Kite33: Difference between revisions
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Wikispaces>TallKite **Imported revision 630868587 - Original comment: ** |
Wikispaces>FREEZE No edit summary |
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! kite33.scl | |||
! | ! | ||
33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3" | 33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3" | ||
33 | 33 | ||
! | ! | ||
64/63 | 64/63 | ||
200/189 | 200/189 | ||
15/14 | 15/14 | ||
49/45 | 49/45 | ||
10/9 | 10/9 | ||
9/8 | 9/8 | ||
8/7 | 8/7 | ||
25/21 | 25/21 | ||
6/5 | 6/5 | ||
5/4 | 5/4 | ||
80/63 | 80/63 | ||
21/16 | 21/16 | ||
250/189 | 250/189 | ||
4/3 | 4/3 | ||
10/7 | 10/7 | ||
125/84 | 125/84 | ||
3/2 | 3/2 | ||
32/21 | 32/21 | ||
25/16 | 25/16 | ||
100/63 | 100/63 | ||
8/5 | 8/5 | ||
5/3 | 5/3 | ||
320/189 | 320/189 | ||
12/7 | 12/7 | ||
7/4 | 7/4 | ||
1000/567 | 1000/567 | ||
16/9 | 16/9 | ||
25/14 | 25/14 | ||
9/5 | 9/5 | ||
15/8 | 15/8 | ||
40/21 | 40/21 | ||
125/63 | 125/63 | ||
2/1 | 2/1 | ||
Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly. | Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly. | ||
[[Category:33-tone]] | |||
[[Category:7-limit]] | |||
[[Category:just]] | |||
[[Category:scl]] | |||
Revision as of 00:00, 17 July 2018
! kite33.scl
!
33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3"
33
!
64/63
200/189
15/14
49/45
10/9
9/8
8/7
25/21
6/5
5/4
80/63
21/16
250/189
4/3
10/7
125/84
3/2
32/21
25/16
100/63
8/5
5/3
320/189
12/7
7/4
1000/567
16/9
25/14
9/5
15/8
40/21
125/63
2/1
Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly.