Gallery of just intervals: Difference between revisions
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Wikispaces>JosephRuhf **Imported revision 350970860 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 350977166 - Original comment: Reverted to Jun 28, 2012 8:39 am: Change is uglier and less informative** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-07-06 19:30:31 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>350977166</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>Reverted to Jun 28, 2012 8:39 am: Change is uglier and less informative</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
| Line 23: | Line 23: | ||
||~ frequency ratio ||~ cents value (three decimal places) ||~ some common names || | ||~ frequency ratio ||~ cents value (three decimal places) ||~ some common names || | ||
|| [[1_1|1/1]] || 0 || unison, unity, perfect prime, tonic || | || [[1_1|1/1]] || 0.000 || unison, unity, perfect prime, tonic || | ||
|| [[32805_32768|32805/32768]] || 1.954 || schisma || | || [[32805_32768|32805/32768]] || 1.954 || schisma || | ||
|| [[100_99|100/99]] || 17.344 || Ptolemy's comma || | || [[100_99|100/99]] || 17.344 || Ptolemy's comma || | ||
|| [[81_80|81/80]] || 21.506 || syntonic comma, Didymus comma || | || [[81_80|81/80]] || 21.506 || syntonic comma, Didymus comma || | ||
|| [[531441_524288|531441/524288]] || 23. | || [[531441_524288|531441/524288]] || 23.460 || Pythagorean comma, ditonic comma || | ||
|| [[65_64|65/64]] || 26.841 || 13th-partial chroma || | || [[65_64|65/64]] || 26.841 || 13th-partial chroma || | ||
|| [[64_63|64/63]] || 27.264 || septimal comma, Archytas' comma || | || [[64_63|64/63]] || 27.264 || septimal comma, Archytas' comma || | ||
| Line 34: | Line 34: | ||
|| [[45_44|45/44]] || 38.906 || undecimal 1/5th tone || | || [[45_44|45/44]] || 38.906 || undecimal 1/5th tone || | ||
|| [[525_512|525/512]] || 43.408 || Avicenna's enharmonic diesis || | || [[525_512|525/512]] || 43.408 || Avicenna's enharmonic diesis || | ||
|| [[36_35|36/35]] || 48. | || [[36_35|36/35]] || 48.770 || septimal quarter tone || | ||
|| [[100_97|100/97]] || 52.732 || shrutar quarter tone || | || [[100_97|100/97]] || 52.732 || shrutar quarter tone || | ||
|| [[33_32|33/32]] || 53.273 || undecimal quarter tone, undecimal diesis, al-Farabi's 1/4-tone, octave reduced 33rd harmonic || | || [[33_32|33/32]] || 53.273 || undecimal quarter tone, undecimal diesis, al-Farabi's 1/4-tone, octave reduced 33rd harmonic || | ||
|| [[28_27|28/27]] || 62.961 || septimal chroma, small septimal chromatic semitone || | || [[28_27|28/27]] || 62.961 || septimal chroma, small septimal chromatic semitone || | ||
| Line 55: | Line 55: | ||
|| [[243_224|243/224]] || 140.949 || septimal chromatic semitone || | || [[243_224|243/224]] || 140.949 || septimal chromatic semitone || | ||
|| [[12_11|12/11]] || 150.637 || small undecimal neutral second, 3/4-tone || | || [[12_11|12/11]] || 150.637 || small undecimal neutral second, 3/4-tone || | ||
|| [[35_32|35/32]] || 155. | || [[35_32|35/32]] || 155.140 || septimal neutral second || | ||
|| [[78_71|78/71]] || 162.786 || porcupine neutral second || | || [[78_71|78/71]] || 162.786 || porcupine neutral second || | ||
|| [[11_10|11/10]] || 165.004 || large undecimal neutral second, 4/5-tone, Ptolemy's second || | || [[11_10|11/10]] || 165.004 || large undecimal neutral second, 4/5-tone, Ptolemy's second || | ||
| Line 61: | Line 61: | ||
|| [[10_9|10/9]] || 182.404 || minor whole tone || | || [[10_9|10/9]] || 182.404 || minor whole tone || | ||
|| [[28_25|28/25]] || 196.198 || middle second || | || [[28_25|28/25]] || 196.198 || middle second || | ||
|| [[9_8|9/8]] || 203. | || [[9_8|9/8]] || 203.910 || major whole tone, Pythagorean tone, octave reduced 9th harmonic || | ||
|| [[17_15|17/15]] || 216.687 || septendecimal whole tone || | || [[17_15|17/15]] || 216.687 || septendecimal whole tone || | ||
|| [[8_7|8/7]] || 231.174 || supermajor second, septimal whole tone, diminished third, 7th subharmonic || | || [[8_7|8/7]] || 231.174 || supermajor second, septimal whole tone, diminished third, 7th subharmonic || | ||
| Line 76: | Line 76: | ||
|| [[6_5|6/5]] || 315.641 || minor third || | || [[6_5|6/5]] || 315.641 || minor third || | ||
|| [[35_29|35/29]] || 325.562 || doublewide minor third || | || [[35_29|35/29]] || 325.562 || doublewide minor third || | ||
|| [[17_14|17/14]] || 336. | || [[17_14|17/14]] || 336.130 || septendecimal supraminor third || | ||
|| [[73_60|73/60]] || 339.521 || amity supraminor third || | || [[73_60|73/60]] || 339.521 || amity supraminor third || | ||
|| [[11_9|11/9]] || 347.408 || undecimal neutral third || | || [[11_9|11/9]] || 347.408 || undecimal neutral third || | ||
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|| [[76_61|76/61]] || 380.628 || magic major third || | || [[76_61|76/61]] || 380.628 || magic major third || | ||
|| [[5_4|5/4]] || 386.314 || major third, octave reduced 5th harmonic || | || [[5_4|5/4]] || 386.314 || major third, octave reduced 5th harmonic || | ||
|| [[81_64|81/64]] || 407. | || [[81_64|81/64]] || 407.820 || Pythagorean major third, octave reduced 81st harmonic || | ||
