4:6:7: Difference between revisions

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-{{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}'''4:6:7''' is a 7-limit chord found as a subset of the harmonic seventh chord, [[4:5:6:7]]. Due to having no fives, it is the first utonal chord that deviates from tonal music theory. As such, it is a candidate for [[metallic harmony]], a form of [[extraclassical tonality]] that employs 7 instead of 5 as its other prime.
+{{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}'''4:6:7''' is a [[7-limit]] [[chord]] found as a subset of the harmonic seventh chord, [[4:5:6:7]]. Due to having no fives, it is the first otonal chord that deviates from tonal music theory. As such, it is a candidate for [[metallic harmony]], a form of [[extraclassical tonality]] that employs 7 instead of 5 as its other prime.
-== <span data-darkreader-inline-color="">Rotations around the octave</span> ==
+== Rotations around the octave ==
 [[File:SculpEufaDem4-6-7-onD.mp3|none|thumb|4:6:7 "Root position"]]
 [[File:SculpEufaDem6-7-8-onD.mp3|none|thumb|6:7:8 "1st inversion"]]
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 Chords related to this triad:
-* 3:4:7 - open voicing
+* 3:4:7 – open voicing
-* [[4:5:7]] - no threes version
+* [[4:5:7]] – no threes version
-* [[4:5:6:7]] - full tetrad
+* [[4:5:6:7]] – full tetrad