User:Katherinetoast/sandbox: Difference between revisions
Created page with "{{interwiki | de = 17-EDO | en = 17edo | es = 17 EDO | ja = 17平均律 }} {{Infobox ET}} {{ED intro}} {{Wikipedia|17 equal temperament}} == Theory == 17edo's perfect fifth is around 4 cents sharp of just, and around 6 cents sharp of 12edo's, lending itself to a diatonic scale with more constrasting large and small steps, so it can be seen as a tuning that emphasizes the hardness of Pythagorean tuning rather than mellowing it out as in meanto..." |
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! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and ^d2) | ! colspan="3" | [[Ups and downs notation]]<br>([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and ^d2) | ||
! colspan="3" | [[SKULO interval names|SKULO notation]] {{nowrap|(U {{=}} 1)}} | ! colspan="3" | [[SKULO interval names|SKULO notation]] {{nowrap|(U {{=}} 1)}} | ||
!Audio | |||
|- | |- | ||
| 0 | | 0 | ||
| Line 50: | Line 51: | ||
| P1 | | P1 | ||
| D | | D | ||
|[[File:Piano_0_1edo.mp3]] | |||
|- | |- | ||
| 1 | | 1 | ||
| Line 62: | Line 64: | ||
| U1, m2 | | U1, m2 | ||
| UD, Eb | | UD, Eb | ||
| | |||
|- | |- | ||
| 2 | | 2 | ||
| Line 74: | Line 77: | ||
| N2 | | N2 | ||
| UEb, uE | | UEb, uE | ||
| | |||
|- | |- | ||
| 3 | | 3 | ||
| Line 86: | Line 90: | ||
| M2 | | M2 | ||
| E | | E | ||
| | |||
|- | |- | ||
| 4 | | 4 | ||
| Line 98: | Line 103: | ||
| m3 | | m3 | ||
| F | | F | ||
| | |||
|- | |- | ||
| 5 | | 5 | ||
| Line 110: | Line 116: | ||
| N3 | | N3 | ||
| UF, uF# | | UF, uF# | ||
| | |||
|- | |- | ||
| 6 | | 6 | ||
| Line 122: | Line 129: | ||
| M3 | | M3 | ||
| F# | | F# | ||
| | |||
|- | |- | ||
| 7 | | 7 | ||
| Line 134: | Line 142: | ||
| P4 | | P4 | ||
| G | | G | ||
| | |||
|- | |- | ||
| 8 | | 8 | ||
| Line 146: | Line 155: | ||
| U4/N4 | | U4/N4 | ||
| UG | | UG | ||
| | |||
|- | |- | ||
| 9 | | 9 | ||
| Line 158: | Line 168: | ||
| u5/N5 | | u5/N5 | ||
| uA | | uA | ||
| | |||
|- | |- | ||
| 10 | | 10 | ||
| Line 170: | Line 181: | ||
| P5 | | P5 | ||
| A | | A | ||
| | |||
|- | |- | ||
| 11 | | 11 | ||
| Line 182: | Line 194: | ||
| m6 | | m6 | ||
| Bb | | Bb | ||
| | |||
|- | |- | ||
| 12 | | 12 | ||
| Line 194: | Line 207: | ||
| N6 | | N6 | ||
| UBb, uB | | UBb, uB | ||
| | |||
|- | |- | ||
| 13 | | 13 | ||
| Line 206: | Line 220: | ||
| M6 | | M6 | ||
| B | | B | ||
| | |||
|- | |- | ||
| 14 | | 14 | ||
| Line 218: | Line 233: | ||
| m7 | | m7 | ||
| C | | C | ||
| | |||
|- | |- | ||
| 15 | | 15 | ||
| Line 230: | Line 246: | ||
| N7 | | N7 | ||
| UC, uC# | | UC, uC# | ||
| | |||
|- | |- | ||
| 16 | | 16 | ||
| Line 242: | Line 259: | ||
| M7, u8 | | M7, u8 | ||
| C#, uD | | C#, uD | ||
| | |||
|- | |- | ||
| 17 | | 17 | ||
| Line 254: | Line 272: | ||
| P8 | | P8 | ||
| D | | D | ||
| | |||
|} | |} | ||
<references group="note" /> | <references group="note" /> | ||