MicrotonalTheory: Difference between revisions
Wikispaces>hstraub **Imported revision 335391274 - Original comment: ** |
Wikispaces>hstraub **Imported revision 337762468 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-05- | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-05-21 02:53:54 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>337762468</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
| Line 20: | Line 20: | ||
** [[Arabic, Turkish, Persian]] | ** [[Arabic, Turkish, Persian]] | ||
** [[Indian]] (North, South) | ** [[Indian]] (North, South) | ||
** African | ** [[African]] | ||
** Thai | ** Thai | ||
** [[Pre-Columbian South American Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..) | ** [[Pre-Columbian South American Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..) | ||
| Line 58: | Line 58: | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Reality tunnels into microtonality"></a><!-- ws:end:WikiTextHeadingRule:2 -->Reality tunnels into microtonality</h1> | <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Reality tunnels into microtonality"></a><!-- ws:end:WikiTextHeadingRule:2 -->Reality tunnels into microtonality</h1> | ||
<ul><li><a class="wiki_link" href="/JustIntonation">Just Intonation</a>: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.</li><li><a class="wiki_link" href="/Equal%20Temperaments">Equal</a> tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not</li><li>In Western common practice music, the (somewhat forgotten) use of <a class="wiki_link" href="/historical%20temperaments">historical temperaments</a> (meantones, well temperaments) with 12 or more unequal notes per octave</li><li>Musical traditions of indigienous, ancient, and/or non-Western cultures<ul><li><a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian">Arabic, Turkish, Persian</a></li><li><a class="wiki_link" href="/Indian">Indian</a> (North, South)</li><li>African</li><li>Thai</li><li><a class="wiki_link" href="/Pre-Columbian%20South%20American%20Music">Pre-Columbian South American</a> (e.g. Maya, Inca, Aztec..)</li><li><a class="wiki_link" href="/Indonesian">Indonesian</a> (Java, Bali)</li><li>Ancient Greek, <a class="wiki_link_ext" href="http://orthodoxwiki.org/Byzantine_Chant#The_scale" rel="nofollow">Byzantine</a></li></ul></li><li><a class="wiki_link" href="/Regular%20Temperaments">Regular Temperaments</a> (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires</li><li><a class="wiki_link" href="/MOSScales">Moment of Symmetry</a>, a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson<ul><li><a class="wiki_link" href="/Graham%20complexity">Graham complexity</a>, a complexity measure which works well with MOS scales and rank two regular temperaments.</li></ul></li><li><a class="wiki_link" href="/Empirical">Empirical</a> This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.</li><li><a class="wiki_link" href="/tetrachord">Tetrachordal Scales</a>, which use divided fourths as building blocks for composition.</li><li><a class="wiki_link" href="/isoharmonic%20chords">Isoharmonic chords/scales</a></li><li><a class="wiki_link" href="/Pretty%20Pictures">Pretty Pictures</a> that represent scales in one way or another</li><li><a class="wiki_link" href="/Notation">Notation</a>(pretty pictures for a the purpose of writing music down)<ul><li><a class="wiki_link" href="/Nominal-Accidental%20Chains">Nominal-Accidental Chains</a> A common approach to notation</li></ul></li><li>the notion of a <a class="wiki_link" href="/Scalesmith">Scalesmith</a> who <em>builds</em>scales, with various methods, perhaps for single occasions<ul><li>Counter-intuitive, random, arbitrary scales</li><li>Numerology-based, computationally demanding scales</li><li>Scale stretching</li><li>Acoustically-based (resonant frequencies of performance space, for example)</li></ul></li><li>(<a class="wiki_link" href="/Corollaries">Corollaries</a>, traces left by other reality tunnels, which by themselves are completely trivial and obvious)</li><li><a class="wiki_link" href="/Redundancy">Redundancy</a> in a tuning system</li></ul><br /> | <ul><li><a class="wiki_link" href="/JustIntonation">Just Intonation</a>: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.</li><li><a class="wiki_link" href="/Equal%20Temperaments">Equal</a> tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not</li><li>In Western common practice music, the (somewhat forgotten) use of <a class="wiki_link" href="/historical%20temperaments">historical temperaments</a> (meantones, well temperaments) with 12 or more unequal notes per octave</li><li>Musical traditions of indigienous, ancient, and/or non-Western cultures<ul><li><a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian">Arabic, Turkish, Persian</a></li><li><a class="wiki_link" href="/Indian">Indian</a> (North, South)</li><li><a class="wiki_link" href="/African">African</a></li><li>Thai</li><li><a class="wiki_link" href="/Pre-Columbian%20South%20American%20Music">Pre-Columbian South American</a> (e.g. Maya, Inca, Aztec..)