|| [[14_11|14/11]] || 417.508 || undecimal major third, undecimal diminished fourth || | || [[14_11|14/11]] || 417.508 || undecimal major third, undecimal diminished fourth || | ||
|| [[32_25|32/25]] || 427.373 || classic diminished fourth || | || [[32_25|32/25]] || 427.373 || classic diminished fourth || | ||
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|| [[25_18|25/18]] || 568.717 || classic augmented fourth, pental augmented fourth || | || [[25_18|25/18]] || 568.717 || classic augmented fourth, pental augmented fourth || | ||
|| [[7_5|7/5]] || 582.512 || augmented fourth, septimal tritone, Huygen's tritone || | || [[7_5|7/5]] || 582.512 || augmented fourth, septimal tritone, Huygen's tritone || | ||
|| [[24_17|24/17]] || 597 || smaller septendecimal tritone || | || [[24_17|24/17]] || 597.000 || smaller septendecimal tritone || | ||
|| [[17_12|17/12]] || 603 || larger septendecimal tritone || | || [[17_12|17/12]] || 603.000 || larger septendecimal tritone || | ||
|| [[10_7|10/7]] || 617.488 || diminished fifth, Euler's tritone, superaugmented fourth || | || [[10_7|10/7]] || 617.488 || diminished fifth, Euler's tritone, superaugmented fourth || | ||
|| [[36_25|36/25]] || 631.283 || pental augmented fifth, classic augmented fifth || | || [[36_25|36/25]] || 631.283 || pental augmented fifth, classic augmented fifth || | ||
|| [[13_9|13/9]] || 636.618 || tridecimal diminished fifth || | || [[13_9|13/9]] || 636.618 || tridecimal diminished fifth || | ||
|| [[16_11|16/11]] || 648.682 || sub-fifth, undecimal semi-diminished fifth, 11th subharmonic (octave reduced) || | || [[16_11|16/11]] || 648.682 || sub-fifth, undecimal semi-diminished fifth, 11th subharmonic (octave reduced) || | ||
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|| [[49_30|49/30]] || 849.383 || || | || [[49_30|49/30]] || 849.383 || || | ||
|| [[18_11|18/11]] || 852.592 || undecimal neutral sixth || | || [[18_11|18/11]] || 852.592 || undecimal neutral sixth || | ||
|| [[28_17|28/17]] || 863. | || [[28_17|28/17]] || 863.870 || septendecimal submajor sixth || | ||
|| [[5_3|5/3]] || 884.359 || major sixth || | || [[5_3|5/3]] || 884.359 || major sixth || | ||
|| [[42_25|42/25]] || 898.153 || || | || [[42_25|42/25]] || 898.153 || || | ||
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|| [[225_128|225/128]] || 976.537 || marvel five-limit harmonic seventh || | || [[225_128|225/128]] || 976.537 || marvel five-limit harmonic seventh || | ||
|| [[30_17|30/17]] || 983.313 || septendecimal minor seventh || | || [[30_17|30/17]] || 983.313 || septendecimal minor seventh || | ||
|| [[16_9|16/9]] || 996. | || [[16_9|16/9]] || 996.090 || Pythagorean minor seventh, small minor seventh, octave reduced 9th subharmonic || | ||
|| [[25_14|25/14]] || 1003.802 || || | || [[25_14|25/14]] || 1003.802 || || | ||
|| [[9_5|9/5]] || 1017.596 || minor seventh, large minor seventh || | || [[9_5|9/5]] || 1017.596 || minor seventh, large minor seventh || | ||
| Line 162: | Line 162: | ||
|| [[49_25|49/25]] || 1165.024 || || | || [[49_25|49/25]] || 1165.024 || || | ||
|| [[160_81|160/81]] || 1178.494 || octave minus syntonic comma || | || [[160_81|160/81]] || 1178.494 || octave minus syntonic comma || | ||
|| [[Octave|2/1]] || 1200 || octave, diapason || | || [[Octave|2/1]] || 1200.000 || octave, diapason || | ||
=Links= | =Links= | ||
[[http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt|Regions of the Interval Spectrum]] by Margo Schulter [[http://www.webcitation.org/5xeoz4zmC|Permalink]] | [[http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt|Regions of the Interval Spectrum]] by Margo Schulter [[http://www.webcitation.org/5xeoz4zmC|Permalink]] | ||
[[http://www.huygens-fokker.org/docs/intervals.html|Manuel Op de Coul interval list]] | [[http://www.huygens-fokker.org/docs/intervals.html|Manuel Op de Coul interval list]] | ||
[[http://www.kylegann.com/Octave.html|Anantomy of an Octave]] by Kyle Gann | [[http://www.kylegann.com/Octave.html|Anantomy of an Octave]] by Kyle Gann</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Gallery of Just Intervals</title></head><body><!-- ws:start:WikiTextTocRule:6:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:6 --><!-- ws:start:WikiTextTocRule:7: --><a href="#Introduction">Introduction</a><!-- ws:end:WikiTextTocRule:7 --><!-- ws:start:WikiTextTocRule:8: --> | <a href="#Gallery of Just Intervals">Gallery of Just Intervals</a><!-- ws:end:WikiTextTocRule:8 --><!-- ws:start:WikiTextTocRule:9: --> | <a href="#Links">Links</a><!-- ws:end:WikiTextTocRule:9 --><!-- ws:start:WikiTextTocRule:10: --> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Gallery of Just Intervals</title></head><body><!-- ws:start:WikiTextTocRule:6:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:6 --><!-- ws:start:WikiTextTocRule:7: --><a href="#Introduction">Introduction</a><!-- ws:end:WikiTextTocRule:7 --><!-- ws:start:WikiTextTocRule:8: --> | <a href="#Gallery of Just Intervals">Gallery of Just Intervals</a><!-- ws:end:WikiTextTocRule:8 --><!-- ws:start:WikiTextTocRule:9: --> | <a href="#Links">Links</a><!-- ws:end:WikiTextTocRule:9 --><!-- ws:start:WikiTextTocRule:10: --> | ||
| Line 200: | Line 199: | ||
<td><a class="wiki_link" href="/1_1">1/1</a><br /> | <td><a class="wiki_link" href="/1_1">1/1</a><br /> | ||
</td> | </td> | ||
<td>0<br /> | <td>0.000<br /> | ||
</td> | </td> | ||
<td>unison, unity, perfect prime, tonic<br /> | <td>unison, unity, perfect prime, tonic<br /> | ||
| Line 232: | Line 231: | ||
<td><a class="wiki_link" href="/531441_524288">531441/524288</a><br /> | <td><a class="wiki_link" href="/531441_524288">531441/524288</a><br /> | ||
</td> | </td> | ||
<td>23. | <td>23.460<br /> | ||
</td> | </td> | ||
<td>Pythagorean comma, ditonic comma<br /> | <td>Pythagorean comma, ditonic comma<br /> | ||
| Line 288: | Line 287: | ||
<td><a class="wiki_link" href="/36_35">36/35</a><br /> | <td><a class="wiki_link" href="/36_35">36/35</a><br /> | ||
</td> | </td> | ||
<td>48. | <td>48.770<br /> | ||
</td> | </td> | ||
<td>septimal quarter tone<br /> | <td>septimal quarter tone<br /> | ||
| Line 456: | Line 455: | ||
<td><a class="wiki_link" href="/35_32">35/32</a><br /> | <td><a class="wiki_link" href="/35_32">35/32</a><br /> | ||
</td> | </td> | ||
<td>155. | <td>155.140<br /> | ||
</td> | </td> | ||
<td>septimal neutral second<br /> | <td>septimal neutral second<br /> | ||
| Line 504: | Line 503: | ||
<td><a class="wiki_link" href="/9_8">9/8</a><br /> | <td><a class="wiki_link" href="/9_8">9/8</a><br /> | ||
</td> | </td> | ||
<td>203. | <td>203.910<br /> | ||
</td> | </td> | ||
<td>major whole tone, Pythagorean tone, octave reduced 9th harmonic<br /> | <td>major whole tone, Pythagorean tone, octave reduced 9th harmonic<br /> | ||
| Line 624: | Line 623: | ||
<td><a class="wiki_link" href="/17_14">17/14</a><br /> | <td><a class="wiki_link" href="/17_14">17/14</a><br /> | ||
</td> | </td> | ||
<td>336. | <td>336.130<br /> | ||
</td> | </td> | ||
<td>septendecimal supraminor third<br /> | <td>septendecimal supraminor third<br /> | ||
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<td><a class="wiki_link" href="/81_64">81/64</a><br /> | <td><a class="wiki_link" href="/81_64">81/64</a><br /> | ||
</td> | </td> | ||
<td>407. | <td>407.820<br /> | ||
</td> | </td> | ||
<td>Pythagorean major third, octave reduced 81st harmonic<br /> | <td>Pythagorean major third, octave reduced 81st harmonic<br /> | ||
| Line 864: | Line 863: | ||
<td><a class="wiki_link" href="/24_17">24/17</a><br /> | <td><a class="wiki_link" href="/24_17">24/17</a><br /> | ||
</td> | </td> | ||
<td>597<br /> | <td>597.000<br /> | ||
</td> | </td> | ||
<td>smaller septendecimal tritone<br /> | <td>smaller septendecimal tritone<br /> | ||
| Line 872: | Line 871: | ||
<td><a class="wiki_link" href="/17_12">17/12</a><br /> | <td><a class="wiki_link" href="/17_12">17/12</a><br /> | ||
</td> | </td> | ||
<td>603<br /> | <td>603.000<br /> | ||
</td> | </td> | ||
<td>larger septendecimal tritone<br /> | <td>larger septendecimal tritone<br /> | ||
| Line 1,056: | Line 1,055: | ||
<td><a class="wiki_link" href="/28_17">28/17</a><br /> | <td><a class="wiki_link" href="/28_17">28/17</a><br /> | ||
</td> | </td> | ||
<td>863. | <td>863.870<br /> | ||
</td> | </td> | ||
<td>septendecimal submajor sixth<br /> | <td>septendecimal submajor sixth<br /> | ||
| Line 1,144: | Line 1,143: | ||
<td><a class="wiki_link" href="/16_9">16/9</a><br /> | <td><a class="wiki_link" href="/16_9">16/9</a><br /> | ||
</td> | </td> | ||
<td>996. | <td>996.090<br /> | ||
</td> | </td> | ||
<td>Pythagorean minor seventh, small minor seventh, octave reduced 9th subharmonic<br /> | <td>Pythagorean minor seventh, small minor seventh, octave reduced 9th subharmonic<br /> | ||
| Line 1,312: | Line 1,311: | ||
<td><a class="wiki_link" href="/Octave">2/1</a><br /> | <td><a class="wiki_link" href="/Octave">2/1</a><br /> | ||
</td> | </td> | ||
<td>1200<br /> | <td>1200.000<br /> | ||
</td> | </td> | ||
<td>octave, diapason<br /> | <td>octave, diapason<br /> | ||
| Line 1,323: | Line 1,322: | ||
<a class="wiki_link_ext" href="http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt" rel="nofollow">Regions of the Interval Spectrum</a> by Margo Schulter <a class="wiki_link_ext" href="http://www.webcitation.org/5xeoz4zmC" rel="nofollow">Permalink</a><br /> | <a class="wiki_link_ext" href="http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt" rel="nofollow">Regions of the Interval Spectrum</a> by Margo Schulter <a class="wiki_link_ext" href="http://www.webcitation.org/5xeoz4zmC" rel="nofollow">Permalink</a><br /> | ||
<a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/intervals.html" rel="nofollow">Manuel Op de Coul interval list</a><br /> | <a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/intervals.html" rel="nofollow">Manuel Op de Coul interval list</a><br /> | ||
<a class="wiki_link_ext" href="http://www.kylegann.com/Octave.html" rel="nofollow">Anantomy of an Octave</a> by Kyle Gann | <a class="wiki_link_ext" href="http://www.kylegann.com/Octave.html" rel="nofollow">Anantomy of an Octave</a> by Kyle Gann</body></html></pre></div> | ||
Revision as of 19:30, 6 July 2012
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author genewardsmith and made on 2012-07-06 19:30:31 UTC.
- The original revision id was 350977166.
- The revision comment was: Reverted to Jun 28, 2012 8:39 am: Change is uglier and less informative
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
[[toc|flat]] ---- =Introduction= In [[JustIntonation|Just Intonation]], a musical interval is specified as a ratio of two frequencies.. When two (or more) pitches are sounded that are in simple proportions to one another, there is a "fusing" quality to the sound which is often described as pleasing; hence the interest in tuning the pitches of musical systems according to such proportions. There is much debate as to what "consonance" means in a musical system, but in Just Intonation, it is generally assumed that lower numbers in frequency ratios lead to greater consonance. In the actual performance of a piece of music, the number of factors involved are enormous, and it is not often helpful to reduce a musical experience to a one-dimensional description of "consonance versus dissonance." Hence the need for this gallery, to give life to conversation about what an interval means beyond the numerical description: "5/3" or "21/16" or what have you. What follows is a Gallery of Just Intervals in ascending order from 1/1 to 2/1 and beyond. No such list could possibly be complete (as there are infinite possible ratios), so please add intervals of interest as you see fit. Any rational interval is welcome, as long as the wiki author has some interest in it. Contributions to an interval's lore could include: descriptions of common usage, technical notes, poetry, links, reservations, complaints, chords or compositions that feature it, edos that approximate it, intervals that are functionally (or emotionally) related to it, nicknames, love letters, fan art, etc. If your contribution is unconventional, feel free to sign your name to it. This page lists links to dedicated pages for each interval. Wiki page names are formatted "n_d" (where n is the numerator and d is the denominator of the interval) because both colons and slashes cannot be part of page names on wikispaces, but the links as they appear on the page are in the form n/d. ---- =Gallery of Just Intervals= See also [[List of Superparticular Intervals]] and [[http://www.huygens-fokker.org/docs/intervals.html|List of intervals (Huygens-Fokker foundation)]] ||~ frequency ratio ||~ cents value (three decimal places) ||~ some common names || || [[1_1|1/1]] || 0.000 || unison, unity, perfect prime, tonic || || [[32805_32768|32805/32768]] || 1.954 || schisma || || [[100_99|100/99]] || 17.344 || Ptolemy's comma || || [[81_80|81/80]] || 21.506 || syntonic comma, Didymus comma || || [[531441_524288|531441/524288]] || 23.460 || Pythagorean comma, ditonic comma || || [[65_64|65/64]] || 26.841 || 13th-partial chroma || || [[64_63|64/63]] || 27.264 || septimal comma, Archytas' comma || || [[50_49|50/49]] || 34.976 || septimal sixth-tone, jubilisma, small septimal diesis, tritonic diesis || || [[49_48|49/48]] || 35.697 || large septimal diesis, slendro diesis || || [[45_44|45/44]] || 38.906 || undecimal 1/5th tone || || [[525_512|525/512]] || 43.408 || Avicenna's enharmonic diesis || || [[36_35|36/35]] || 48.770 || septimal quarter tone || || [[100_97|100/97]] || 52.732 || shrutar quarter tone || || [[33_32|33/32]] || 53.273 || undecimal quarter tone, undecimal diesis, al-Farabi's 1/4-tone, octave reduced 33rd harmonic || || [[28_27|28/27]] || 62.961 || septimal chroma, small septimal chromatic semitone || || [[25_24|25/24]] || 70.672 || chroma, chromatic semitone, Zarlinian semitone || || [[68_65|68/65]] || 78.114 || valentine semitone || || [[22_21|22/21]] || 80.537 || undecimal minor semitone || || [[64_61|64/61]] || 83.115 || harry minor semitone || || [[21_20|21/20]] || 84.467 || minor semitone, large septimal chromatic semitone || || [[256_243|256/243]] || 90.225 || Pythagorean limma, Pythagorean minor second || || [[135_128|135/128]] || 92.179 || major limma || || [[18_17|18/17]] || 98.955 || small septendecimal semitone, Arabic lute index finger || || [[17_16|17/16]] || 104.955 || large septendecimal semitone, octave reduced 17th harmonic || || [[16_15|16/15]] || 111.713 || diatonic semitone, classic minor second, octave reduced 15th subharmonic || || [[2187_2048|2187/2048]] || 113.685 || apotome || || [[15_14|15/14]] || 119.443 || septimal diatonic semitone || || [[14_13|14/13]] || 128.298 || 2/3-tone, trienthird || || [[27_25|27/25]] || 133.238 || large limma || || [[13_12|13/12]] || 138.573 || tridecimal 2/3-tone || || [[243_224|243/224]] || 140.949 || septimal chromatic semitone || || [[12_11|12/11]] || 150.637 || small undecimal neutral second, 3/4-tone || || [[35_32|35/32]] || 155.140 || septimal neutral second || || [[78_71|78/71]] || 162.786 || porcupine neutral second || || [[11_10|11/10]] || 165.004 || large undecimal neutral second, 4/5-tone, Ptolemy's second || || [[54_49|54/49]] || 168.213 || Zalzal's mujannab || || [[10_9|10/9]] || 182.404 || minor whole tone || || [[28_25|28/25]] || 196.198 || middle second || || [[9_8|9/8]] || 203.910 || major whole tone, Pythagorean tone, octave reduced 9th harmonic || || [[17_15|17/15]] || 216.687 || septendecimal whole tone || || [[8_7|8/7]] || 231.174 || supermajor second, septimal whole tone, diminished third, 7th subharmonic || || [[15_13|15/13]] || 247.741 || semifourth || || [[22_19|22/19]] || 253.805 || minimal minor third, godzilla third || || [[7_6|7/6]] || 266.871 || subminor third, septimal minor third, augmented second || || [[62_53|62/53]] || 271.531 || orwell subminor third || || [[20_17|20/17]] || 281.358 || septendecimal augmented second, septendecimal minor third || || [[13_11|13/11]] || 289.210 || tridecimal minor third || || [[32_27|32/27]] || 294.135 || Pythagorean minor third, octave reduced 27th subharmonic || || [[19_16|19/16]] || 297.513 || otonal minor third, octave reduced 19th harmonic || || [[25_21|25/21]] || 301.847 || quasi-tempered minor third || || [[61_51|61/51]] || 309.974 || myna third || || [[6_5|6/5]] || 315.641 || minor third || || [[35_29|35/29]] || 325.562 || doublewide minor third || || [[17_14|17/14]] || 336.130 || septendecimal supraminor third || || [[73_60|73/60]] || 339.521 || amity supraminor third || || [[11_9|11/9]] || 347.408 || undecimal neutral third || || [[60_49|60/49]] || 350.617 || smaller septimal neutral third || || [[49_40|49/40]] || 351.338 || larger septimal neutral third || || [[16_13|16/13]] || 359.472 || tridecimal neutral third || || [[56_45|56/45]] || 378.602 || narrow perde segah || || [[71_57|71/57]] || 380.229 || witchcraft major third || || [[76_61|76/61]] || 380.628 || magic major third || || [[5_4|5/4]] || 386.314 || major third, octave reduced 5th harmonic || || [[81_64|81/64]] || 407.820 || Pythagorean major third, octave reduced 81st harmonic || || [[14_11|14/11]] || 417.508 || undecimal major third, undecimal diminished fourth || || [[32_25|32/25]] || 427.373 || classic diminished fourth || || [[9_7|9/7]] || 435.084 || supermajor third, septimal major third, diminished fourth || || [[31_24|31/24]] || 443.081 || sensi supermajor third || || [[22_17|22/17]] || 446.363 || septendecimal supermajor third || || [[35_27|35/27]] || 449.275 || semi-diminished fourth || || [[13_10|13/10]] || 454.214 || Barbados third, tridecimal 9/4 tone, tridecimal semidiminished fourth, tridecimal ultramajor third || || [[64_49|64/49]] || 462.348 || septatonic major third || || [[17_13|17/13]] || 464.428 || septendecimal sub-fourth || || [[21_16|21/16]] || 470.781 || sub-fourth, narrow fourth, augmented third, octave reduced 21st harmonic || || [[4_3|4/3]] || 498.045 || perfect fourth, octave reduced 3rd subharmonic, diatessaron || || [[27_20|27/20]] || 519.551 || acute fourth || || [[49_36|49/36]] || 533.742 || Arabic lute acute fourth || || [[15_11|15/11]] || 536.591 || undecimal augmented fourth, subaugmented fourth || || [[48_35|48/35]] || 546.815 || septimal super-fourth || || [[11_8|11/8]] || 551.318 || super-fourth, undecimal semi-augmented fourth, octave reduced 11th harmonic or harmonic 11th, Alphorn-Fa || || [[18_13|18/13]] || 563.382 || tridecimal augmented fourth || || [[25_18|25/18]] || 568.717 || classic augmented fourth, pental augmented fourth || || [[7_5|7/5]] || 582.512 || augmented fourth, septimal tritone, Huygen's tritone || || [[24_17|24/17]] || 597.000 || smaller septendecimal tritone || || [[17_12|17/12]] || 603.000 || larger septendecimal tritone || || [[10_7|10/7]] || 617.488 || diminished fifth, Euler's tritone, superaugmented fourth || || [[36_25|36/25]] || 631.283 || pental augmented fifth, classic augmented fifth || || [[13_9|13/9]] || 636.618 || tridecimal diminished fifth || || [[16_11|16/11]] || 648.682 || sub-fifth, undecimal semi-diminished fifth, 11th subharmonic (octave reduced) || || [[35_24|35/24]] || 653.185 || septimal sub-fifth || || [[22_15|22/15]] || 663.049 || undecimal diminished fifth, semidiminished fifth || || [[72_49|72/49]] || 666.258 || || || [[40_27|40/27]] || 680.449 || grave fifth || || [[Just perfect fifth|3/2]] || 701.955 || [[perfect fifth]], octave reduced 3rd harmonic, diapente || || [[32_21|32/21]] || 729.219 || super-fifth, wide fifth, diminished sixth, octave reduced 21st subharmonic || || [[26_17|26/17]] || 735.572 || septendecimal super-fifth || || [[49_32|49/32]] || 737.652 || || || [[20_13|20/13]] || 745.786 || Barbados sixth, ratwolf wolf fifth, tridecimal semi-augmented fifth, tridecimal ultraminor sixth || || [[17_11|17/11]] || 753.637 || septendecimal subminor sixth || || [[14_9|14/9]] || 764.916 || subminor sixth, septimal minor sixth, augmented fifth || || [[25_16|25/16]] || 772.627 || || || [[11_7|11/7]] || 782.492 || undecimal subminor sixth, undecimal augmented fifth || || [[8_5|8/5]] || 813.686 || minor sixth, octave reduced 5th subharmonic || || [[13_8|13/8]] || 840.528 || tridecimal neutral sixth || || [[80_49|80/49]] || 848.662 || || || [[49_30|49/30]] || 849.383 || || || [[18_11|18/11]] || 852.592 || undecimal neutral sixth || || [[28_17|28/17]] || 863.870 || septendecimal submajor sixth || || [[5_3|5/3]] || 884.359 || major sixth || || [[42_25|42/25]] || 898.153 || || || [[27_16|27/16]] || 905.865 || Pythagorean major sixth, octave reduced 27th harmonic || || [[22_13|22/13]] || 910.790 || tridecimal major sixth || || [[17_10|17/10]] || 918.642 || septendecimal diminished seventh, septendecimal major sixth || || [[12_7|12/7]] || 933.129 || supermajor sixth, septimal major sixth, diminished seventh || || [[26_15|26/15]] || 952.259 || semitwelfth || || [[7_4|7/4]] || 968.826 || subminor seventh, harmonic seventh, augmented sixth, octave reduced 7th harmonic || || [[225_128|225/128]] || 976.537 || marvel five-limit harmonic seventh || || [[30_17|30/17]] || 983.313 || septendecimal minor seventh || || [[16_9|16/9]] || 996.090 || Pythagorean minor seventh, small minor seventh, octave reduced 9th subharmonic || || [[25_14|25/14]] || 1003.802 || || || [[9_5|9/5]] || 1017.596 || minor seventh, large minor seventh || || [[20_11|20/11]] || 1034.996 || undecimal minor seventh, small undecimal neutral seventh || || [[64_35|64/35]] || 1044.860 || || || [[11_6|11/6]] || 1049.363 || undecimal neutral seventh, 21/4-tone || || [[24_13|24/13]] || 1061.427 || tridecimal neutral seventh || || [[13_7|13/7]] || 1071.702 || 16/3-tone || || [[28_15|28/15]] || 1080.557 || grave major seventh || || [[15_8|15/8]] || 1088.269 || major seventh, just major seventh, octave reduced 15th harmonic || || [[32_17|32/17]] || 1095.045 || small septendecimal major seventh, octave-reduced 17th subharmonic || || [[17_9|17/9]] || 1101.045 || large septendecimal major seventh || || [[243_128|243/128]] || 1109.775 || Pythagorean major seventh || || [[40_21|40/21]] || 1115.533 || acute major seventh || || [[61_32|61/32]] || 1116.885 || octave reduced 61st harmonic || || [[48_25|48/25]] || 1129.328 || || || [[64_33|64/33]] || 1146.727 || octave reduced 33rd subharmonic || || [[35_18|35/18]] || 1151.230 || || || [[96_49|96/49]] || 1164.303 || || || [[49_25|49/25]] || 1165.024 || || || [[160_81|160/81]] || 1178.494 || octave minus syntonic comma || || [[Octave|2/1]] || 1200.000 || octave, diapason || =Links= [[http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt|Regions of the Interval Spectrum]] by Margo Schulter [[http://www.webcitation.org/5xeoz4zmC|Permalink]] [[http://www.huygens-fokker.org/docs/intervals.html|Manuel Op de Coul interval list]] [[http://www.kylegann.com/Octave.html|Anantomy of an Octave]] by Kyle Gann
Original HTML content:
<html><head><title>Gallery of Just Intervals</title></head><body><!-- ws:start:WikiTextTocRule:6:<img id="wikitext@@toc@@flat" class="WikiMedia WikiMediaTocFlat" title="Table of Contents" src="/site/embedthumbnail/toc/flat?w=100&h=16"/> --><!-- ws:end:WikiTextTocRule:6 --><!-- ws:start:WikiTextTocRule:7: --><a href="#Introduction">Introduction</a><!-- ws:end:WikiTextTocRule:7 --><!-- ws:start:WikiTextTocRule:8: --> | <a href="#Gallery of Just Intervals">Gallery of Just Intervals</a><!-- ws:end:WikiTextTocRule:8 --><!-- ws:start:WikiTextTocRule:9: --> | <a href="#Links">Links</a><!-- ws:end:WikiTextTocRule:9 --><!-- ws:start:WikiTextTocRule:10: -->
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<!-- ws:start:WikiTextHeadingRule:0:<h1> --><h1 id="toc0"><a name="Introduction"></a><!-- ws:end:WikiTextHeadingRule:0 -->Introduction</h1>
<br />
In <a class="wiki_link" href="/JustIntonation">Just Intonation</a>, a musical interval is specified as a ratio of two frequencies.. When two (or more) pitches are sounded that are in simple proportions to one another, there is a "fusing" quality to the sound which is often described as pleasing; hence the interest in tuning the pitches of musical systems according to such proportions. There is much debate as to what "consonance" means in a musical system, but in Just Intonation, it is generally assumed that lower numbers in frequency ratios lead to greater consonance. In the actual performance of a piece of music, the number of factors involved are enormous, and it is not often helpful to reduce a musical experience to a one-dimensional description of "consonance versus dissonance." Hence the need for this gallery, to give life to conversation about what an interval means beyond the numerical description: "5/3" or "21/16" or what have you.<br />
<br />
What follows is a Gallery of Just Intervals in ascending order from 1/1 to 2/1 and beyond. No such list could possibly be complete (as there are infinite possible ratios), so please add intervals of interest as you see fit. Any rational interval is welcome, as long as the wiki author has some interest in it. Contributions to an interval's lore could include: descriptions of common usage, technical notes, poetry, links, reservations, complaints, chords or compositions that feature it, edos that approximate it, intervals that are functionally (or emotionally) related to it, nicknames, love letters, fan art, etc. If your contribution is unconventional, feel free to sign your name to it.<br />
<br />
This page lists links to dedicated pages for each interval. Wiki page names are formatted "n_d" (where n is the numerator and d is the denominator of the interval) because both colons and slashes cannot be part of page names on wikispaces, but the links as they appear on the page are in the form n/d.<br />
<br />
<hr />
<br />
<!-- ws:start:WikiTextHeadingRule:2:<h1> --><h1 id="toc1"><a name="Gallery of Just Intervals"></a><!-- ws:end:WikiTextHeadingRule:2 -->Gallery of Just Intervals</h1>
<br />
See also <a class="wiki_link" href="/List%20of%20Superparticular%20Intervals">List of Superparticular Intervals</a> and <a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/intervals.html" rel="nofollow">List of intervals (Huygens-Fokker foundation)</a><br />
<br />
<table class="wiki_table">
<tr>
<th>frequency ratio<br />
</th>
<th>cents value (three decimal places)<br />
</th>
<th>some common names<br />
</th>
</tr>
<tr>
<td><a class="wiki_link" href="/1_1">1/1</a><br />
</td>
<td>0.000<br />
</td>
<td>unison, unity, perfect prime, tonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/32805_32768">32805/32768</a><br />
</td>
<td>1.954<br />
</td>
<td>schisma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/100_99">100/99</a><br />
</td>
<td>17.344<br />
</td>
<td>Ptolemy's comma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/81_80">81/80</a><br />
</td>
<td>21.506<br />
</td>
<td>syntonic comma, Didymus comma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/531441_524288">531441/524288</a><br />
</td>
<td>23.460<br />
</td>
<td>Pythagorean comma, ditonic comma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/65_64">65/64</a><br />
</td>
<td>26.841<br />
</td>
<td>13th-partial chroma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/64_63">64/63</a><br />
</td>
<td>27.264<br />
</td>
<td>septimal comma, Archytas' comma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/50_49">50/49</a><br />
</td>
<td>34.976<br />
</td>
<td>septimal sixth-tone, jubilisma, small septimal diesis, tritonic diesis<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/49_48">49/48</a><br />
</td>
<td>35.697<br />
</td>
<td>large septimal diesis, slendro diesis<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/45_44">45/44</a><br />
</td>
<td>38.906<br />
</td>
<td>undecimal 1/5th tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/525_512">525/512</a><br />
</td>
<td>43.408<br />
</td>
<td>Avicenna's enharmonic diesis<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/36_35">36/35</a><br />
</td>
<td>48.770<br />
</td>
<td>septimal quarter tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/100_97">100/97</a><br />
</td>
<td>52.732<br />
</td>
<td>shrutar quarter tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/33_32">33/32</a><br />
</td>
<td>53.273<br />
</td>
<td>undecimal quarter tone, undecimal diesis, al-Farabi's 1/4-tone, octave reduced 33rd harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/28_27">28/27</a><br />
</td>
<td>62.961<br />
</td>
<td>septimal chroma, small septimal chromatic semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/25_24">25/24</a><br />
</td>
<td>70.672<br />
</td>
<td>chroma, chromatic semitone, Zarlinian semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/68_65">68/65</a><br />
</td>
<td>78.114<br />
</td>
<td>valentine semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/22_21">22/21</a><br />
</td>
<td>80.537<br />
</td>
<td>undecimal minor semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/64_61">64/61</a><br />
</td>
<td>83.115<br />
</td>
<td>harry minor semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/21_20">21/20</a><br />
</td>
<td>84.467<br />
</td>
<td>minor semitone, large septimal chromatic semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/256_243">256/243</a><br />
</td>
<td>90.225<br />
</td>
<td>Pythagorean limma, Pythagorean minor second<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/135_128">135/128</a><br />
</td>
<td>92.179<br />
</td>
<td>major limma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/18_17">18/17</a><br />
</td>
<td>98.955<br />
</td>
<td>small septendecimal semitone, Arabic lute index finger<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_16">17/16</a><br />
</td>
<td>104.955<br />
</td>
<td>large septendecimal semitone, octave reduced 17th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/16_15">16/15</a><br />
</td>
<td>111.713<br />
</td>
<td>diatonic semitone, classic minor second, octave reduced 15th subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/2187_2048">2187/2048</a><br />
</td>
<td>113.685<br />
</td>
<td>apotome<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/15_14">15/14</a><br />
</td>
<td>119.443<br />
</td>
<td>septimal diatonic semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/14_13">14/13</a><br />
</td>
<td>128.298<br />
</td>
<td>2/3-tone, trienthird<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/27_25">27/25</a><br />
</td>
<td>133.238<br />
</td>
<td>large limma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/13_12">13/12</a><br />
</td>
<td>138.573<br />
</td>
<td>tridecimal 2/3-tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/243_224">243/224</a><br />
</td>
<td>140.949<br />
</td>
<td>septimal chromatic semitone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/12_11">12/11</a><br />
</td>
<td>150.637<br />
</td>
<td>small undecimal neutral second, 3/4-tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/35_32">35/32</a><br />
</td>
<td>155.140<br />
</td>
<td>septimal neutral second<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/78_71">78/71</a><br />
</td>
<td>162.786<br />
</td>
<td>porcupine neutral second<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/11_10">11/10</a><br />
</td>
<td>165.004<br />
</td>
<td>large undecimal neutral second, 4/5-tone, Ptolemy's second<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/54_49">54/49</a><br />
</td>
<td>168.213<br />
</td>
<td>Zalzal's mujannab<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/10_9">10/9</a><br />
</td>
<td>182.404<br />
</td>
<td>minor whole tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/28_25">28/25</a><br />
</td>
<td>196.198<br />
</td>
<td>middle second<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/9_8">9/8</a><br />
</td>
<td>203.910<br />
</td>
<td>major whole tone, Pythagorean tone, octave reduced 9th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_15">17/15</a><br />
</td>
<td>216.687<br />
</td>
<td>septendecimal whole tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/8_7">8/7</a><br />
</td>
<td>231.174<br />
</td>
