Schismatic family: Difference between revisions
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This defies the tradition of tertian harmony, as the just major triad on C is {{nowrap|{{dash|C, F♭, G|hair|med}}}}, for example. One may want to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as {{nowrap|{{dash|C, vE, G|hair|med}}}}. | This defies the tradition of tertian harmony, as the just major triad on C is {{nowrap|{{dash|C, F♭, G|hair|med}}}}, for example. One may want to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as {{nowrap|{{dash|C, vE, G|hair|med}}}}. | ||
== Schismic == | == Schismic, schismatic, a.k.a. helmholtz == | ||
{{Main|Schismic | {{Main| Schismic }} | ||
The 5-limit version of the temperament is a [[microtemperament]], called ''schismic'', ''schismatic'', or ''helmholtz'', which flattens the fifth by a fraction of a schisma, but some other members of the family are less accurate. As a 5-limit system, it is far more accurate than meantone but still with manageable complexity. [[53edo]] is a possible tuning for schismic, but you need [[118edo]] if you want to get the full effect. In exact analogy with [[1/4-comma meantone]] there is also 1/8 schismic, with pure major thirds and fifths flattened by 1/8 schisma. Since 1/8 of a schisma is 0.244{{cent}}, this falls into the range of microtempering. You could also try 1/9 schisma, with pure minor thirds and a minutely better fifth, or 2/17 schisma, with both thirds flat by 1/17 of a schisma, although the differences would be very hard to distinguish unless using a large gamut. Simply leaving the fifths just would also make for a viable tuning, thus collapsing schismic to a simple relabeling of the 3-limit. | |||
[[Subgroup]]: 2.3.5 | [[Subgroup]]: 2.3.5 | ||
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[[Optimal tuning]]s: | [[Optimal tuning]]s: | ||
* [[CTE]]: ~2 = 1\1, ~3/2 = 701.7187 | |||
* [[POTE]]: ~2 = 1\1, ~3/2 = 701.7359 | * [[POTE]]: ~2 = 1\1, ~3/2 = 701.7359 | ||
[[Tuning ranges]]: | [[Tuning ranges]]: | ||
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== Garibaldi == | == Garibaldi == | ||
{{Main| Garibaldi }} | |||
Garibaldi tempers out the [[garischisma]], equating the [[64/63|septimal comma]] with both the [[syntonic comma]] and the [[Pythagorean comma]]. The 7/4 is found at -14 fifths, represented by the double diminished octave (C-Cbb), or down-minor seventh (C-vBb) with the down-arrow representing the comma step. It necessitates a sharper fifth than pure. Its [[S-expression]]-based comma list is {[[5120/5103|S8/S9]], [[225/224|S15]]}. | Garibaldi tempers out the [[garischisma]], equating the [[64/63|septimal comma]] with both the [[syntonic comma]] and the [[Pythagorean comma]]. The 7/4 is found at -14 fifths, represented by the double diminished octave (C-Cbb), or down-minor seventh (C-vBb) with the down-arrow representing the comma step. It necessitates a sharper fifth than pure. Its [[S-expression]]-based comma list is {[[5120/5103|S8/S9]], [[225/224|S15]]}. | ||