 | |||
| Upmajor 6th | | Upmajor 6th | ||
| ^M6 | | ^M6 | ||
| Line 274: | Line 316: | ||
| 41 | | 41 | ||
| 964.7 | | 964.7 | ||
| 7/4 | |||
| Downminor 7th | | Downminor 7th | ||
| vm7 | | vm7 | ||
| Line 280: | Line 323: | ||
| 42 | | 42 | ||
| 988.2 | | 988.2 | ||
| 16/9 | |||
| Minor 7th | | Minor 7th | ||
| m7 | | m7 | ||
| Line 286: | Line 330: | ||
| 43 | | 43 | ||
| 1011.8 | | 1011.8 | ||
| | |||
| Upminor 7th | | Upminor 7th | ||
| ^m7 | | ^m7 | ||
| Line 292: | Line 337: | ||
| 44 | | 44 | ||
| 1035.3 | | 1035.3 | ||
| | |||
| Downmid 7th | | Downmid 7th | ||
| v~7 | | v~7 | ||
| Line 298: | Line 344: | ||
| 45 | | 45 | ||
| 1058.8 | | 1058.8 | ||
| 24/13 | |||
| Mid 7th | | Mid 7th | ||
| ~7 | | ~7 | ||
| Line 304: | Line 351: | ||
| 46 | | 46 | ||
| 1082.4 | | 1082.4 | ||
| 13/7 | |||
| Upmid 7th | | Upmid 7th | ||
| ^~7 | | ^~7 | ||
| Line 310: | Line 358: | ||
| 47 | | 47 | ||
| 1105.9 | | 1105.9 | ||
| | |||
| Downmajor 7th | | Downmajor 7th | ||
| vM7 | | vM7 | ||
| Line 316: | Line 365: | ||
| 48 | | 48 | ||
| 1129.4 | | 1129.4 | ||
| 52/27 | |||
| Major 7th | | Major 7th | ||
| M7 | | M7 | ||
| Line 322: | Line 372: | ||
| 49 | | 49 | ||
| 1152.9 | | 1152.9 | ||
| ''27/14'' | |||
| Upmajor 7th | | Upmajor 7th | ||
| ^M7 | | ^M7 | ||
| Line 328: | Line 379: | ||
| 50 | | 50 | ||
| 1176.5 | | 1176.5 | ||
| 63/32, ''96/49'' | |||
| Down 8ve | | Down 8ve | ||
| v8 | | v8 | ||
| Line 334: | Line 386: | ||
| 51 | | 51 | ||
| 1200.0 | | 1200.0 | ||
| 2/1 | |||
| Perfect 8ve | | Perfect 8ve | ||
| P8 | | P8 | ||
| D | | D | ||
|} | |} | ||
<nowiki>*</nowiki> As a 2.3.7.13-subgroup temperament, inconsistent intervals in italic | |||
== Notation == | == Notation == | ||
Revision as of 14:03, 1 January 2026
| ← 50edo | 51edo | 52edo → |
51 equal divisions of the octave (abbreviated 51edo or 51ed2), also called 51-tone equal temperament (51tet) or 51 equal temperament (51et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 51 equal parts of about 23.5 ¢ each. Each step represents a frequency ratio of 21/51, or the 51st root of 2.
Theory
Since 51 = 3 × 17, 51edo shares its fifth with 17edo. Compared to other multiples of 17edo, notably 34edo and 68edo, 51edo's harmonic inventory seems lacking, getting few harmonics very well considering its step size. However, it does possess excellent approximations of 11/10 and 21/16, only about 0.3 cents off in each case.
Using the patent val, 51et tempers out 250/243 in the 5-limit, 225/224 and 2401/2400 in the 7-limit, and 55/54 and 100/99 in the 11-limit. It is the optimal patent val for sonic, the rank-3 temperament tempering out 55/54, 100/99, and 250/243, and also for the rank-4 temperament tempering out 55/54. It provides an alternative tuning to 22edo for porcupine, with a nice fifth but a rather flat major third, and the optimal patent val for the 7- and 11-limit porky temperament, which is sonic plus 225/224. It contains an archeotonic (6L 1s) scale based on repetitions of 8\51, creating a scale with a whole-tone-like drive towards the tonic through the 17edo semitone at the top.
Using the 51c val ⟨51 81 119 143], the 5/4 is mapped to 1\3 (400 cents), supporting augmented. In the 7-limit it tempers out 245/243 and supports hemiaug and rodan. Alternatively, the 51cd val ⟨51 81 119 144] takes the same 7/4 from 17edo, and supports augene. The 51ce val ⟨51 81 119 143 177 189] supports a variant of rodan called aerodino.
51edo's step is the closest direct approximation to the Pythagorean comma by edo steps, though that comma itself is mapped to a different interval.
Odd harmonics
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +0.0 | +3.9 | -9.8 | -4.1 | -10.1 | +6.5 | -10.8 | +8.4 | +7.0 | +5.7 | +7.9 |
| Relative (%) | +0.0 | +16.7 | -41.8 | -17.5 | -43.1 | +27.8 | -46.1 | +35.6 | +29.8 | +24.3 | +33.6 | |
| Steps (reduced) |
51 (0) |
81 (30) |
118 (16) |
143 (41) |
176 (23) |
189 (36) |
208 (4) |
217 (13) |
231 (27) |
248 (44) |
253 (49) | |
Subsets and supersets
51edo contains 3edo and 17edo as subsets.
One of the very powerful (but very complex) supersets of 51edo is 612edo, which divides each step of 51edo into 12 equal parts, for which the name "skisma" has been proposed.
Intervals
| # | Cents | Approximate ratios* | Ups and downs notation | ||
|---|---|---|---|---|---|
| 0 | 0.0 | 1/1 | Perfect 1sn | P1 | D |
| 1 | 23.5 | 49/48, 64/63 | Up 1sn | ^1 | ^D |
| 2 | 47.1 | 28/27 | Downminor 2nd | vm2 | vEb |
| 3 | 70.6 | 27/26 | Minor 2nd | m2 | Eb |
| 4 | 94.1 | Upminor 2nd | ^m2 | ^Eb | |
| 5 | 117.6 | 14/13 | Downmid 2nd | v~2 | ^^Eb |
| 6 | 141.2 | 13/12 | Mid 2nd | ~2 | vvvE, ^^^Eb |
| 7 | 164.7 | Upmid 2nd | ^~2 | vvE | |
| 8 | 188.2 | Downmajor 2nd | vM2 | vE | |
| 9 | 211.8 | 9/8 | Major 2nd | M2 | E |
| 10 | 235.3 | 8/7 | Upmajor 2nd | ^M2 | ^E |
| 11 | 258.8 | 7/6 | Downminor 3rd | vm3 | vF |
| 12 | 282.4 | 32/27 | Minor 3rd | m3 | F |
| 13 | 305.9 | Upminor 3rd | ^m3 | ^F | |
| 14 | 329.4 | 63/52 | Downmid 3rd | v~3 | ^^F |
| 15 | 352.9 | 16/13, 39/32 | Mid 3rd | ~3 | ^^^F, vvvF# |
| 16 | 376.5 | 26/21 | Upmid 3rd | ^~3 | vvF# |
| 17 | 400.0 | Downmajor 3rd | vM3 | vF# | |
| 18 | 423.5 | 81/64 | Major 3rd | M3 | F# |
| 19 | 447.1 | 9/7 | Upmajor 3rd | ^M3 | ^F# |
| 20 | 470.6 | 21/16 | Down 4th | v4 | vG |
| 21 | 494.1 | 4/3 | Perfect 4th | P4 | G |
| 22 | 517.6 | Up 4th | ^4 | ^G | |
| 23 | 541.2 | Downdim 5th | vd5 | vAb | |
| 24 | 564.7 | 18/13 | Dim 5th | d5 | Ab |
| 25 | 588.2 | 39/28 | Updim 5th | ^d5 | ^Ab |
| 26 | 611.8 | 56/39 | Downaug 4th | vA4 | vG# |
| 27 | 635.3 | 13/9 | Aug 4th | A4 | G# |
| 28 | 658.8 | Upaug 4th | ^A4 | ^G# | |
| 29 | 682.4 | Down 5th | v5 | vA | |
| 30 | 705.9 | 3/2 | Perfect 5th | P5 | A |
| 31 | 729.4 | 32/21 | Up 5th | ^5 | ^A |
| 32 | 752.9 | 14/9 | Downminor 6th | vm6 | vBb |
| 33 | 776.5 | 128/81 | Minor 6th | m6 | Bb |
| 34 | 800.0 | Upminor 6th | ^m6 | ^Bb | |
| 35 | 823.5 | 21/13 | Downmid 6th | v~6 | ^^Bb |
| 36 | 847.1 | 13/8, 64/39 | Mid 6th | ~6 | vvvB, ^^^Bb |
| 37 | 870.6 | 104/63 | Upmid 6th | ^~6 | vvB |
| 38 | 894.1 | Downmajor 6th | vM6 | vB | |
| 39 | 917.6 | 27/16 | Major 6th | M6 | B |
| 40 | 941.2 | 12/7 | Upmajor 6th | ^M6 | ^B |
| 41 | 964.7 | 7/4 | Downminor 7th | vm7 | vC |
| 42 | 988.2 | 16/9 | Minor 7th | m7 | C |
| 43 | 1011.8 | Upminor 7th | ^m7 | ^C | |
| 44 | 1035.3 | Downmid 7th | v~7 | ^^C | |
| 45 | 1058.8 | 24/13 | Mid 7th | ~7 | ^^^C, vvvC# |
| 46 | 1082.4 | 13/7 | Upmid 7th | ^~7 | vvC# |
| 47 | 1105.9 | Downmajor 7th | vM7 | vC# | |
| 48 | 1129.4 | 52/27 | Major 7th | M7 | C# |
| 49 | 1152.9 | 27/14 | Upmajor 7th | ^M7 | ^C# |
| 50 | 1176.5 | 63/32, 96/49 | Down 8ve | v8 | vD |
| 51 | 1200.0 | 2/1 | Perfect 8ve | P8 | D |
* As a 2.3.7.13-subgroup temperament, inconsistent intervals in italic
Notation
Ups and downs notation
51edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc.
| Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sharp symbol | |||||||||||||
| Flat symbol |
Half-sharps and half-flats can be used to avoid triple arrows:
| Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sharp symbol | |||||||||||||
| Flat symbol |
In 51edo, a combination of quarter tone accidentals and arrow accidentals from Helmholtz–Ellis notation can be used.
| Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sharp symbol | |
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| Flat symbol | |
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If double arrows are not desirable, then arrows can be attached to quarter-tone accidentals:
| Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sharp symbol | |
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| Flat symbol | |
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Ivan Wyschnegradsky's notation
Since a sharp raises by six steps, Wyschnegradsky accidentals borrowed from 72edo can also be used:
| Step offset | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sharp symbol | |
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| Flat symbol | |
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Sagittal notation
In the following diagrams, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's primary comma (the comma it exactly represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it approximately represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo.
Evo flavor

Revo flavor

Evo-SZ flavor

Regular temperament properties
| Subgroup | Comma list | Mapping | Optimal 8ve stretch (¢) |
Tuning error | |
|---|---|---|---|---|---|
| Absolute (¢) | Relative (%) | ||||
| 2.3.7 | 1029/1024, [17 -16 3⟩ | [⟨51 81 143]] | −0.339 | 1.63 | 6.92 |
| 2.3.5 | 128/125, [-13 17 -6⟩ | [⟨51 81 119]] (51c) | −2.789 | 2.41 | 10.3 |
| 2.3.5 | 250/243, 34171875/33554432 | [⟨51 81 118]] (51) | +0.581 | 2.77 | 11.8 |
Rank-2 temperaments
| Periods per 8ve |
Generator* | Cents* | Associated ratio* |
Temperament |
|---|---|---|---|---|
| 1 | 5\51 | 117.6 | 15/14 | Miracle (51e, out of tune) / oracle (51) |
| 1 | 7\51 | 164.7 | 11/10 | Porky (51) |
| 1 | 10\51 | 235.3 | 8/7 | Rodan (51cf…, out of tune) / aerodino (51ce) |
| 1 | 5\51 | 541.2 | 15/11 | Necromanteion (51ce) |
| 3 | 19\51 (2\51) |
447.1 (47.1) |
9/7 (36/35) |
Hemiaug (51ce) |
| 3 | 21\51 (4\51) |
494.1 (94.1) |
4/3 (16/15) |
Augmented (51c) |
* Octave-reduced form, reduced to the first half-octave, and minimal form in parentheses if distinct
Scales
- Porky[7] (Palace[idiosyncratic term]): 7 7 7 9 7 7 7
- UFO scale[idiosyncratic term] (inflected MOS of Teefs[19][idiosyncratic term]): 2 2 4 1 2 2 2 4 2 5 2 4 4 2 2 1 4 2 2
- Cosmic scale[idiosyncratic term] subset of UFO scale): 21 9 4 9 8
Instruments
- Lumatone
- See Lumatone mapping for 51edo.
Music
- 51edo improv (2025-02-03)
- 51edo improv (2025-05-02)
- Northernlight - Deltarune (microtonal cover in 51edo) (2025)
- Whalectric (2022) – YouTube | score – 7:4 semiquartal 4|4 mode
- James Mulvale (FASTFAST)
- STARS (Thoughts and Prayers) (2020)
- Fugue (2023) – for organ in 51edo Porcupine[7] ssssssL "Pandian"






















