</li><li><a class="wiki_link" href="/Indonesian">Indonesian</a> (Java, Bali)</li><li>Ancient Greek, <a class="wiki_link_ext" href="http://orthodoxwiki.org/Byzantine_Chant#The_scale" rel="nofollow">Byzantine</a></li></ul></li><li><a class="wiki_link" href="/Regular%20Temperaments">Regular Temperaments</a> (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires</li><li><a class="wiki_link" href="/MOSScales">Moment of Symmetry</a>, a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson<ul><li><a class="wiki_link" href="/Graham%20complexity">Graham complexity</a>, a complexity measure which works well with MOS scales and rank two regular temperaments.</li></ul></li><li><a class="wiki_link" href="/Empirical">Empirical</a> This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.</li><li><a class="wiki_link" href="/tetrachord">Tetrachordal Scales</a>, which use divided fourths as building blocks for composition.</li><li><a class="wiki_link" href="/isoharmonic%20chords">Isoharmonic chords/scales</a></li><li><a class="wiki_link" href="/Pretty%20Pictures">Pretty Pictures</a> that represent scales in one way or another</li><li><a class="wiki_link" href="/Notation">Notation</a>(pretty pictures for a the purpose of writing music down)<ul><li><a class="wiki_link" href="/Nominal-Accidental%20Chains">Nominal-Accidental Chains</a> A common approach to notation</li></ul></li><li>the notion of a <a class="wiki_link" href="/Scalesmith">Scalesmith</a> who <em>builds</em>scales, with various methods, perhaps for single occasions<ul><li>Counter-intuitive, random, arbitrary scales</li><li>Numerology-based, computationally demanding scales</li><li>Scale stretching</li><li>Acoustically-based (resonant frequencies of performance space, for example)</li></ul></li><li>(<a class="wiki_link" href="/Corollaries">Corollaries</a>, traces left by other reality tunnels, which by themselves are completely trivial and obvious)</li><li><a class="wiki_link" href="/Redundancy">Redundancy</a> in a tuning system</li></ul><br /> | ||
<!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="External links"></a><!-- ws:end:WikiTextHeadingRule:4 -->External links</h1> | <!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="External links"></a><!-- ws:end:WikiTextHeadingRule:4 -->External links</h1> | ||
<!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><!-- ws:end:WikiTextHeadingRule:6 --> </h2> | <!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><!-- ws:end:WikiTextHeadingRule:6 --> </h2> | ||
<ul><li>Tonalsoft <a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/encyclopedia.aspx" rel="nofollow">Encyclopedia of microtonal music theory</a> - a whole sea of information on the topic, covering both historical tuning theories and modern developments</li><li><a class="wiki_link_ext" href="http://microtonalismo.com" rel="nofollow">Microtonalismo</a> - Web microtonal</li><li><a class="wiki_link_ext" href="http://www.bikexprt.com/music/tunebibl.htm" rel="nofollow">A bibliography on musical tunings and temperaments</a>, compiled by John S. Allen</li><li><a class="wiki_link" href="/Huygens-Fokker">Huygens-Fokker</a> Foundation's <a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/bibliography.html" rel="nofollow">Tuning &amp; temperament bibliography</a>, hyperlinked and updated by Manuel op de Coul</li><li>The <a class="wiki_link_ext" href="http://www.untwelve.org" rel="nofollow">UnTwelve</a> website has some pages of theoretical interest, including a <a class="wiki_link_ext" href="http://www.untwelve.org/what.html" rel="nofollow">fascinating article</a> authored by Margo Schulter</li></ul></body></html></pre></div> | <ul><li>Tonalsoft <a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/encyclopedia.aspx" rel="nofollow">Encyclopedia of microtonal music theory</a> - a whole sea of information on the topic, covering both historical tuning theories and modern developments</li><li><a class="wiki_link_ext" href="http://microtonalismo.com" rel="nofollow">Microtonalismo</a> - Web microtonal</li><li><a class="wiki_link_ext" href="http://www.bikexprt.com/music/tunebibl.htm" rel="nofollow">A bibliography on musical tunings and temperaments</a>, compiled by John S. Allen</li><li><a class="wiki_link" href="/Huygens-Fokker">Huygens-Fokker</a> Foundation's <a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/bibliography.html" rel="nofollow">Tuning &amp; temperament bibliography</a>, hyperlinked and updated by Manuel op de Coul</li><li>The <a class="wiki_link_ext" href="http://www.untwelve.org" rel="nofollow">UnTwelve</a> website has some pages of theoretical interest, including a <a class="wiki_link_ext" href="http://www.untwelve.org/what.html" rel="nofollow">fascinating article</a> authored by Margo Schulter</li></ul></body></html></pre></div> | ||