<td>supermajor second, septimal whole tone, diminished third, 7th subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/15_13">15/13</a><br />
</td>
<td>247.741<br />
</td>
<td>semifourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/22_19">22/19</a><br />
</td>
<td>253.805<br />
</td>
<td>minimal minor third, godzilla third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/7_6">7/6</a><br />
</td>
<td>266.871<br />
</td>
<td>subminor third, septimal minor third, augmented second<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/62_53">62/53</a><br />
</td>
<td>271.531<br />
</td>
<td>orwell subminor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/20_17">20/17</a><br />
</td>
<td>281.358<br />
</td>
<td>septendecimal augmented second, septendecimal minor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/13_11">13/11</a><br />
</td>
<td>289.210<br />
</td>
<td>tridecimal minor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/32_27">32/27</a><br />
</td>
<td>294.135<br />
</td>
<td>Pythagorean minor third, octave reduced 27th subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/19_16">19/16</a><br />
</td>
<td>297.513<br />
</td>
<td>otonal minor third, octave reduced 19th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/25_21">25/21</a><br />
</td>
<td>301.847<br />
</td>
<td>quasi-tempered minor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/61_51">61/51</a><br />
</td>
<td>309.974<br />
</td>
<td>myna third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/6_5">6/5</a><br />
</td>
<td>315.641<br />
</td>
<td>minor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/35_29">35/29</a><br />
</td>
<td>325.562<br />
</td>
<td>doublewide minor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_14">17/14</a><br />
</td>
<td>336.130<br />
</td>
<td>septendecimal supraminor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/73_60">73/60</a><br />
</td>
<td>339.521<br />
</td>
<td>amity supraminor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/11_9">11/9</a><br />
</td>
<td>347.408<br />
</td>
<td>undecimal neutral third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/60_49">60/49</a><br />
</td>
<td>350.617<br />
</td>
<td>smaller septimal neutral third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/49_40">49/40</a><br />
</td>
<td>351.338<br />
</td>
<td>larger septimal neutral third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/16_13">16/13</a><br />
</td>
<td>359.472<br />
</td>
<td>tridecimal neutral third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/56_45">56/45</a><br />
</td>
<td>378.602<br />
</td>
<td>narrow perde segah<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/71_57">71/57</a><br />
</td>
<td>380.229<br />
</td>
<td>witchcraft major third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/76_61">76/61</a><br />
</td>
<td>380.628<br />
</td>
<td>magic major third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/5_4">5/4</a><br />
</td>
<td>386.314<br />
</td>
<td>major third, octave reduced 5th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/81_64">81/64</a><br />
</td>
<td>407.820<br />
</td>
<td>Pythagorean major third, octave reduced 81st harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/14_11">14/11</a><br />
</td>
<td>417.508<br />
</td>
<td>undecimal major third, undecimal diminished fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/32_25">32/25</a><br />
</td>
<td>427.373<br />
</td>
<td>classic diminished fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/9_7">9/7</a><br />
</td>
<td>435.084<br />
</td>
<td>supermajor third, septimal major third, diminished fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/31_24">31/24</a><br />
</td>
<td>443.081<br />
</td>
<td>sensi supermajor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/22_17">22/17</a><br />
</td>
<td>446.363<br />
</td>
<td>septendecimal supermajor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/35_27">35/27</a><br />
</td>
<td>449.275<br />
</td>
<td>semi-diminished fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/13_10">13/10</a><br />
</td>
<td>454.214<br />
</td>
<td>Barbados third, tridecimal 9/4 tone, tridecimal semidiminished fourth, tridecimal ultramajor third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/64_49">64/49</a><br />
</td>
<td>462.348<br />
</td>
<td>septatonic major third<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_13">17/13</a><br />
</td>
<td>464.428<br />
</td>
<td>septendecimal sub-fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/21_16">21/16</a><br />
</td>
<td>470.781<br />
</td>
<td>sub-fourth, narrow fourth, augmented third, octave reduced 21st harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/4_3">4/3</a><br />
</td>
<td>498.045<br />
</td>
<td>perfect fourth, octave reduced 3rd subharmonic, diatessaron<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/27_20">27/20</a><br />
</td>
<td>519.551<br />
</td>
<td>acute fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/49_36">49/36</a><br />
</td>
<td>533.742<br />
</td>
<td>Arabic lute acute fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/15_11">15/11</a><br />
</td>
<td>536.591<br />
</td>
<td>undecimal augmented fourth, subaugmented fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/48_35">48/35</a><br />
</td>
<td>546.815<br />
</td>
<td>septimal super-fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/11_8">11/8</a><br />
</td>
<td>551.318<br />
</td>
<td>super-fourth, undecimal semi-augmented fourth, octave reduced 11th harmonic or harmonic 11th, Alphorn-Fa<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/18_13">18/13</a><br />
</td>
<td>563.382<br />
</td>
<td>tridecimal augmented fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/25_18">25/18</a><br />
</td>
<td>568.717<br />
</td>
<td>classic augmented fourth, pental augmented fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/7_5">7/5</a><br />
</td>
<td>582.512<br />
</td>
<td>augmented fourth, septimal tritone, Huygen's tritone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/24_17">24/17</a><br />
</td>
<td>597.000<br />
</td>
<td>smaller septendecimal tritone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_12">17/12</a><br />
</td>
<td>603.000<br />
</td>
<td>larger septendecimal tritone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/10_7">10/7</a><br />
</td>
<td>617.488<br />
</td>
<td>diminished fifth, Euler's tritone, superaugmented fourth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/36_25">36/25</a><br />
</td>
<td>631.283<br />
</td>
<td>pental augmented fifth, classic augmented fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/13_9">13/9</a><br />
</td>
<td>636.618<br />
</td>
<td>tridecimal diminished fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/16_11">16/11</a><br />
</td>
<td>648.682<br />
</td>
<td>sub-fifth, undecimal semi-diminished fifth, 11th subharmonic (octave reduced)<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/35_24">35/24</a><br />
</td>
<td>653.185<br />
</td>
<td>septimal sub-fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/22_15">22/15</a><br />
</td>
<td>663.049<br />
</td>
<td>undecimal diminished fifth, semidiminished fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/72_49">72/49</a><br />
