4:5:7: Difference between revisions
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'''4:5:7''' is a 7-limit chord found as a subset of the harmonic seventh chord, [[4:5:6:7]]. It is used as a tuning target for the [[Italian sixth chord|Italian augmented sixth chord]] in [[septimal meantone]]. | '''4:5:7''' is a 7-limit chord found as a subset of the harmonic seventh chord, [[4:5:6:7]]. It is used as a tuning target for the [[Italian sixth chord|Italian augmented sixth chord]] in [[septimal meantone]]. | ||
== | == Rotations around the octave == | ||
[[File:SculpEufaDem4-5-7-onD.mp3|none|thumb|4:5:7 "Root position"]] | [[File:SculpEufaDem4-5-7-onD.mp3|none|thumb|4:5:7 "Root position"]] | ||
[[File:SculpEufaDem5-7-8-onD.mp3|none|thumb|5:7:8 "1st inversion"]] | [[File:SculpEufaDem5-7-8-onD.mp3|none|thumb|5:7:8 "1st inversion"]] | ||
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== Related chords == | == Related chords == | ||
Chords related to this triad (5-limit except where noted): | Chords related to this triad (5-limit except where noted): | ||
* 4:7:10 - open voicing | * 4:7:10 - open voicing | ||
* [[4:6:7]] - no fives version | * [[4:6:7]] - no fives version | ||
Revision as of 10:11, 10 November 2025
| Chord information |
har-7 no-5 or h7no5
4:5:7 is a 7-limit chord found as a subset of the harmonic seventh chord, 4:5:6:7. It is used as a tuning target for the Italian augmented sixth chord in septimal meantone.
Rotations around the octave
Related chords
Chords related to this triad (5-limit except where noted):