</td>
<td>666.258<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/40_27">40/27</a><br />
</td>
<td>680.449<br />
</td>
<td>grave fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/Just%20perfect%20fifth">3/2</a><br />
</td>
<td>701.955<br />
</td>
<td><a class="wiki_link" href="/perfect%20fifth">perfect fifth</a>, octave reduced 3rd harmonic, diapente<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/32_21">32/21</a><br />
</td>
<td>729.219<br />
</td>
<td>super-fifth, wide fifth, diminished sixth, octave reduced 21st subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/26_17">26/17</a><br />
</td>
<td>735.572<br />
</td>
<td>septendecimal super-fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/49_32">49/32</a><br />
</td>
<td>737.652<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/20_13">20/13</a><br />
</td>
<td>745.786<br />
</td>
<td>Barbados sixth, ratwolf wolf fifth, tridecimal semi-augmented fifth, tridecimal ultraminor sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_11">17/11</a><br />
</td>
<td>753.637<br />
</td>
<td>septendecimal subminor sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/14_9">14/9</a><br />
</td>
<td>764.916<br />
</td>
<td>subminor sixth, septimal minor sixth, augmented fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/25_16">25/16</a><br />
</td>
<td>772.627<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/11_7">11/7</a><br />
</td>
<td>782.492<br />
</td>
<td>undecimal subminor sixth, undecimal augmented fifth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/8_5">8/5</a><br />
</td>
<td>813.686<br />
</td>
<td>minor sixth, octave reduced 5th subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/13_8">13/8</a><br />
</td>
<td>840.528<br />
</td>
<td>tridecimal neutral sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/80_49">80/49</a><br />
</td>
<td>848.662<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/49_30">49/30</a><br />
</td>
<td>849.383<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/18_11">18/11</a><br />
</td>
<td>852.592<br />
</td>
<td>undecimal neutral sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/28_17">28/17</a><br />
</td>
<td>863.870<br />
</td>
<td>septendecimal submajor sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/5_3">5/3</a><br />
</td>
<td>884.359<br />
</td>
<td>major sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/42_25">42/25</a><br />
</td>
<td>898.153<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/27_16">27/16</a><br />
</td>
<td>905.865<br />
</td>
<td>Pythagorean major sixth, octave reduced 27th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/22_13">22/13</a><br />
</td>
<td>910.790<br />
</td>
<td>tridecimal major sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_10">17/10</a><br />
</td>
<td>918.642<br />
</td>
<td>septendecimal diminished seventh, septendecimal major sixth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/12_7">12/7</a><br />
</td>
<td>933.129<br />
</td>
<td>supermajor sixth, septimal major sixth, diminished seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/26_15">26/15</a><br />
</td>
<td>952.259<br />
</td>
<td>semitwelfth<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/7_4">7/4</a><br />
</td>
<td>968.826<br />
</td>
<td>subminor seventh, harmonic seventh, augmented sixth, octave reduced 7th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/225_128">225/128</a><br />
</td>
<td>976.537<br />
</td>
<td>marvel five-limit harmonic seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/30_17">30/17</a><br />
</td>
<td>983.313<br />
</td>
<td>septendecimal minor seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/16_9">16/9</a><br />
</td>
<td>996.090<br />
</td>
<td>Pythagorean minor seventh, small minor seventh, octave reduced 9th subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/25_14">25/14</a><br />
</td>
<td>1003.802<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/9_5">9/5</a><br />
</td>
<td>1017.596<br />
</td>
<td>minor seventh, large minor seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/20_11">20/11</a><br />
</td>
<td>1034.996<br />
</td>
<td>undecimal minor seventh, small undecimal neutral seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/64_35">64/35</a><br />
</td>
<td>1044.860<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/11_6">11/6</a><br />
</td>
<td>1049.363<br />
</td>
<td>undecimal neutral seventh, 21/4-tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/24_13">24/13</a><br />
</td>
<td>1061.427<br />
</td>
<td>tridecimal neutral seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/13_7">13/7</a><br />
</td>
<td>1071.702<br />
</td>
<td>16/3-tone<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/28_15">28/15</a><br />
</td>
<td>1080.557<br />
</td>
<td>grave major seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/15_8">15/8</a><br />
</td>
<td>1088.269<br />
</td>
<td>major seventh, just major seventh, octave reduced 15th harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/32_17">32/17</a><br />
</td>
<td>1095.045<br />
</td>
<td>small septendecimal major seventh, octave-reduced 17th subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/17_9">17/9</a><br />
</td>
<td>1101.045<br />
</td>
<td>large septendecimal major seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/243_128">243/128</a><br />
</td>
<td>1109.775<br />
</td>
<td>Pythagorean major seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/40_21">40/21</a><br />
</td>
<td>1115.533<br />
</td>
<td>acute major seventh<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/61_32">61/32</a><br />
</td>
<td>1116.885<br />
</td>
<td>octave reduced 61st harmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/48_25">48/25</a><br />
</td>
<td>1129.328<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/64_33">64/33</a><br />
</td>
<td>1146.727<br />
</td>
<td>octave reduced 33rd subharmonic<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/35_18">35/18</a><br />
</td>
<td>1151.230<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/96_49">96/49</a><br />
</td>
<td>1164.303<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/49_25">49/25</a><br />
</td>
<td>1165.024<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/160_81">160/81</a><br />
</td>
<td>1178.494<br />
</td>
<td>octave minus syntonic comma<br />
</td>
</tr>
<tr>
<td><a class="wiki_link" href="/Octave">2/1</a><br />
</td>
<td>1200.000<br />
</td>
<td>octave, diapason<br />
</td>
</tr>
</table>
<br />
<!-- ws:start:WikiTextHeadingRule:4:<h1> --><h1 id="toc2"><a name="Links"></a><!-- ws:end:WikiTextHeadingRule:4 -->Links</h1>
<a class="wiki_link_ext" href="http://www.bestii.com/%7Emschulter/IntervalSpectrumRegions.txt" rel="nofollow">Regions of the Interval Spectrum</a> by Margo Schulter <a class="wiki_link_ext" href="http://www.webcitation.org/5xeoz4zmC" rel="nofollow">Permalink</a><br />
<a class="wiki_link_ext" href="http://www.huygens-fokker.org/docs/intervals.html" rel="nofollow">Manuel Op de Coul interval list</a><br />
<a class="wiki_link_ext" href="http://www.kylegann.com/Octave.html" rel="nofollow">Anantomy of an Octave</a> by Kyle Gann</body></html>